About as good as it gets. Funny, when this came out in 1990, nobody was much interested--which is the case for many movies which later come to be considered classics. I went to see it twice--wow! I had nothing to compare it to, as it was nothing like THE GODFATHER movies. Everything about it is damn near perfect. Watch all the DVD extras, fascinating!
Forgotten neo-noir from 1975 directed by BONNIE & CLYDE director Arthur Penn. Hackman is great in the lead as down-on-his-luck PI Harry Moseby. Convoluted crime story makes for compelling viewing, as does a naked teenage Melanie Griffith. Early James Woods role. One hell of a climax.
Classic Altman. George Segal and Elliott Gould--god the '70s!!!!--are both terrific here as two guys who meet and bond over gambling. Loose and rambling but quite charming. Gould is especially outstanding. You really wanna hang out with these guys, and the two "ladies of the night" Gould lives with. A terrific surprise.
A consummate horror film that has aged terrifically. I like to watch it every few years and It's even better today than it was in 1982 (yes, I saw it back then!). We can remove it from the context of ALIEN, INVASION OF THE BODY SNATCHERS (1978), and the original 1951 THING FROM ANOTHER WORLD and view it on its own merits. Its special effects are some of the greatest ever seen on-screen (fuck CGI forever). The crew members are distinct personalities?although Wilford Brimley is probably the best thing going here; listen closely to his dialogue as he explains exactly what the "thing" is. Ennio Morricone?s masterful score perfectly complements the isolation of Antarctica and the dawning horror of discovering a spaceship and its inhabitant trapped in ice since before the dawn of man. What?s terrific about this movie is its slow creeping descent into an inescapable position, and its insistence that everything be played straight and without winks at the audience. I don?t think this played well in the early 1980s. Carpenter even states on the excellent audio commentary that once E.T. came out, everybody wanted "nice" aliens (although Cameron would turn this around with ALIENS a few years later). But this film stands as one of the greatest horror movies ever made, giving lie to the idea that remakes are never a good idea, and cementing Kurt Russell's place as one of the baddest of all bad-ass leading men.
Another example of Cronenberg's mastery of economic story-telling. As always in his films, it is centered in the physical body, here an innocent infant and a violent tattooed gangster. Mortensen for the win!
Vastly underrated crime caper comedy that seems to be marred by the presence of J. Lo. Don't get me wrong, she's quite good, but when I tell people she's in it--forget it. They don't wanna know. One of the best of the entire decade.
An amazing and intense British crime thriller that must be seen to be believed. Don't let the unfocused, dialogue-less opening throw you off; it will be explained later. Hoskins is FANTASTIC, so is Mirren. Startling and satisfying in every way.