Surreal and epic, a visually dazzling adventure on a grand scale. The film looks and feels like a forties science fiction/adventure comic book. This is one instance when the use of blue screen technology, rather than cheapening, enhances the overall quality of the film.
Surprisingly well done. Emma Thompson is brilliant, as usual. Dustin Hoffman is enjoyable, despite playing essentially the same role as he had in I Heart Huckabees. Full of clever dialogue, this film was much better than I expected it to be.
This is one of the most brilliant and influential films ever made. It is notable for its non-linear plot line, and the powerful aesthetic it derrives from its surreal formalist sets.
Witty dialogue, beautiful scenery... What more could you ask for in a film? Well, perhaps a more original score (the same melody becomes rather tedious when repeated over and over), and a complete obliteration of those zoom/pan shots that work well in a BBC min-series, but do not belong in a feature film. Apart from these defects, the film was lovely. The acting was understandably superb. It was especially nice to see Talulah Riley again, in the part of Mary.
As clever and irrepressable as its protagonist, this film blends elements of The Count of Monte Cristo and 1984 with dark predictions of the not so distant future. The story comments powerfully on the flaws of human nature and contemporary society, and it is lesson I sincerely hope will not soon be forgot.
Just another cheesy zombie movie right? Wrong. Although it does follow the formula, this film scores major points for the few things that it does to set it apart from the rest of its genre.
For BBC nerds like me, it is a treat to see former Doctor Christopher Eccelston appear in a supporting role. But the film's borrowed charm doesn't end there with the latest Time Lord. I was absolutely thrilled to discover that the soundtrack is almost exclusively comprised of East Hastings by Montréal's Godspeed You!Black Emperor.