Amazing...so incredibly amazing. The kind of film that makes me want to stop making films because I don't think I could live up to that standard...and the next day the kind of film that makes me want to try twice as hard to do so.
One of strangest, most profound, silly, touching, surreal, lovable, funny and oddly soothing films I've ever seen. It will be hard to knock this out of my top 10. Just submit to the power of the film and finish it in one sitting. You never know where it's going to go, just know you'll be glad when you do.
Holy photography this movie is gorgeous. Kubrick is defiantly finding his signature style...but the script with all of the flashbacks is not quite as sharp as it could have been. Well worth seeing in spite of that...oh and the mannequin sequence is amazing.
This used to be my favorite Bond film, but I think Goldfinger may have taken over that spot.
FRWL is certainly one of the stranger Bond films. Bond doesn't show up for the first 20 minutes of the movie. There is no plot to take over the world. Bond only fights henchman rather than the top baddies.
However FRWL also provides times where Bond really seems to be in Danger. There is a reality to the story that goes on that makes FRWL very visceral.
Peckinpah's poetic tale of masculinity is a sight to behold. A truly brutal and beautiful film about the death of the old west. Holden, Borgnine, Oates, O'Briejn and Ryan are marvelous as the last of a dying breed.
Westerns, action and film were all never the same after The Wild Bunch .
It also features the most awesome director's credit in history.
Shane Black completely does to Film Noir what he did for...well not for Film Noir really Neo-Noir.
But I mean who of you who are reading this would know the difference. I'm not saying anything it's just--well the difference is subtle..technical really and--
I mean it's like the difference between ding dong's and ho ho's...they aren't the "same" really,
Look at me I'm completely off topic. I'm being a bad reviewer.
Okay back to the film. The dialog is really good too. It crackles with Black wit...oh that was clever...nevermind no it wasn't
Anyway see the movie, it's really good.
Oh and there's a monkey from the future too. Ugly Sucker. Only says "Ficus".
and you get to see Monaghan's goods too if your not convinced. Perverts...
The camera and storytelling here are so playful, it's easy to see Truffaut's love of the Noir genre. The loose hand held style, rhythmic frequent cutting and the free form jazz soundtrack all bring this down and dirty character piece to life.
Extra kudos for the matricide by way of fibbing gag
It's a romance flick...one of the best...but nothing more...the acting is great and the story is VERY British..the last few moments they have together are amazing.
It's the kind of movie that is hard to watch now because so much has been borrowed from it. Still worth checking out though
British Giallo...Hitchcock finally being able to show, in delightfully grizzly detail, all of the quirks and fetishes that had laid under the surface in his previous films
This retelling of King Lear is a cornucopia of lush colors and textures. From the Kabuki theatrics to the immense & bloody battles, Ran delivers on all cylinders.
Kurosawa's deep appreciation of John Ford can be seen through out this film. His use of master shots and landscapes allows the viewer to actually understand the tactics being used in the battles. A refreshing change from the "everything's a closeup" phase current cinema seems to be in
This retelling of King Lear is a cornucopia of lush colors and textures. From the Kabuki theatrics to the immense & bloody battles, Ran delivers on all cylinders.
Kurosawa's deep appreciation of John Ford can be seen through out this film. His use of master shots and landscapes allows the viewer to actually understand the tactics being used in the battles. A refreshing change from the "everything's a closeup" phase current cinema seems to be in
The only that makes this movie better is seeing it on the Big Screen.
QT calls this the greatest movie of all time...and as a movie...I might have to agree with him. As a film it still doesn't stand up to Once Upon a Time in the West, but still bloody entertaining.
Highly distilled Hitchcock. All of the tropes that he would be heralded for later are on display in this taught "Noir in a small town" film. Rich well rounded characters bring this delightful suspense picture to life.
Strong directorial film debut by Danny Boyle makes the most of it's simple premise. 3 roommates, a bag of cash and a lot of paranoia spiral out of control.
Malick's masterpiece. One of the most gorgeously shot films in history. Right up there with The Conformist and Chinatown.
Gere, Adams and Shepard all give exquisitely simple performance that speak volumes.
However the real brilliance lies with it's Mise en Cadre. The collision of images, created through the editing and direction, build a visual poem of powerful emotion.
One of the most incredibly shot films of all time.
Bava uses color to accent the beauty of the victims and the plainness of the murderer.
However this is not one of Bava's most enjoyable fims to watch from a story sense, but then again story has never been the Italian films strongest point.
In the dark unexplored Avocado jungles of Southern California, A sexy feminist professor must venture deep inside to convince the Piranha women (i.e. cannibal women) to leave their homes for lovely Condos in Malibu.
I'm not making this up. One of the best lines is "there isn't a a feminist group that's advocates cannibalism, at least not since the 60's"
I am the same age as Lawrence, and I have officially accomplished NOTHING in comparison to this guy.
An experience like no other, and a story worthy of it's glorious 70mm presentation. You haven't seen this film, until you've seen it on the big screen.
Not my favorite Chaplin, but still an amazing piece of work. The chemistry between Chaplin and Coogan is phenomenal. The dream sequence at the end is a little much.
One of the coolest, purest and craziest kung fu films ever made.
The flying Guillotine is one of the most WTF weapons in the genre. Imagine a bladed bee keepers helmet on a chain and it's being wielded by a blind blood thirst monk on a revenge kick.
Beautifully dark in both image and theme. Fonda and Sutherland are both amazingly natural and vulnerable. Gordon Willis' cinematography is breathtaking.
One of the best WW2 films of all time. Holden and Wilder create a humanistic portrayal of POW life. A mix of black comedy and mystery that is engaging from minute one.
Imagine The Shinning and Suspiria had an Australia film baby and you'll start to get an idea of what Next of Kin is like. While the film has it's flaws, it's use of atmosphere is unbelievable. Great elegant cinematography and really amazing slo-mo.
A true undiscovered gem. I'm not going to lie, it's a little hard to find. I had to buy a used, out-of-print, German, region 4 bootleg off ebay.
How have I never seen this before? So so so much fun. Great cinematography by Barry Sonnenfeld and great directon from Phil Joanou. Why did Spielberg take his name off this?
Take a barrel of monkeys, multiple that by pi and you'll have an idea of how fun this movie is.
HG Wells allows Jack the Ripper to escape in time through the use of his time machine, so naturally HG follows him to 1979 in order to capture him. Surprisingly funny and light hearted for a movie of it's body count.
How did Saul Bass not direct more films? This little gem from 1974 is AWESOMELY shot. Did I mention the cinematographers name was Dick Bush? So much amazing cutaway and macro work. That combined with tight editing makes Phase IV is the 2001 of "we're being attacked ants!" movies.
Now I know what your saying, "Saul Bass, the title sequence goto guy for Hitchcock and Scorsese? Made a movie about being attacked by ants? This has to be a joke. I mean Dick Bush?
Yes, THAT Saul Bass made a really intelligent film about a colony of intelligent ants and it's very much worth checking out.
How is this movie not talked about more? This is totally the corpse EVERYONE picks from. Imagine Star Wars, but starring Han Solo, set in the world of The Warriors with a supporting cast of Rick Moranis, Willem Dafoe, Bill Paxton and a SMOKING HOT Diane Lane.
I really REALLY like this one. The premise is simple, in a snowed in diner in the middle of Colorado the president gets stuck on the way to an air force base. The possibility of nuclear war ensues.
A cop a few days away from retirement, finds out that he has only a few days to live and that his insurance policy only pays out if he dies in the line of duty...so he goes all Mel Gibson trying to die in a blaze of glory. Hilarity ensues.
Electra Glide in Blue was a bad title, but everything else about it is pretty stellar. Performances are top knotch all round, the script taught and tight, and the cinematography... Did I mention it's shot by Conrad Hall?
Amazing direction & editing along with Hopkins central performance makes Nixon a great film to watch. At a touch over 3 1/4 hours it's a little daunting to undertake, but well worth it.
HOW DID I NOT KNOW THIS MOVIE EXISTED!?!?!?!? Directed by Martin Campbell (Golden Eye & Casino Royal), starring Fred Ward, Clancy Brown, Julianne Moore and David Warner. Cast a Deadly Spell is Lovecraft Noir, complete with hard boiled dialog, grizzled PI's, dirty cops, femme fatales, magic and monsters. Awesome awesome awesome.
A truly inspiring film that proves, if you put your mind to something, you can accomplish anything.
For Your Height Only is hands down the greatest spy film to ever star a Filipino midget. It's also got great gadgets, an insane plot, amazing dubbing and the best midget on midget fight scene ever committed to celluloid.
Dreams really do come true. RIP Weng Weng. You are sorely missed.
gregorysuarez posted 3 years ago
Great variety man, are these in order of preference?
flixsterman posted 22 months ago
Dude, you had me until 'Saved by the Bell: Hawaiian Style' (lol)