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My Favorite Movies

Phillip

	kaiijy's Rating	My Rating
1	L'Avventura (The Adventure) 1960, Unrated)
2	Taxi Driver 1976, R)
3	L'Atalante 1934, Unrated)
4	Rocco e i suoi fratelli (Rocco and His Brothers) 1960, Unrated)
5	Rio Bravo 1959, Unrated)
6	It's a Wonderful Life 1946, G)
7	Un Chien Andalou (An Andalusian Dog) 1928, Unrated)
8	2001: A Space Odyssey 1968, G)
9	Vertigo 1958, PG)
10	Rear Window 1954, PG)
11	Pickpocket 1959, Unrated)
12	Le Samouraï (The Godson) 1967, PG)
13	The Searchers 1956, Unrated)
14	Blow Out 1981, R) depalma's masterpiece
15	Deep Red (Profondo rosso) 1975, R)
16	Heat 1995, R)
17	Sunrise: A Song of Two Humans 1927, Unrated) masterpiece... the greatest film of american silent cinema, the greatest non avant garde film of the silent film era. or Holy shit, fucking masterpiece, all the resources of the silent cinema are in this film, everything and one of the best sequences in HISTORY (the swamp one, great plan and then cross cutting, fucking wonderful). It's damn fucking perfect, go watch it, damn it!
18	Chronicle of Anna Magdalena Bach 1968, Unrated) This one really is from the movement: i saw, you didn't. well, i don't want to write a long review, but before watching this you must know that this is different than any other movie you ever watched. The movie will end and you will ask yourself: "what the hell i just saw?" then you will start thinking and you'll remember that the movie is about Bach, this is the beginning, but why that camera that never moves? That cruel cuts between scenes? That plans without faces almost all the time? Well, when you talk about Chronicle of Anna Magdalena Bach you must remember that the cinema has resources to bring the watcher to the screen, to make him closer to the character and that's what CoAMB has of different: the distance. you know Bach's face, you know his wife's face, she's the narrator of the story, fully of names that you, probably, won't give a face. The camera does not move (just in a few moments), and when it does isn't to get closer to Bach, as example, but to film the singer. All the resources that the cinema offers to bring the watcher are denied by Straub and Huillet to give emphasis to the music. There's no intimacy, no feelings in the edition, neither in the characters. See the poster here? "A Masterpiece. This Film is Music" it could not explain better by another way.
19	La Règle du Jeu (The Rules of the Game) 1950, Unrated) perfect!
20	Stalker 1979, Unrated)
21	Les Amants reguliers (Regular Lovers) 2005, Unrated)
22	Andrei Rublev 1966, Unrated)
23	Hiroshima Mon Amour (Hiroshima, My Love) 1959, Unrated)
24	Mon Oncle 1958, Unrated)
25	Pierrot le Fou (Pierrot Goes Wild) (Crazy Pete) 1965, Unrated)
26	Two-Lane Blacktop 1971, R) HOLY FUCK OMG WHAT A MASTERPIECE LEARN HOW TO FILM INSIDE A CAR i took more than 40 screenshots from different angles, you can see then all in my blog (there's a link on my profile)
27	Miami Vice 2006, R)
28	Le Mépris (Contempt) 1963, PG)
29	Kiss Me Deadly 1955, Unrated)
30	New Rose Hotel 1998, R)
31	Zabriskie Point 1970, R)
32	Céline et Julie Vont en Bateau (Celine and Julie Go Boating) 1974, R)
33	Sans soleil (Sunless) 1982, R)
34	Ordet (The Word) 1955, Unrated)
35	Mauvais Sang (Bad Blood) (The Night Is Young) 1986, Unrated)
36	Shadows of Forgotten Ancestors (Tini zabutykh predkiv) 1966, Unrated)
37	The Butcher (Le boucher) 1971, Unrated)
38	Heaven's Gate 1980, R)
39	I'm Not There 2007, R)
40	Klassenverhältnisse (Class Relations) 1984, Unrated)
41	Un condamné à mort s'est échappé ou Le vent souffle où il veut (A Man Escaped) 1956, Unrated) foda.
42	La Maman et la putain (The Mother and the Whore) 1973, Unrated)
43	Rabid Dogs (Cani arrabbiati) (Kidnapped) ( A Man and a Boy) 1974, Unrated) maaaaaaaaaaasterpiece!