xGary Xx (garyX)Birmingham, UK
xGary's Recent Reviews
Killer Instinct is the story of notorious criminal Jacques Mesrine who progressed from petty crime on the streets of Paris to become Canada's public enemy number one. Kind of like a Gallic Goodfellas, Mesrine is based on a real gangster and similarly spans decades of his life. Vincent Cassel puts in a quality performance as the charismatic psychopath who became a media sensation in the early 1970s and although he is hardly the most likeable protagonist, his outlandish acts are consistently both entertaining to watch and quite incredible to believe. There are some quality set pieces, the scene in which he and his partner single-handedly attack a maximum security prison in which they were both tortured is a particular highlight. It is a little episodic and it lacks the depth of characterisation that draws you fully into this kind of life story, but it is always exciting to watch and I am very much looking forward to Part Two.
Harry loses his memory after attacking Peter and their friendship is seemingly restored leaving him free to hunt down the man truly responsible for Uncle Ben's death. However things are complicated by his transformation into The Sandman and the appearance of an alien creature that enhances Peter's negative emotions. There's actually a pretty decent sequel hidden inside the bloated, episodic mess that is Spider-man 3. Sam Raimi's presence at the helm is marred by his inability to resist the keys to the SFX toy shop but the cast are still likable, the comic relief (and JK Simmons in particular) is still funny and there's plenty of pacey action to maintain the attention. The big problem is with the script which relies far too much on contrivance and totally implausible coincidence. The most frustrating thing is that it could so easily have been corrected by the complete removal of the utterly ham-fisted and largely irrelevant Venom sub-plot. All the weakest elements of the film are tied up in it from Topher Grace's terrible performance, to the impossible to believe coincidences, to the frankly embarrassing jazz dancing emo Parker sequence. It's a shame because this wrecks the second half of the film and just detracts from some pretty decent character moments from Peter, Harry and even The Sandman himself. Yet another abject lesson that in film making, more often can mean less.
xGary's Favorite Movies
Career criminal Henry Hill reminisces upon his life of crime in this true life story based on an actual FBI case. Goodfellas is the perfect film. It has the perfect blend of drama, gritty violence and humour as we see the dark side of the American dream played out over 25 years of a wise guy's life. The people depicted here do not play by society's rules and have their own set of laws and conventions revolving around the pure pursuit of profit in this, the logical conclusion of capitalism. The livelihoods and lives of others are commodities to be used up and tossed away and life is cheap to these mobsters whose stated obsession with loyalty and family is also soon forgotten for the "big score", leading to total anarchy. The combination of DeNiro, Liotta and Pesci makes for a brilliant triple act and there are so many classic scenes it's easy to lose count. The idea to tell the story in a "Wonder Years" format using one of the best soundtracks ever compiled was a stroke of genius and the post modern conclusion the perfect way to end the story. For me, Goodfellas is the best film ever made. Full stop.
Daesu Oh is a drunk and a philanderer but otherwise a fairly typical husband and father, until one day he is kidnapped and imprisoned in a cell for 15 years with only a TV set for company and no word of explanation. One day he wakes up on the outside with only a wallet and a phone, and he sets out on a single-minded quest to find out why he was imprisoned and extract bloody vengeance on those responsible. The second part of the Vengeance Trilogy by Chan-wook Park, Oldboy is a bizarre and brilliant film. It constantly wrong foots you and messes with your perceptions, and contains the kind of revelation that makes the kind of so-called plot "twists" of most films look gimmicky and inane. This is the kind of film that blows you away and makes you realise you've been watching the WHOLE THING from the wrong standpoint. As for Min-sik Choi's performance, astonishing is the only word for it...the way such intense emotions and motivations are constantly shifting without ever feeling contrived or forced is just spellbinding. It combines art and extreme violence in a way that reminded me of A Clockwork Orange, but better! It's also stylistically on the same level as Fight Club and is absolutely riveting from beginning to end. A virtually flawless modern masterpiece.