| Movie | Rating | Review | Date | Your Rating | Match | |
|---|---|---|---|---|---|---|
| Crazy, Stupid, Love. - PG-13 | February 13, 2012 | N/A | ||||
| Texas Killing Fields - R | February 2, 2012 | N/A | ||||
| Star Wars: Episode I - The Phantom Menace (in 3D) - PG | Very impressive and exciting sci-fi/fantasy/adventure I ever saw since 16 years to know all about future Jedi knight Anakin Skywalker in this prequel. Awesome special effects including an exhilarating desert race (that scene reminded of Ben-Hur in chariot race) and stunning space city vistas. Glad to see George Lucas returned to his own directing on this film. | February 2, 2012 | N/A | |||
| The Nun's Story - Unrated | February 1, 2012 | N/A | ||||
| Bullet To The Head - R | January 31, 2012 | N/A | ||||
| Arthur Christmas - PG | November 27, 2011 | N/A | ||||
| Glorious 39 - R | November 27, 2011 | N/A | ||||
| Twilight Saga: Breaking Dawn Part 1 - PG-13 |
It was quite fantastic story between Bella (Kristen Stewart) and Edward (Robert Pattinson) in the wedding and honeymoon scenes. The birth scene is so intense as well as the fight scenes between Cullen vampires and Jacob's former Alpha wolf pack members. It was literally like watching a bunch of the characters finally grow up. From Bella's jitters before sleeping with the man she's loved for two years, to her reflecting and remembering the love making the morning after, to the oh so incredibly cool wolf scene (they all congregate at the lumber place and speak to one another telepathically), to Edward literally witnessing the woman he loves waste away behind this pregnancy, to the actual emotionally charged birth scene, and the cinematography of the flashbacks... the movie was shot in a totally different way than the three prior films were. Stewart perfectly captures Bella's apprehension as she's about to walk down the aisle at her wedding. And the wedding scene is so lush, romantic and heartfelt as Edward and Bella whisper their vows. |
November 24, 2011 | N/A | |||
| Skyline - PG-13 |
Awesome special effects in this alien invasion flick with nice designs for the monsters and the alien ships and tech, but the script is average. I see how focused the plot is on the few main characters. The acting is good and bad, in some places, that dialogs needed some working, but doesn't ruin the movie. It's not a masterpiece, and not original, but I found it entertaining. I don't know why people are complaining about a lack of plot, it's basically a slasher movie - lots of dislikable people get knocked of in entertaining ways. The ending is crazy weird, not one a person with a closed mind would appreciate. |
November 24, 2011 | N/A | |||
| Wild Target - PG-13 |
Awesome comedy of the hired assassins as American and English producers are seemingly out of ideas, or convinced no-one watches films made off their shores. French archives are a regular source of US/UK rip-offs - sorry, homages - with this light British hitman caper based upon a 1993 Jean Rochefort farce. Bubbly Emily Blunt stretches to make us believe the crap con-job she does on Rupert Everett's underused baddie, while Bill Nighy is custom-built for a lonely, proper killer suddenly losing control. But Harry Potter tag-along Rupert Grint, as homeless dude Tony, doesn't just get involved with Victor (Nighy) and Rose (Blunt) in a paltry way. His continued presence is the stuff of slim pickings greatly assisting with how the black-comedy screwballing of the first act segues into standard drama which loosens the grip on your laughing gear. Aside from the Grint factor, Wild Target also gets wonky when young Rose begins to fall for creaky Victor. Nighy and Blunt can sell it, but you won't be buying. |
November 24, 2011 | N/A | |||
| Death at a Funeral - R |
I see this Hollywood remake from the 2007's British original comedy film, the Anglo mourners were replaced by Chris Rock, Martin Lawrence, Tracy Morgan, Danny Glover and other Afro-American performers, presumably in an attempt to bring corpse comedy to a specific target market in the States. With that eulogy complete, it might shock you - like learning your dead father had a gay dwarf lover - to discover the second Funeral stands up. On its own. Despite very little changing in terms of plot and character arcs, not much effort is required to stop comparing the old and new. Unlike most remakes, this one instantly benefits from its change of location and comedy stylings. While there isn't the predicted onslaught of "daaaaaaaaamn" additions, the shift to Afro-American affectations is subtly effective (without being quite as gut-busting as its source). Rock replaces Matthew Macfadyen as the eldest brother, and his opening jive with an undertaker neatly sets the tone of what's to follow. When Morgan shows up as that neurotic guy who thinks he has a disease, and Zoe Saldana is the girlfriend of the bloke who accidentally drops acid (excellent James Marsden), their personable performances symbolise how Funeral doesn't behave like it's a rip-off. No one channels their British counterpart; even Marsden finds different ways to wig out. When the only constant between the two films - Peter Dinklage - reprises his role as the short-statured man with a big secret, his interaction with Rock and Lawrence has more jest than from whence it derived. Morgan also scores more highly on the rambling-ninny scale than his forebear, although he's helped by getting his hands dirty in one of the only sizeable variations in jokes (here's a hint: wheelchair-bound Danny Glover needs help going to the toilet). Astoundingly, Lawrence isn't as aggravating as a mosquito in your mouth, but he capably slots in as the weak link. Rock tolerates Lawrence's paltry shots at being The Man, just as you'll be able to see past Big Momma and get a fresh kick out of this black comedy replay. |
November 24, 2011 | N/A | |||
| Blood Out - R | The results are in: the Ultimate Bros vs 50 Cent face-off goes down in Blood Out, a vigilante blank which includes spaced Val Kilmer pretending to be Gary Busey. After his ne'er-do-well brother is executed by the drug dealers he works for (naturally, Vinnie Jones administers the kill shot), clenched cop Michael (Luke Goss) hands in his badge, swears murderous revenge - and gets slapped around by detective Fitty. Former Bros member Goss does repay Mr Cent, but we're still left shortchanged by a violent C-grade waddie through Michael infiltrating his bro's gang. Easier than how quickly this total stranger fights his way into the inner sanctum is the way you will walk away from such thickheaded, fist-brained filler. | November 24, 2011 | N/A | |||
| Neighbor - R | November 16, 2011 | N/A | ||||
| Tomboy - Unrated | November 16, 2011 | N/A | ||||
| Hawaiian Vacation - G | This is a great Pixar animated short film and really great to see the cast from the Toy Story previous films again. Woody and his gang's new owner is going on a vacation to Hawaii and Barbie and Ken stow away fro a romantic vacation of their own, only to discover that the girl is not taking her school backpack. Woody and his gang mock up a vacation for them and the gags are funny, in character and unexpected. | November 14, 2011 | N/A | |||
| Cars 2 - G |
The sequel of Cars hits the road with a dash of James Bond and a flourish of Austin Powers - fabulous! The childish race movie has been souped-up into a '60s spy romp. The animation is amazing. Water, large balloons, backgrounds during races... pay attention because the quality of the graphics in this one are world-class. There are some goofy, funny moments and some nice one- liners for the older crowd. The themes of being true to yourself and bonds of friendship run strong throughout this film but it's the remainder of the message that worried me. I can see this entire movie was based around Matar (voiced by Larry the Cable Guy) and that is what made it funny. But for some people there was to much of him and not enough of the original Lightning McQueen (voiced by Owen Wilson). The voices do what they do best. Director John Lasseter knows what to do in this movie. The action keeps everything moving. Watching the car fighting scenes is like watching a kid playing his little toy cars and let them do something fun. Which is pretty impressive. |
November 14, 2011 | N/A | |||
| All-Star Superman - PG |
Media seems obsessed with the death of Superman. He had a death in live-action film, Superman Returns, a death in Superman Doomsday and now another death in the animated adaptation of Grant Morrison's All-Star Superman comic book. The animated movie is a different version of the Superman character, much like the comics. The movie starts off with him realizing that he's dying and that Lex Luthor killed him. James Denton's Superman/Clark Kent is possibly the most lovable incarnation second only to Christopher Reeves's live-action portrayal. The loyal script and top notch acting imbues Superman with just the right level of noble superhuman grandeur mixed with a down to earth homely touch. He is the hero, and the farm boy at the same time. Similarly, Clark Kent's oafish demeanor is comedic yet sincere; his interview with Lex Luthor and subsequent escape from the prison riot caused by a supervillian's escape is possibly the most fun part of the entire movie. |
November 14, 2011 | N/A | |||
| Dragon Squad (Maang lung) - Unrated |
Visually stunning and action-oriented HK movie. The cast in the movie do their best to give this movie an edge! I was surprised to see American actor Michael Biehn (1984's The Terminator) appeared in this Hong Kong crime-action film that I honestly didn't know what to expect! And the story is believable with Jun-Ho Heo, Maggie Q and Sammo Hung. Nice shootouts and one big martial arts scene between Sammo and Jun-ho Heo. Maggie Q plays her role with ease, just by looking tough. There are times where director Daniel Lee allows the film to get carried away with hyper-kinetic camera work and quick-cut editing, but there are still some awe-inspiring moments of sheer genius, plus some stunningly developed set-pieces. A real heart-pounding, cold-blooded, ultra-violent actioner from Lee. |
November 14, 2011 | N/A | |||
| Siu nin a Fu (The Kumite) (Star Runner) - G |
Cool martial arts film and I see this also has an emotionally and touching between the teacher and student. The fights range from decent to good, and the final brawl in an international kickboxing tournament is impressive. Korean actress Kim Hyun-Joo is so beautiful and Vanness Wu is okay, but theirb characters is also the weakest element of the film. |
November 14, 2011 | N/A | |||
| The Stool Pigeon (Sin yan) - Unrated |
Stool Pigeon is a good film, but not a great film. The reason is simple, it lacks the same amount of intensive tension of its predecessor and relies much on the acting of Nicholas Tse and Nick Cheung to take the film to the end. Tse is great and almost carries the film on his shoulders. Dante Lam is a capable director and he is at his best, when the characters in his films are allowed to express their truest potential or perhaps when they go crazy. The film itself is not too memorable either. Instead what we got delivered to us is a film that entertains, some interesting chases, fine acting and positive direction. |
November 14, 2011 | N/A | |||
| Melancholia - R | November 13, 2011 | N/A | ||||
| Drive - R |
Hong Kong's dominance over American action filmmaking didn't stop visual effects wizard-turned-director Steve Wang from creating a film that not only matches the best modern Hong Kong martial arts productions, but surpasses many of them. In fact, it only inspired him. Beyond Wang's vision, the keys to Drive's success are two men; action director Koichi Sakamoto and martial arts star Mark Dacascos. The strengths of this film could have stopped here and the production would have remained a worthy effort, but a very solid script from Scott Phillips and excellent performances from the supporting cast. I was exciting to see Dacascos makes his incredible kicking, punching, flipping, you name it. He's got speed, power, and grace. Brittany Murphy is perfect as a bubbly brunette armed with salacious charm Deliverance Bodine who manages to pull off being humourous, immature, insane, and desirable all at the same time. and Kadeem Hardison is the film's chief comedian and delivers a regular stream of decent one-liners, mostly adlibbed. The choreography and execution of fighting is stunning, especially considering the limited time available. All of the fights are outstanding, although the motel brawl and the film's final match are extra special. This is action really done Hong Kong style, old school. |
November 9, 2011 | N/A | |||
| The Sorcerer and the White Snake - Unrated | November 9, 2011 | N/A | ||||
| Century of the Dragon - Unrated | This is an entertaining enough triad action-drama movie that succeeds due to the presence of Louis Koo Tin-Lok, who should forevermore be known as Hong Kong's new triad leading man. His intensity and charisma serve him well in this role and he manages to overshadow Andy Lau, who turns in a relatively unremarkable performance. Wong Jing does his usual work with this genre, bringing us lousy police, evil bad guys, and affecting though hackneyed plot twists. | November 8, 2011 | N/A | |||
| Pirates of the Caribbean: On Stranger Tides - PG-13 |
Fine entertaining of the next pirate adventure with Johnny Depp returns to his iconic role of Captain jack Sparrow in an action-packed tale of truth, betrayal, youth and demise. Gone with Orlando Bloom and Kiera Knightley and plots as congealed as washed-up seaweed. Instead, one self-contained adventure has Captain Jack Sparrow in search of the fabled fountain of youth. This fourth film has plenty fun with several delightful moments, funny lines, and much more action same as the last Pirates flick. However, for all of Depp's slapstick and Rob Marshall's earnest endeavour, you begin to long for octopi-threads of ex-director gore Verbinski's crazed surrealism. Zombies and stroppy Spaniards are among the many so-whats that lurch through the lifeless stuffing of On Stranger Tides. Geoffrey Rush once again shines as Jack's best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans - it's just a shame she didn't have much time with Sparrow. |
November 8, 2011 | N/A |