Daniel Perry (danperry17)

Toronto, ON

Daniel's Recent Reviews


Spring Breakers Spring Breakers R
Somewhere between a mindless music video and Terence Malick... grotesque, compelling cinema (European in style, kind of like Drive was) that uses little dialogue and (I'm not the first reviewer to say) "hallucinatory" effects to make its point about how desensitized to sex and violence a whole generation is... about how we play the roles before we even know what they are. Brave and interesting work - much better than the "Disney Kids Go To College" movie I half-expected.
Margaret's Museum Margaret's Museum R
I'm probably over-rating this because it's among the better Canadian movies I've seen... I wouldn't think it stacks up with other movies I've given four stars to, but I'm glad I gave it a chance. Compelling love story and a wonderful performance by Helena Bonham Carter.

Daniel's Favorite Movies


Trainspotting Trainspotting R
It might be my favourite movie ever, and every time I watch it I see something new. Based on an amazing novel, this is one of the rawest films I've ever seen and it's at once exhilirating and terrifying. A seminal film of the 90s with a soundtrack among the best ever assembled, the movie is humor laced with horror - sort of like the drug addiction it uses as its subject, I would think. For everyone getting in on the No Country for Old Men hype, here's where Kelly MacDonald made her start... yeah, she's not Texan, just Scottish and ridiculously talented. Probably Ewan MacGregor's best movie, and when I read the book a couple of years after first seeing it, while I could imagine most of the characters a little differently, I couldn't shake Begbie's image from my head, which I think stands as a tribute to Robert Carlyle's performance. I could go on for days about this one, but it's a truly outstanding piece of art.
High Fidelity High Fidelity R
The music and Jack Black's character almost single-handedly take it to a four star film... then, on top of it all, it delivers one of the best character narrations in film history. Pulling off narrative tricks usually reserved for literature, you love, hate then love... or hate (?) the protagonist when the movie ends in such a run-of-the-mill fashion. I begged for the redemption, I begged for the Hollywood ending - but life goes on. Outstanding film - where have I been these last seven years??

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