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Ji-tae Yu, Seong Hyeon-ah, Tae-woo Kim, Kim Nan-heui, Park Jeong-wan ... see more see more... , Oh Yu-jin , Bae Yun-beom , Dal-su Oh , Ho-jung Kim , Hyeon-a Seong , Ji-seon Lee

Two men pursue a woman form their past in this drama from South Korea. Heon-jun (Kim Tae-woo), a struggling filmmaker who has just returned from the United States, runs into his old friend Mun-ho (Yu ... read more read more...Ji-tae), now an art professor, and they decide to get a bite to eat. Over dinner, they find themselves talking about Seon-hwa (Seong Hyeon-ah), a beautiful woman they both dated in college. While both men flirt with their waitress, talking about how Seon-hwa has renewed their fascination with their old love, and they individually decide to track her down. They discover Seon-hwa, once an artist, is now working as a bar manager; they learn, in her personal life, the fates have not been kind to her, and in many respects, she's not the women she once was. Yeojaneun Namjaeui Miraeda (aka Woman is the Future of Man) was screened in competition at the 2004 Cannes Film Festival. ~ Mark Deming, Rovi

Flixster Users

55% liked it

1,829 ratings

Critics

78% liked it

18 critics

Unrated, 1 hr. 27 min.

Directed by: Sang-soo Hong

Release Date: October 8, 2004

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DVD Release Date: April 3, 2007

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Stats: 88 reviews

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Flixster Reviews (88)


  • September 12, 2008
    [font=Century Gothic]"Woman is the Future of Man" starts with Hyeon-gon(Tae-woo Kim) arriving back in Korea from America where he was attending film school, first meeting up with an old pal, Mun-ho(Ji-tae Yu), who has since gotten married, had a kid, and in general done pretty we... read morell for himself. Before they go to visit Seon-hwa(Hyeon-a Seong), an ex-girlfriend of Hyeon-gon's, they get blind, stinking drunk at a restaurant and recall old times...[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]"Woman is the Future of Man" is an intriguing but talky and derivative movie that has nothing really profound to say on the subject of relations between men and women which is expressed best in one particular scene. At the restaurant, both men proposition a waitress. Mun-ho asks her to pose nude for a painting. Hyeon-gon asks her to act in a movie he is putting together. This is supposedly indicative of both men's history of relationships. Mun-ho has casual affairs compared to Hyeon-gon's more sensitive approach.(Seon-hwa and him broke up because they used to argue all of the time.) But men are more complex than just two simple types. For example, most men would not proposition a waitress, no matter how drunk they were, if not out of politeness, than remembering that it is best never to mess with one who serves you food.[/font]
  • August 6, 2007
    A south korean film that at times can be hard to understand from a western viewers perspective, but a challenge worth taking. The cinematography is the kind of filming I would like to do in my own film.

Critic Reviews


Anthony Lane
March 6, 2006
Anthony Lane, New Yorker

Hong has a grace and stealth of his own, and his scenes tend to tilt in directions that few of us would dare to predict.

Duane Byrge
March 3, 2006
Duane Byrge, Hollywood Reporter

Hong Sangsoo's character development and, similarly, relationship progression never develop beyond the slam-bang aspects of romance.

V.A. Musetto
March 3, 2006
V.A. Musetto, New York Post

If [viewers] stick around, however, they might find themselves becoming fans of the cerebral South Korean auteur.

Derek Elley
March 2, 2006
Derek Elley, Variety

Basically, it's an elegant jeu, played and constructed with an almost Gallic lightness heightened by Jeong Yong-jin's bursts of music, all bouncy piano and pizzicato. Full Review

Mary Jacobi
February 28, 2006
Mary Jacobi, Village Voice

Hong may experiment with story flow and import, but he's nothing if not focused on Korean twentysomethings and their untethered life path of power-boozing, disconnection, and romantic failure. Full Review

Manohla Dargis
October 19, 2004
Manohla Dargis, New York Times

Memory, desire and raw self-interest clash against one another with startling poignancy.

Jeffrey M. Anderson
April 19, 2007
Jeffrey M. Anderson, Combustible Celluloid

Hong sticks to lengthy, static shots, but still somehow manages a heartbreaking grace. Full Review

Kam Williams
March 2, 2007
Kam Williams, Upstage Magazine

Brace yourself for several extended, sexually-explicit scenes which would qualify as soft porn. Rebels in heat looking for release, not for love or a relationship. Full Review

Eric Monder
March 1, 2007
Eric Monder, Film Journal International

Isn't terrible. but it doesn't linger well in the memory. Full Review

Chris Barsanti
January 8, 2007
Chris Barsanti, Filmcritic.com

has an elliptical rhythm to it that's extremely reminiscent of French romantic films Full Review

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