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Alison Lohman, Michelle Pfeiffer, Robin Wright, Renée Zellweger, Billy Connolly ... see more see more... , Svetlana Efremova , Patrick Fugit , Cole Hauser , Noah Wyle , Amy Aquino , John Billingsley , Debra Christofferson , Leila Kenzle , Cathy Ladman , James Lashly , Stephen Root , Mark Soper , Biff Yeager , Scott Allan Campbell , Drinda La Lumia , Liz Stauber , Marc Donato , Kali Rocha , Taryn Manning , Melissa McCarthy , Elisa Bocanegra , Melissa Marsala , Carl Sundstrom , Sam Catlin , Darlene Bohorquez , Solomon Burke Jr. , Vernon Haas , Sean Happy , Myra Lamar , James W. Lee , Daniel Mandehr , DeVonda Manghane , Roger McIntyre , Dallas McKinney , Brian Mulligan , Allison Munn , Jennifer Saxon , Samantha Shelton , Kimo Wills

The Oprah Book Club best-seller by Janet Fitch makes it to the big screen in this adaptation from British director Peter Kosminsky. White Oleander recounts the traumatic adolescence of Astrid Magnusso... read more read more...n (Alison Lohman), who finds herself an orphan after her short-fused, enigmatic artist mother Ingrid (Michelle Pfeiffer) is carted off to prison on murder charges. Astrid first finds herself in the care of Starr (Robin Wright Penn), a garish, born-again mother of two with a gruff but sensitive boyfriend (Cole Hauser). From there, she's shunted back to a state-run facility, where she tangles with other troubled teens and finds temporary solace in the arms of Paul (Patrick Fugit), a dough-faced comic book artist with dreams of moving to New York City. Astrid then lucks into a living arrangement with a successful but insecure actress (Renee Zellweger) who offers her unconditional love. But Ingrid's stifling influence continues to haunt her daughter, whether through the occasional prison visit or via manipulative letters to Astrid's caretakers. White Oleander received a Gala North American premiere at the 2002 Toronto Film Festival before reaching multiplexes later that fall. ~ Michael Hastings, Rovi

Flixster Users

79% liked it

49,460 ratings

Critics

70% liked it

133 critics

DVD Release Date: March 11, 2003

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Stats: 2,558 reviews

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Flixster Reviews (2,558)


  • September 13, 2011
    Really good and interesting story with brilliant performances.
  • April 29, 2011
    Alison Lohman is not, in my opinion, the best choice for a protagonist for this one, but Michelle Pfeiffer's never blinking reptile eyes are just about perfect. The story is rather lackluster, but the acting power can be quite extraordinary when handled correctly.
  • August 23, 2010
    What happens to a teenager when her single mother is sent to jail for killing her boyfriend? She lands up in various foster homes and institutions. In this movie, we follow Astrid (played by Alison Lohman) through a number of different situations which seem to be Hollywood's an... read moreswer to foster homes. The biggest issue Astrid has is her mother. We don't know if Starr actually cares about her daughter, or if she just want to raise Astrid in her image.
  • July 8, 2010
    "No matter how much she's damaged me, no matter how flawed she is, I know my mother loves me."

    Nice, off-beat, coming-of-age drama that's reinforced with outstanding performances from Alison Lohman and Patrick Fugit. An intriguing mix of lite dysfunctionality and very sinister ... read morebehavior.
  • July 8, 2010
    i enjoyed this movie because of the performances of the actresses whose accomplished talents transcend the larger-than-life melodrama into believability. frankly, i don't appreciate the ending, even it does dramatize the flick toward another paramout of "hard-boiled sentiments." ... read morepersonally i find it morbid to request your mom to go to jail just to prove her love for you. (besides, she IS supposed to go to jail because she DID kill the man.)

    theoretically speaking, the young woman who makes such eccentric request doesn't want the actuality of her mother but a steady symbol which represents MOM. (which is just a signifier) because she's much better-off when her mom isn't around her. she doesn't want her mom as a real person with faults; she wants her mother to simply be a symbol of mom to grant her a false illusion of functionality. her mom's being in jail also enforces another illusion that all the chaotic events didn't happen since mom was sent to jail where she belongs. in a brief, it's a sick vindictive pretension to punish your mom in the glorified name of love.

    roger ebert:
    "Astrid, who once idealized her mother, now blames her for the loss of happiness with Claire. But even the movie's big emotional payoff at the end loses something because, after all, Ingrid did murder Barry, and so what is presented as a sacrifice on behalf of her daughter could also be described as simply doing the right thing."

    isn't your life your own affair? wouldn't it be a bit infantile to trade your mom's illicit freedom for your reformed wholesome self as if your life is not your own but property of her doings? perhaps, the movie is special case since its characters are all abnormal and dysfuntional people (or women) who refuse to participate in any constitutionalized social norm.

    (ps) why dressing like a death-metal punk girl symbolizes degredation and pfeiffer's mom has to reverse IT? why dyeing your hair back to blonde is a positive sign? that confuses me. consider it coming from a deranged murderess who kills her beau just because he makes love to her and then says her has to leave because he has a date

    "Its only influence on Astrid is to change her wardrobe and hair color, in what feels more like a stunt than a character development."(ebert)

    conclusion: white oleander is just a bunch of childish sentiments falsely capsulated with beguiling complexities as if they were sophisticated emotions.
  • November 16, 2009
    Alison Lohman is pretty fantastic and I've really enjoyed her in everything I've seen of hers whether or not I enjoyed the movie as a whole. This movie was pretty heartbreaking and Michelle Pfeiffer was really creepy.
  • December 19, 2007
    While nothing is subtle in this story of a mother-daughter relationship that borderlines melodramatic, you'll either like it or you won't.
  • October 23, 2007
    Eh. They were all baitches.
  • August 9, 2007
    The book was so much better...although, I appreciate the film.
  • March 12, 2007
    Fantastic job by a fantastic cast...

Critic Reviews


Joe Baltake
October 25, 2002
Joe Baltake, Sacramento Bee

'Synthetic' is the best description of this well-meaning, beautifully produced film that sacrifices its promise for a high-powered star pedigree. Full Review

Eleanor Ringel Gillespie
October 19, 2002
Eleanor Ringel Gillespie, Atlanta Journal-Constitution

A smart, compelling drama. Full Review

Richard Roeper
October 14, 2002
Richard Roeper, Ebert & Roeper

The film is worth seeing for its honest heart and for the magnificent acting. Full Review

Stephen Hunter
October 11, 2002
Stephen Hunter, Washington Post

Though it flirts with bathos and pathos and the further Oprahfication of the world as we know it, it still cuts all the way down to broken bone.

Geoff Pevere
October 11, 2002
Geoff Pevere, Toronto Star

A movie that wafts in and out of clarity like a wavering transmission. Full Review

Carla Meyer
October 11, 2002
Carla Meyer, San Francisco Chronicle

What should have been a guaranteed weepie is never truly moving. Full Review

Gene Seymour
October 11, 2002
Gene Seymour, Newsday

It's Lohman's poise in carrying this unwieldy story that impresses you the most at the movie's end. Full Review

Rick Groen
October 11, 2002
Rick Groen, Globe and Mail

Call me a cynic, but there's something awfully deadly about any movie with a life-affirming message. Full Review

Susan Stark
October 11, 2002
Susan Stark, Detroit News

The picture's pretentiousness puts a drag on its running time. Full Review

Terry Lawson
October 11, 2002
Terry Lawson, Detroit Free Press

Redeemed by some fine performances, most notably by Lohman. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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White Oleander Trivia


  • Which of these blonde actresses is NOT in the movie White Oleander?  Answer »
  • Which Actress Was: -Roxie Hart In Chicago -Bridget Jones In Bridget Jones' Diary -Ruby Thewes In Cold Mountain -Barbara Novak In Down With Love -Claire Richards In White Oleander  Answer »
  • What movie has this quote: "You look at me and you don't like what you see. But this is the price, Mother, the price of belonging to you."  Answer »
  • Who was the actress that played the role of Starr in White Oleander?  Answer »

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