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Sergei Makovetsky, Nikita Mikhalkov, Sergei Garmash, Alexei Petrenko, Sergei Gazarov ... see more see more... , Alexei Gorbunov , Valentin Gaft , Roman Madyanov , Viktor Verzhbitsky , Mikhail Efremov , Yury Stoyanov , Aleksander Adabashian , Apti Magamayev , William Gaft , Sergey Artsibashev

When a Russian youth is put on trial for the murder of his adoptive father, it's up to a room full of jurors divided by racism and prejudice to determine the boy's ultimate fate in director Nikita Mik... read more read more...halkov's loose remake of Reginald Rose's 12 Angry Men. At the center of the storm is a broodingly silent foreman (Mikhalkov). As the deliberation grows increasingly tense, a racist Russian cabbie (Sergei Garmash) attempts to sway the vote of a well-dressed television producer (Yuri Stoyanov) by staging a vivid recreation of a gruesome murder scene; an elderly Jewish man (Valentin Gaft) recovers the nightmares of the Holocaust; and a Caucasus surgeon (Sergei Gazarov) is pushed over the edge by a hateful rant about the brutishness of Chechens. Later, after one soft-spoken juror (Sergei Makovetsky) wins the jury over with a heartfelt monologue about intemperance and redemption, the volatile group struggles to settle on a final verdict. ~ Jason Buchanan, Rovi

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71% liked it

46,833 ratings

Critics

78% liked it

58 critics

PG-13, 3 hr.

Directed by: Nikita Mikhalkov

Release Date: September 7, 2007

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DVD Release Date: July 14, 2009

Stats: 828 reviews

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Flixster Reviews (828)


  • August 23, 2009
    Director Nikita Mikhalkov doesn't just remake Twelve Angry Men, he takes it on. He tackles it. He puts it in a headlock and makes it say "Uncle!"
  • April 19, 2009
    Never liked 12 Angry Men that much it was at least a deent flick this one is just another awful remake & what's with that ridiculous ending
  • September 24, 2009
    A Russian remake of 12 Angry Men, it is emotionally enthralling and heart-wrenching almost more so than the original. I felt every actor in this film presented the role of their lifetime. In America, this would have been another record setting award winner.
  • July 2, 2011
    russina version of the movie 12 angry men like kurasawa's seven samuari this one translates well though it loses some of the clausterphobic closeness of the original. u know there r alot of movies with numbers as the title: 81/2,9,10,12,23 to name just a few.
  • March 11, 2010
    I've never seen 12 Angry Men, but this Russian remake was most likely much better! I really quite liked it.
  • November 19, 2009
    This Russian remake of the perfect "12 Angry Men" is more perfect. It hits most (or at least touches upon) all the same prospects as the original, so there aren't too many surprises in that respect, but this movie gives us glimpses of the accused boy's life via flashbacks and nig... read morehtmares, and there's a visual style and a cool symetery to the shots. A trumiph!
  • July 13, 2009
    Excellent Russian version of "12 Angry Men", but it lacks the claustrophobic intensity of that film, which remains superior. Very well acted, good writing - the story is a fascinating one.
  • February 13, 2009
    A remake of 12 Angry men - this take is very well done and is worth renting this DVD or to catch limited screenings of this Russian classic.
    It has been nine years since one of the most internationally acclaimed Russian film directors, Nikita Mikhalkov, has released a feature fi... read morelm. So the appearance of "12" is something of an event.

    The penultimate entry screened in-competition at this year's Venice Film Festival, it was for many the surprise non-winner of the Golden Lion for Best Film. The jury did, however, award Mikhalkov an ad-hoc Special Lion in recognition of his mastery as a filmmaker both in this and his previous works. (His "Urga" won the Golden Lion in 1991.)

    Mikhalkov's latest production, which he directed, co-wrote and acts in, coincides with the 50th anniversary of Sydney Lumet's "12 Angry Men." Although inspired by the classic Hollywood courthouse drama, it is very different in many ways.

    The initial situation of "12" is similar to Lumet's film, in which a young Puerto Rican boy is on trial for murdering his father. His guilt seems obvious, the witnesses reliable enough and everybody on the jury inclined to reach a rapid verdict - until a sole juror courageously suggests that they discuss the case further, and at least consider the possibility of innocence.

    In Mikhalkov's film a Chechen youth (Apti Magamaev) stands accused of stabbing to death his adoptive father, a Russian special forces officer, who rescued the boy after his parents were killed in the fighting, and brought him back to live with him in his Moscow apartment.

    Mikhalkov's "12" has a remarkable and unexpected twist at the end. It suggests two different conclusions: one in the style of Hollywood, another perhaps more in keeping with Russian realities, but not in the manner of, say, Peter Howitt's "Sliding Doors" - since, strangely and subtly, Mikhalkov's endings are not entirely incompatible, challenging the audience to continue to ponder the issues.

    Vmedia
    \Berkeley Ca

Critic Reviews


Dan Zak
May 1, 2009
Dan Zak, Washington Post

The film transforms Rose's play into a ballet of sorts. The story is as much about movement as it is about words. Full Review

Roger Moore
April 22, 2009
Roger Moore, Orlando Sentinel

A fascinating, stylish commentary on Russian justice and the universality of prejudice set in that great crucible for great drama in the jury room. Full Review

Steven Rea
April 10, 2009
Steven Rea, Philadelphia Inquirer

Full of passion and speechifying, 12 is unmistakably Russian in spirit and sensibility, but its themes are universal at their core. Full Review

Colin Covert
April 2, 2009
Colin Covert, Minneapolis Star Tribune

The heated deliberations are a gripping analogy for Russia's turbulent mix of ethnic divisions, corruption, Western influences and idealism. Full Review

Amy Biancolli
March 27, 2009
Amy Biancolli, Houston Chronicle

Overwrought, overlong yet mesmerizing. Full Review

Andrea Gronvall
March 27, 2009
Andrea Gronvall, Chicago Reader

The tradition of Russian stage acting enriches this satisfying update of Reginald Rose's TV play Twelve Angry Men. Full Review

Roger Ebert
March 26, 2009
Roger Ebert, Chicago Sun-Times

A powerful new film inspired by a powerful older one. Full Review

Jason Anderson
March 20, 2009
Jason Anderson, Toronto Star

After weathering the characters' windbaggery for nearly three hours, it's hard not to feel like Mikhalkov's done the same to viewers of 12. Full Review

Rick Groen
March 20, 2009
Rick Groen, Globe and Mail

In the end the film is too much of a piece with its topic, intensely fascinating yet seriously flawed. Full Review

Stanley Kauffmann
March 19, 2009
Stanley Kauffmann, New Republic

What keeps the film vital is the acting. Full Review

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