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Juliet Stevenson, Alan Rickman, Bill Paterson, Michael Maloney, Jenny Howe ... see more see more... , Christopher Rozycki , Stella Maris , Keith Bartlett , David Ryall , Deborah Findlay , Awam Amkpa , Hamilton Baillie , Tony Bluto , Nick Burge , Carolyn Choa , Steven Deproost , Graeme Du Fresne , Ian Hawkes , Leroy Joseph , Teddy Kempner , Mark Long , Jonathan Lunn , Reach Group , Richard Syms , Arturo Venegas , Vania Vilers , Eddie Vincent , Heather Williams , Tom Yang , Anthony Minghella , Michelle Guish , Nitin Chandra Ganatra , Frank Baker

Pianist Nina (Juliet Stevenson) and cellist Jamie (Alan Rickman) played together and loved together. When they weren't making music with each other, they made love. It was an idyllic romantic and musi... read more read more...cal partnership, and when Jamie dies, Nina takes it very hard. The condolences of friends and relatives don't help much when everything in the apartment they shared reminds her of him. She's a real basket case, and can barely get on with her life. One day, while plunking dejectedly on the piano, Nina looks up to discover Jamie, in ghostly form, lively as ever and just as loving. With a few new wrinkles (such as parties which include Jamie's newfound ghost friends), they resume living their relationship almost as before. Nina's friends are puzzled at her change from suicidal despondency to giddy cheefulness, but Jamie has pledged Nina to secrecy about their renewed relationship. For that reason, she cannot find any good excuses for not responding to the romantic advances of a living man, Mark (Michael Maloney). Before long, she will have to choose between the two of them. ~ Clarke Fountain, Rovi

Flixster Users

82% liked it

9,688 ratings

Critics

72% liked it

32 critics

PG, 1 hr. 47 min.

Directed by: Anthony Minghella

Release Date: January 1, 1991

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DVD Release Date: December 26, 2001

Stats: 735 reviews

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Flixster Reviews (735)


  • April 11, 2007
    I heard raves about this movie but I thought it was horrendous. Stagey, saccharine and painfully PC.
  • April 25, 2011
    A beautiful and funny romantic drama/comedy about a woman who can't get past the death of her boyfriend, and he comes back as a ghost to help her. I love this movie.
  • September 24, 2009
    Such a sweet film. It?s so sad. My only criticism is that I find some of the cast a little too luvvie! Certainly Anthony Minghella best film I feel!
  • March 21, 2009
    "You're telling me there are dead people in my living room watching videos?"

    The scenes between Jamie and Nina: ****
    The rest: **½
  • March 4, 2008
    One of the few "Romantic Comedies" that I actually like. It really is rather dark as "romantic comedies" go (perhaps that's why I like it?) but also very sweet and moving.
  • May 29, 2007
    I really liked this film, but I'll probably never watch it again. It was too painful! Most I ever cried over a movie until I saw Ordet. But it has some really good lessons about how grieving is OK, but at some point you need to move on.
  • March 7, 2007
    Subtle comedy dealing with grief and loss that only upper middle class english professionals could possibly relate to. Juliet Stephenson's performance is marvellous, but it's also unbearably pretentious in places (see the cringeworthy hopping sequence.). I also cannot understand ... read morewhy Alan Rickman is so highly regarded; he's a bit rubbish really.
  • June 11, 2006
    Wow... such an intense feeling of love.
  • September 24, 2008
    The sun ain't gonna shine anymore. The moon ain't gonna rise in the skies. Tears are always clouding your eyes when you're without love... Baaaby!
  • April 5, 2008
    OK, watched this twice, really wanted to like it due to Mr. Minghella, but I just don't get it. Had real potential in places - Juliet Stevenson's breakdown in her therapist's office was impressive - but other scenes were completely offputting.

Critic Reviews


Jonathan Rosenbaum
March 18, 2008
Jonathan Rosenbaum, Chicago Reader

This is a beguiling film in more ways than one. Full Review

Variety Staff
March 18, 2008
Variety Staff, Variety

This sharply scripted study of a bereaved woman who literally wishes her partner back from the grave is an impressive directorial bow by British playwright Anthony Minghella. Full Review

Vincent Canby
August 30, 2004
Vincent Canby, New York Times

Miss Stevenson, Mr. Rickman and Mr. Maloney, good actors all, work tirelessly on behalf of the insistently gooey and smug material. Full Review

Peter Travers
May 12, 2001
Peter Travers, Rolling Stone

Minghella lays on the whimsy a bit thick at times, but his wryly funny and heartfelt observations on sorrow go down much easier than the Hollywood brand of lump-in-the-throat histrionics.

Desson Thomson
January 1, 2000
Desson Thomson, Washington Post

It's a sweetly affecting tug of the heart. Full Review

Roger Ebert
January 1, 2000
Roger Ebert, Chicago Sun-Times

All of these passages of the movie are convincing, in a strange way: This is sort of a Ghost for grownups. Full Review

March 18, 2008
Film4

Like Ghost, only British and better. Full Review

Jeffrey M. Anderson
May 26, 2006
Jeffrey M. Anderson, Combustible Celluloid

A wonderful, bittersweet little romantic comedy. Full Review

February 9, 2006
Time Out

As a metaphor for the experience of bereavement, the conceit is over-extended, though Stevenson almost makes it work. Full Review

Rich Cline
May 13, 2005
Rich Cline, Shadows on the Wall

off-beat and involving

Critic ratings and reviews powered by RottenTomatoes.com

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Truly, Madly, Deeply Trivia


  • One of Savage Garden's songs has the same name as this Alan Rickman film where he is a ghostly cello player.  Answer »
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