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Josef Köstlinger, Irma Urrila, Ulrik Cold, Erik Saeden, Birgit Nordin ... see more see more... , Håkan Hagegård , Britt-Marie Aruhn , Jane Darling , Elisabeth Erikson , Ulf Johansson , Ansgar Krook , Urban Malmberg , Ragnar Ulfung , Kirsten Vaupel , Goesta Pruezelius

A longtime pet project of Swedish filmmaker Ingmar Bergman, Wolfgang Amadeus Mozart's opera The Magic Flute was finally brought to the screen in 1973. While the opera itself is offered in a highly sty... read more read more...lized and theatrical fashion, the fluidity of the camerawork turns the affair into a purely cinematic experience. Sung in Swedish, the libretto remains as ever a gentle parody of the initiation ceremonies of the Masons, offered as an other-worldly fantasy involving a kidnapped princess (Irma Urrila), a vengeful Queen of the Night (Birgit Nordin), and a carefree wanderer who periodically plays the titular flute. ~ Hal Erickson, Rovi

Flixster Users

77% liked it

4,355 ratings

Critics

93% liked it

14 critics

G, 2 hr. 14 min.

Directed by: Ingmar Bergman

Release Date: November 11, 1975

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DVD Release Date: May 16, 2000

Stats: 143 reviews

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Flixster Reviews (143)


  • February 6, 2008
    The opera works surprisingly well in Swedish, and, of course, Bergman's adaptation of this wonderful piece is one of a kind.
  • June 24, 2009
    Everyone else is mental! Giving this film such high ratings. I am a fan of Mozart and I have a high tolerance for lengthy foreign films and musicals, bu this was near unbearable. I usual enjoy the songs from this opera, but they are now banned for a year, because of the bad memor... read moreies from this film. It's so long and for some reason the camera pans to members of the audience for the first four minutes of the film. And throughout the opera at random points the camera pans to some little girl in the audience watching the opera. I mean WTF?? I thought I was watching the opera.

    DO NOT RENT THIS FILM!! IT"S SO BORING!
  • May 24, 2010
    Bergman does opera drama, and it's a mixed bag. It's one of those weird occasions where a play is filmed live, or at least pretends to be filmed live. There are random moments of the camera recording people in the audience looking at the play, which is plain stupid. My attention ... read morespan lasted about an hour before I thought the notes and character appearances turned repetitive. It's really gay. Too joyous and uneventful, also.
  • December 1, 2007
    My favorite film of an opera, my favorite opera of any composer, and it's my favorite composer. Mozart's mix of the profound (the brotherhood of all mankind, etc.) and the humorous (instead of having the prince slay the dragon to save the maid at the end; it's at the beginning an... read mored the prince faints and 3 ladies save him, auguing who will stay with him while the others report back to the queen!) works here better than anywhere else.

    One of the reasons it works better here than other productions is there is a wonderful mix of mostly on stage, with little hints of backstage moments (Papageno is slightly late for for his first enterance, for example) and outdoor action (Pamina running in the snow and considering suicide). Another fascinating thing here is the short intermission; but all the main singers remain in character: Sarastro reads "Parsifal" while one of Monostatos' minions reads a comic book, the Queen of the Night takes a long sexy drag on a cigarette while Tamino and Pamina play chess (that hints of Ferdinano and Miranda in Shakespeare's "The Tempest"). All these things add up to sense of realism that rarely is seen and make Bergman's production have even greater power. If you are going to see only one opera, this is the one.

Critic Reviews


John Monaghan
December 7, 2007
John Monaghan, Detroit Free Press

Using the opera's timeless whimsy and inventiveness, the movie replicates a performance on the stage that is so good that it almost makes you forget the participants' ABBA-like hairstyles. Full Review

Dave Kehr
August 1, 2007
Dave Kehr, Chicago Reader

Ingmar Bergman's mounting of the Mozart masterpiece is appealingly conventional. Full Review

Vincent Canby
May 20, 2003
Vincent Canby, New York Times

An absolutely dazzling film entertainment, so full of beauty, intelligence, wit, and fun that it becomes a testimonial not only to man's possibilities but also to his high spirits. Full Review

Ken Hanke
May 20, 2009
Ken Hanke, Mountain Xpress (Asheville, NC)

What Bergman does is to convey the actual magic of theater at its best. Full Review

Dennis Schwartz
February 15, 2006
Dennis Schwartz, Ozus' World Movie Reviews

It's as pleasing to look at as hear. Full Review

Nick Davis
July 31, 2004
Nick Davis, Nick's Flick Picks

A particular delight for opera fans, though colorfully engaging to everyone.

May 24, 2003
Film4

If filmed opera seems a contradiction -- no more than an excuse to immortalize a performance -- this production is the exception to the rule. Full Review

Ted Prigge
January 1, 2000
Ted Prigge, rec.arts.movies.reviews

This film is stunning to look at, with wonderful sets, interesting costumes, and yet another work of gorgeous cinematography by Bergman fave, Sven Nykvist. Full Review

Matthew Turner
November 29, 2007
Matthew Turner, ViewLondon

Click to read the article Full Review

Jeffrey Westhoff
April 4, 2006
Jeffrey Westhoff, Northwest Herald (Crystal Lake, IL)

No review available.

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