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Ann-Margret, Oliver Reed, Roger Daltrey, Elton John, Eric Clapton ... see more see more... , Keith Moon , Jack Nicholson , Robert Powell , Paul Nicholas , Tina Turner , Barry Winch , Victoria Russell , Ben Aris , Jennifer Baker , Susan Baker , Arthur Brown , John Entwistle , Pete Townshend , The Who , Imogen Claire , Mary Holland , Eddie Stacey

Tommy (Roger Daltrey) is a "deaf, dumb and blind kid" who retreats into himself after the death of his father. His mother, Nora (Ann-Margret), and stepfather Frank (Oliver Reed) take him to see a spec... read more read more...ialist (Jack Nicholson) but Tommy is apparently a hopeless case. That is, until Tommy discovers that "he sure plays a mean pinball." Tommy gains fame when he defeats the Pinball Wizard (Elton John) for the world championship. As a result, Tommy becomes such a celebrity that he even founds his own religious cult. But his fans begin to commercialize his fame, while Tommy wants to stick to the straight and narrow. When Tommy wants to end the commercialization of his message, his supporters accuse him of being hypocritical and turn on him. Ann-Margret, with a slinky red dress slit way up the side, was nominated for a Best Actress Oscar, losing out to Louise Fletcher in One Flew Over the Cuckoo's Nest. ~ Paul Brenner, Rovi

Flixster Users

71% liked it

29,307 ratings

Critics

88% liked it

17 critics

DVD Release Date: September 21, 1999

Stats: 1,717 reviews

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Flixster Reviews (1,717)


  • January 3, 2011
    This is one of the oddest musicals of all, but it's also pretty cool, and has a lot of good music from the Who. Plus, there are a lot of stars in it.
  • August 11, 2010
    The strangest and most interesting musical I have ever seen. Keith Moon's scene is by far the most interesting part, along with Ann-Margret's charisma and style.
  • April 15, 2010
    wild and imaginative. Ann-Margret is amazing.
  • July 2, 2009
    Composed as a "rock opera" by The Who, this is a weird tale of a boy struck deaf dumb and blind by a traumatic event. He becomes a "Pnball Wizard" and at the same time a Messianic-like figure. The music is great, the film just freaky.
  • April 4, 2008
    A very odd story and musical, that made me laugh all the way, not because it was a comedy, but it was pretty amateur stuff and seeing Ollie Reed singing like that really couldn?t have done his hard image any good.
  • July 15, 2007
    A decent movie version of the Who album; it all makes sense with images applied, but ruins some of the mystique of the original songs. It gets damn cheesy in parts, applying literal symbols to some of the concepts. I didn't understand all the religious messages they were getting ... read moreinto, with Tommy being marketed in Christ-like status as a new religion; I guess the finale showed the dangers of that. I really liked some of the scenes. The first half of the movie was very artistic. I was a bit bored with the Eric Clapton church of Marilyn and the musical interlude in the junkyard. Things get boring once Sally Simpson gets on the scene with her Tommy-worship and the Tommy camps are set up. Oliver Reed and Ann-Margaret are great to watch in every scene; they have a lot of personality and screen prescence. I doubt a person could get a high score on pinball being unable to see what is happening. There were a lot of trippy scenes which I'm sure the drug crowd would wow at. The music was good, but it seemed like some generic movie band was performing; it seemed flatter and lacking in energy which the Who album had.
  • February 23, 2007
    The Who obviously wrote some classic songs, but Ken Russell's self-indulgent and trashy "rock opera" is just plain ugly and irritating. And it's got Phil Collins in it.
  • June 3, 2009
    I love the album! The movie has some interesting visuals and Tommy becoming something of a messiah makes for some deep metaphors. However, seeing the story performed like this was disconcerting. I couldn't really connect with all the twisted psychedelic images. Oliver Reed an... read mored Ann-Margret were hard to enjoy too.
  • February 17, 2010
    As an album Tommy succeeds due in part to the fact that we aren't lambasted by blatant visual metaphors like we are here. Townshend successfully tip-toes the line between a kind of pseudo-religious commentary and open-ended space for listener contemplation. However, (and this is ... read morea big however) coupled with Ken Russell's lavish visuals there really isn't any space for anything since he either beats you over the head with obvious symbolism or throws in arbitrary set pieces, leaving the viewer to wallow in a sea of slap-happy excess.
    Pink Floyd's The Wall was an example of how to do concept properly. Through different styles of sequences and montage It invited us into Pink's (Bob Geldoff's character) world by exploring the different facets of who he is; his memories, his hopes his fears, etc. Tommy is a meaningless figure in a sea of circus-like absurdity. Perhaps that's part of the point, but it certainly doesn't prop up prolonged interest in his ultimate fate.
  • May 3, 2008
    Ok people in the know tell me that Pink Floyd's the wall is the movie that'll just freak you out if you watch it on acid. This movie kind of freaks me out and I've never done acid in my life. Really cosmically trippy and so hard to watch and not smirk. Still, great music and Ann-... read moreMargaret swimming in alphagetti or something. Brilliant!

Critic Reviews


Phil Hall
April 15, 2011
Phil Hall, Film Snobbery

An anything-goes phantasmagoria that pushes at the borders of good taste and good sense. Full Review

Charles Cassady
March 15, 2011
Charles Cassady, Common Sense Media

Trippy rock opera with drug references and sexual imagery. Full Review

Brian Orndorf
August 27, 2010
Brian Orndorf, BrianOrndorf.com

The core essence of Tommy lies in the quivering carriage of Ann-Margret and her heroic personification of Russell's funhouse directorial approach. Full Review

Emanuel Levy
July 26, 2010
Emanuel Levy, EmanuelLevy.Com

Emphasizing the sensual and musical elements of the rock opera, Ken Russell brings his excessive visual flourishes to the material and also get good performances from Ann-Margret and Oliver Reed, resu... Full Review

Rob Thomas
March 16, 2006
Rob Thomas, Capital Times (Madison, WI)

Quite the gaudy mind-blower.

Dennis Schwartz
February 23, 2006
Dennis Schwartz, Ozus' World Movie Reviews

It becomes tiresome and runs out of gas way before the conclusion. Full Review

Robert Roten
May 3, 2005
Robert Roten, Laramie Movie Scope

It is an extravagant musical curiosity, or Baby Boomer time capsule, if nothing else. Full Review

Ken Hanke
December 29, 2002
Ken Hanke, Mountain Xpress (Asheville, NC)

I know how nearly every shot was done by this point, but that hasn't dimmed what is to me the essential magic of the movie. Full Review

Forrest Hartman
October 11, 2002
Forrest Hartman, Reno Gazette-Journal

Quirky, although not altogether successful, cinematic reading of The Who's rock opera.

Jeremy Gerard
March 26, 2009
Jeremy Gerard, Variety

Click to read the article Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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Facts


    • Tommy: We need more room, build an extension. A colorful palace, spare no exepense now.
    • Tommy: Those who love me. Have a higher path to follow now. And you, dear mother, too. Must be prepared!
    • Tommy: See me, feel me, touch me, heal me.
    • Nora Walker Hobbs: I believe in love. But how can men who've never seen light be enlightened?

Tommy : Watch Free on TV


Tommy Trivia


  • In the movie Tommy Boy, what is the name of the family owned company that Tommy takes over?  Answer »
  • In Batman Forever who plays two-face.  Answer »
  • Which 1995 film does the following dialogue come from? Tommy: Did you hear I finally graduated? Richard Hayden: Yeah, and just a shade under a decade too, all right. Tommy: You know a lot of people go to college for seven years. Richard Hayden: I know, they're called doctors.   Answer »
  • What is the first line in the movie Tommy Boy?  Answer »

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