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Aurélien Recoing, Karin Viard, Serge Livozet, Jean-Pierre Mangeot, Monique Mangeot ... see more see more... , Nicolas Kalsch , Marie Cantet , Felix Cantet , Maxime Sassier , Elizabeth Joinet , Nigel Palmer , Christophe Charles , Didier Perez , Serge Livrozet

French director Laurent Cantet's sophomore effort is a somber and complex meditation on work -- specifically, how work has become the defining feature of the contemporary individual as well as the qui... read more read more...ntessential symbol of quotidian despair. The movie tells the story of Vincent (Aurelien Recoing), a middle-class family man recently fired from his drab, middle-management job. Unable to tell his family about his firing, Vincent spends his workdays driving around the French countryside --"business trips" he tells his wife -- keeping intact the reassuring routine of going to work and coming home to his wife and kids. As his family grows suspicious of his evasive behavior, Vincent is forced to spin a new tale, pretending to get a job working for the U.N. In a bid to keep the money coming in, he recruits old friends to invest in an imaginary emerging-markets investment scheme. Vincent also falls in with Jean-Michel (Serge Livrozet), a black market dealer whose ignominious past serves as an ominous warning for Vincent's present course. Despite his efforts to maintain an undisturbed surface, Vincent's wife begins to suspect something amiss. As the lies pile up and the questions from his family mount, Vincent loses control of his fragile double life, leading to a poignant conclusion. Cantet's film premiered at the 2001 Venice Film Festival. ~ Elbert Ventura, Rovi

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76% liked it

1,685 ratings

Critics

96% liked it

82 critics

PG-13, 2 hr. 14 min.

Directed by: Laurent Cantet

Release Date: April 12, 2002

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DVD Release Date: January 14, 2003

Stats: 100 reviews

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Flixster Reviews (100)


  • fb619846742
    May 21, 2011
    fb619846742
    A beautiful, haunting piece of social realism, concerning an unemployed father who lies to his family about his new job, as well as to close friends who he tricks into giving their money for a made-up investment plan. While admittedly slow-paced and definitely not for all tastes,... read more director Laurent Cantet never, for one second, drifts into melodrama like some dramas with subject matter like this sometimes do. With the exception of the pace of the film, this thing is nearly perfect, with a riveting last twenty minutes that contain a powerful, unexpected conclusion that you won't see coming. If anything, this deserves to be seen due to the current state of the economy, as it does its best to humanize any potential monsters, since in the end you do care about Vincent, even if he does do some horrendous things throughout the movie.
  • February 10, 2012
    A businessman has lost his job but can't quite admit it to those nearest and dearest, so he begins to prevaricate ("I'm going to get a job in a foreign country...yeah...I got it!...working for a Liberal Politically Correct Charity!"). Lie heaps upon lie. His nearest and dearest ... read morebecome suspicious. Pressure builds! Laurent Cantet does a great job in directing--cinematography, acting. Yet the story by Robin Campillo, with a Cantet co-credit, fails sadly. With so much build-up of suspense we REQUIRE a major payoff. There is none. Just a sort of epilogue as to what eventually happens to whatshizname. The air goes out of the balloon.

Critic Reviews


Jay Boyar
August 2, 2002
Jay Boyar, Orlando Sentinel

Time Out is as serious as a pink slip. And more than that, it's an observant, unfussily poetic meditation about identity and alienation.

Joe Baltake
May 24, 2002
Joe Baltake, Sacramento Bee

The film is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work. Full Review

Desson Thomson
May 10, 2002
Desson Thomson, Washington Post

The drama discloses almost nothing.

Stephen Hunter
May 10, 2002
Stephen Hunter, Washington Post

What a modern horror story!

Mick LaSalle
May 10, 2002
Mick LaSalle, San Francisco Chronicle

Human Resources was a good, straightforward tale, but Time Out is better. It's haunting. It's like a poem. Full Review

Susan Stark
May 10, 2002
Susan Stark, Detroit News

Moody, reflective and acutely noticing, Time Out is less a drama than a cinematic essay about one man's experience in an era defined for professional and laborer by downsizing.

Terry Lawson
May 10, 2002
Terry Lawson, Detroit Free Press

Time Out is existential drama without any of the pretension associated with the term. Full Review

Geoff Pevere
May 3, 2002
Geoff Pevere, Toronto Star

From those first moments behind the windshield, Time Out draws you into its world of quiet deception. Full Review

Liam Lacey
May 3, 2002
Liam Lacey, Globe and Mail

Skip work to see it at the first opportunity. Full Review

Chris Vognar
May 2, 2002
Chris Vognar, Dallas Morning News

A sad, visually stunning commentary on life in the new economy, Time Out does two things very well. Full Review

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