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Antonio Banderas, Elena Anaya, Marisa Paredes, Jan Cornet, Roberto Alamo ... see more see more... , Eduard Fernández , Blanca Suárez , Susi Sánchez , Bárbara Lennie , Fernando Cayo , José Luis Gómez

Ever since his wife was burned in a car crash, Dr. Robert Ledgard, an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he man... read more read more...ages to cultivate a skin that is a real shield against every assault. In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig...-- (C) Sony

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84% liked it

17,711 ratings

Critics

81% liked it

156 critics

DVD Release Date: March 6, 2012

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Flixster Reviews (1,831)


  • May 23, 2012
    Pedro Almodovar's latest offering is a bizarre, complex thriller which could also be the first of its kind for the talented Spanish filmmaker. Almodovar essentially combines the soap operatic elements of his earlier films like "Broken Embraces" replete with characters with dark s... read moreecrets, tragedies of the past that can't let go, severed blood ties, trauma, etc with a touch of Michael Crichton-ish medical thriller elements! Nonetheless, the outcome is a surprisingly original film to grace this reviewer's movie watch-list in a long, long time!

    In Toledo, Spain, Plastic surgeon Dr. Robert Ledgard (Antonio Banderas) has had a brilliant breakthrough in creating an artificial skin tougher than normal human skin. It is the kind of skin that is resistant to mosquito bites and burns. We learn later, that an incident of the past has made this research of his almost an obsession for him. While Ledgard claims that he has been experimenting with athymic mice, it becomes clear that his guinea pig is actually human, a beautiful girl, Vera (Elena Anaya) who has been confined to a private chamber in his secluded estate where he resides with his elderly maid servant, Marilia (Marisa Paredes) who has been with the Ledgards since Robert was a child. Vera is monitored through various Closed-circuit TVs by Robert and it seems that she has been there for a long time now. She is provided food and supplies through a dumbwaiter but is never allowed out of her room. This place also serves as a center for research and operations hence there is limited or no access to outsiders, barring some of Robert's professional colleagues for specified purposes only. Life goes on and this status quo is disturbed one day, when Marilia's long estranged son Zeca (Roberto Alamo) suddenly shows up at their door ....

    [img]https://lh5.googleusercontent.com/-7x2QzKhaDWs/T7zCr0oBUiI/AAAAAAAACnY/1oXkh6fIB6I/s832/vlcsnap-2012-05-23-16h13m04s18.jpg[/img]

    Loosely based on Thierry Jonquet's novel, "Tarantula", Almodovar's screenplay is magnificent in the manner in which he slowly unfolds the various layers of his twisted story, divulging information to his audiences only as required, in a carefully constructed non-linear narrative. What starts out like a conventional thriller in the first half, gradually melds into a nuanced drama laced with tragedy and subtle emotions. Instead of relying on jump twist endings that sometimes seem forced, Almodovar, in the film's runtime of 120 minutes, progressively 'builds' the story, by in fact, peeling the 'skin' off the package and unraveling the mystery within, little by little. In some back stories and subplots we are introduced to some more characters and it is at this point that the film actually gets its Pedro Almodovar feel! One may feel that the director is going off-track with these random introductions, but do not be fooled, for trust Almodovar to stay focused and not digress from the plot at any cost! There are absolutely no wasted moments or scenes as ultimately it all falls into place beautifully! Not all the characters are fully developed but those who do matter the most are, to a considerable extent; if not through elaborately written scenes, definitely through some back stories provided in flashback monologues.

    [img]https://lh5.googleusercontent.com/-Hb4KqvZehKA/T7zHUFLQgqI/AAAAAAAACns/o6DlUNIgk4s/s832/vlcsnap-2012-05-23-16h47m09s36.jpg[/img]

    "The Skin I Live in" is also an actors' film. Antonio Banderas in a never before seen avatar is a revelation; so amazing is his presence, he pulls off a challenging lead role with finesse as the dynamics of his character are revealed to the audience as the story moves forward. Ditto for Elena Anaya who has already established her status as a solid actress in the Spanish film world. It's a spectacular performance, the greatness of which is more evident in the latter half of the film. The supporting actors are not far behind, with some noteworthy performances by actors Blanca Suarez, Jan Cornet and Almodovar regular Marisa Paredes as the loyal maid servant Marilia, tormented by a dark secret of her own!

    "The Skin I Live In" is a riveting thriller...an almost Shakespearean tragedy with a macabre twist. Pedro Almodovar made one of the finest films of his career and also one of the best films of 2011. It is likely to stay in your mind for a long time after it is over... the kind of film that can get under your 'skin'... literally!

    Score: 10/10.

    [img]https://lh4.googleusercontent.com/-ut5whGKRISY/T7zCrf0-18I/AAAAAAAACnU/uEcAG9dLDRY/s832/vlcsnap-2012-05-23-16h05m46s40.jpg[/img]
  • fb619846742
    May 22, 2012
    fb619846742
    A twisted, disturbing movie from the warped mind of Pedro Almodovar, this time dealing with a gifted plastic surgeon who is currently working on a new skin for human beings that would be impervious to some diseases and pain, and how he uses a test dummy (Elena Anaya), a mysteriou... read mores woman who remains locked in his house for reasons unknown. Almodovar has proven he has got balls in the past, notably with the phenomenal 2002 film "Talk To Her" where he shows compassion for a rapist. It is nice to see Antonio Banderas giving a nuanced, brilliant performance that anchors this film from beginning to end. This is not a movie for everyone, as a disgusting twist thrown into the mix around the halfway point of the film is especially hair-raising, though definitely original and well-executed. This film, like Almodovar's others, is a melodrama inside and out, but it goes a little too far at its conclusion and does not know quite how to end. Other than that, it's a fine film and testament to Almodovar's ability to control the pace and keep the story spiraling out of control into unbelievable madness.
  • March 29, 2012
    a very clinical horror/thriller that feels at first like the work of a different director but in the end can only be pedro's. from 'vertigo' to 'eyes without a face' to 'bad education' and 'all about my mother'. i liked it much more on reflection than i did while actually watchin... read moreg it. good to see banderas in a decent film once again. he's wasted too many years in hollywood.
  • March 26, 2012
    The premise of a B picture crafted with the precision and finesse of an A-list director. a hard film to digest, but one very much worth your time.
  • March 23, 2012
    Wow im exceptionally liked movie, in some aspects i can see why, as it is a unique movie and is interesting and holds a lot of suspense and thrills as your never sure whats going to happen and it does have some messed up scenes when you piece different things together! A good loo... read moreking cast, messed up movie but possibly worth a watch, io wouldnt say its fantastic though!
  • March 18, 2012
    My respect and admiration for Pedro Almodóvar continues to grow. He repeatedly finds warmth and human connection in the most inhumane of circumstances. With Pedro, you not only discover that you can tolerate the intolerable but you find yourself empathizing with it. True to Al... read moremodóvar form, The Skin I Live In is both weird and wonderful.
  • February 28, 2012
    Almodovar's trademark pastel colours decorate an intricate but perfectly woven tale of unimaginable sexual and moral perversion. Antonio Banderas is great as the mad doctor, and the flawless beauty Elena Anaya is perfectly cast as a sort of human doll. While watching it, I immedi... read moreatly couldn't help but thinking about George Franju's classic "Le yeux sans visage" and I even recalled the great tagline for Orson Welles' Touch of Evil: The Strangest Vengeance Ever Planned!
  • February 16, 2012
    The Skin I live In

    Twister

    This is by far one of the top movies of 2011, and surely the best of Almodovar's work. I was never a big fan of Almodovar but in this movie he just does the unthinkable, he makes on of the most twisted and disturbing films (in a good way... read more) where the magic of storytelling is key.

    Dr.Robert is a famous and rich plastic surgeon who after a tragic death of his wife due to a car accident, he develops a new skin that is resistible to any burns or scratches, however as the story unveils the audience see's what really lies under the skin and the secrets hidden inside.

    I can honestly not find words to describe how fantastic the story of this movie is. The movie gets you and grip every second, but the twist close to the end of the movie is mouth dropping -certainly one of the best twists in movies. In Almodovar's unique style he incorporates a unique story.

    Antonio Banderas is also kickass in this film, he does an outstanding job. Then there is Elena Anaya and Jan Cornet who play wonderful parts.

    Overall a top movie, certainly one that can't be missed. This movie is for sure one of the best of 2011, and I highly recommend it!

    Norma: "Clothes make me feel claustrophobic. I wish I could stay naked all the time."
  • February 7, 2012
    The Skin I Live In was not at all what I was expecting, it exceeded my expectations that were already pretty high. It's strange, it did and it didn't feel like a Pedro Almodóvar film. So I wasn't surprised when I realised it was based on Thierry Jonquet's novel Tarantula and I ca... read moren see why he would want to bring the story to the big screen - I also don't think anyone else could have done so without it turning into something it isn't. This isn't about deviancy, torture or even sex really, this is about obsession and the lengths it can lead to and the madness that can come from it. The story is nothing but compelling throughout and I can't say I saw the twist coming at all, it certainly didn't matter that it comes halfway through either. It's one of the best thrillers I've ever seen, a future classic for sure and definitely one of Almodóvar's best. I'm a fan of his but his recent work blows his old stuff out the water, his evolution as a film maker has never been anything less than fascinating. One of the best films of 2011 by a mile.
  • December 30, 2011
    'The Skin I Live In'. Pedro Almodovar delivers yet again with a delightfully twisted masterpiece!

    The film had me questioning identity and attraction, and it ultimately comes down to a short clip Vera sees on TV, with the yoga teacher explaining what yoga does in firmly maintain... read moreing the inner person, while all else around them may be destroyed.

    Grand melodrama, obsession and use of colour; all Almodovar staples, shine through brightly, and the pulsating score demands to be heard.

Critic Reviews


Tom Long
November 18, 2011
Tom Long, Detroit News

There are few filmmakers -- David Lynch comes to mind, Woody Allen -- who have a completely unique way of imprinting a film. Nobody but Pedro Almodóvar could have made The Skin I Live In. And that's h... Full Review

Roger Moore
November 15, 2011
Roger Moore, Orlando Sentinel

It's as disquieting as it is unsatisfying, a slog through gender issues, surgery and violence - sexual and otherwise. Full Review

Lisa Kennedy
November 4, 2011
Lisa Kennedy, Denver Post

These are questions one is left with -- and that's not an entirely satisfying feeling. Yet it's hard not to be drawn into the story, and even more, into the gorgeous storytelling. Full Review

Justin Chang
November 3, 2011
Justin Chang, Variety

Despite its scalpel-like precision, pic falls short of its titular promise, never quite getting under the skin as it should. Full Review

Kirk Honeycutt
November 3, 2011
Kirk Honeycutt, Hollywood Reporter

Only someone as talented as Almodóvar could have mixed such elements without blowing up an entire movie. Full Review

Chris Vognar
November 3, 2011
Chris Vognar, Dallas Morning News

Pedro Almodóvar wows with the meticulous visual design of his films, but sometimes his narrative architecture is every bit as dazzling. Full Review

Carrie Rickey
November 3, 2011
Carrie Rickey, Philadelphia Inquirer

This film, by turns macabre, melodramatic, and gothic, makes the heart race and the skin crawl. Full Review

Bill Goodykoontz
November 3, 2011
Bill Goodykoontz, Arizona Republic

As beautifully shot as it is perversely scripted, and you're likely to love it or hate it but not feel indifferently. Full Review

Stephen Cole
October 28, 2011
Stephen Cole, Globe and Mail

Though beautiful to look at and graced with moments of ticklish camp, The Skin I Live In is also sluggish, arbitrarily conceived and, especially in its sagging middle, unaccountably dull. Full Review

Peter Howell
October 28, 2011
Peter Howell, Toronto Star

The film has more twists than a bull's neck and mucho polish (Alberto Iglesias's jazzy score also enchants), but it's more freaky than frightful, a "B" picture by an "A" director. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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Facts


    • Norma: Oh boy, what a wonderful day...
    • Vicente: Give me all your money, quick!
    • Marilia: The things a madman's love can do...
    • Vicente: I'm high too.
    • Robert Ledgard: [pointing a handgun] Get the hell out of here!

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