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Gretchen Mol, Christopher Bauer, Jared Harris, Sarah Paulson, Cara Seymour ... see more see more... , David Strathairn , Lili Taylor , Jonathan M. Woodward , John Cullum , Matt McGrath , Austin Pendleton , Norman Reedus , Dallas Roberts , Victor Slezak , Tara Subkoff , Kevin Carroll , Ann Dowd , Michael Gaston , Jefferson Mays , Peter McRobbie , Dan Snook , Greg Ainsworth , John Boyd , David Call , Geoffrey Cantor , Max Casella , Alejandro Chaban , Jaymie Dornan , Teddy Eck , Jack Gilpin , Dan Haft , Lars Hanson , Daniel Haughey , Frank Hopf , Ed Jewett , Aaron Lazar , Alexandra Leclair , Heather Litteer , Gary Lundy , Edmund Lyndeck , Marisa Malone , Shelly Mars , Christopher McCann , Randy Miles , Molly Moore , Joe Mosso , James J. Pollock , Naelee Rae , Alicia Sable , Ean Sheehy , Kohl Sudduth , Ashley Terrill , Hans Tester , Benjamin Walker , Michael Boydston-White

Celebrated and vilified in equal measure, the pinup goddess Bettie Page inspired a legion of followers -- and an indecency scandal -- by appearing in a series of nude, sado-masochistic, and/or reveali... read more read more...ng magazine spreads in the 1950s. An era later, writer/director Mary Harron casts a knowing eye upon the woman who indirectly gave birth to modern pornography in the biopic The Notorious Bettie Page. As a teen, Page (Gretchen Mol) is a smart, plucky girl with ambitions beyond her Tennessee roots. Suffering varying degrees of abuse from her father, her first husband, and suitors of dubious virtue, Page makes her way to New York City, where an amateur photographer discovers her lounging on the beach. It isn't long before images of the shapely brunette reach Irving and Paula Klaw (Chris Bauer and Lili Taylor), brother-and-sister entrepreneurs who publish illicit magazines dedicated primarily to men's fetishes. The casual nudist Page eventually finds herself acquiescing to their requests to don thigh-high boots, whips, and chains, which raise the ire of the smut-fearing senator Estes Kefauver (David Strathairn). The Notorious Bettie Page had its North American premiere at the 2005 Toronto International Film Festival. ~ Michael Hastings, Rovi

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46% liked it

49,434 ratings

Critics

56% liked it

132 critics

R, 1 hr. 30 min.

Directed by: Mary Harron

Release Date: April 14, 2006

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DVD Release Date: September 26, 2006

Stats: 1,697 reviews

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Flixster Reviews (1,697)


  • August 12, 2011
    The Notorious Bettie Page directed by American Psycho director, Mary Harron is an interesting, but imperfect attempt at capturing the life of the first pinup queen Bettie Page to the screen. I felt the film lacked something that has made other biopics so good. The film is good an... read mored has a lot of solid performances, but the fact is, it lacked something to truly make it a good biopic. I felt that considering the subject matter, they could have made a truly unique biopic about this pinup sensation. The film is a good effort, but it could've used a bit more substance. The actress chosen to play Bettie Page, Gretchen Mol is perfect for the part. The films problem is that it touches only the surface of who Bettie Page was. The film doesn't truly go into vivid detail, like most biopics. The filmmakers left a lot of material out of the story, and just keep what is known about Bettie Page, her illicit modeling career. The rest seems to be left out, we never truly find out how she was brought up, and such. Those would have been things that they could've put in the film to make it a more rounded biopic. Fortunately there's a phenomenal cast that graces this film and they each bring something interesting to the screen. But like I said, the film lacks substance and effective development to really make this an interesting and memorable biopic. But this film is still worth checking out, for what it is; it's a good try at bringing Bettie Page's life to the screen.
  • January 2, 2011
    A biopic based on the life of burlesque queen and icon Bettie Page, The Notorious mirrors the lady in question by being rather appealing on a superficial level but containing little of any real substance. The script skips over the abuse and indignities of her early life in a way ... read morethat almost seems dismissive, concentrating instead on parading the appropriately earthy beauty of Gretchen Mol around in various states of undress. There is little in the way of conflict or drama to the story and as such is really an exercise in eye candy; it's attractively shot in noir-esque black and white, occasionally switching to aping the garish technocolor of the time (although I couldn't help wishing that they'd just picked one and stuck with it) and features some attractive costume design. It's also complimented by a quality supporting cast including the always watchable Lili Taylor and an amusing turn by Jared Harris as a booze-sodden photographer but ultimately there's very little to it. When by far the most promising aspect of the story featuring a senatorial tribunal on public decency fizzles away to nothing it becomes obvious that the plot is as scanty as some of Ms Page's outfits and I didn't really feel it justified an hour and half of my time. A few chuckles at the expense of 50s naivety and little more.
  • October 14, 2010
    This was pretty good. I had never heard of this woman, but the nice way that they made this film about her made me look her up. The resemblance of Bettie Page and Gretchen Mol is amazing. It is really good to see a happy ending to this kind of star. I was half expecting a tragic ... read moreending, but it all seemed to turn out ok. Nice job.
  • September 29, 2009
    An honest account of the Bette Page years. I'm glad it didn't go down the usual route like Ray & Walk the Line, instead it kept to the facts. Page wasn't such an interesting person but her story is, she is a huge icon of the 20th Century, so the story is worth telling and it is t... read moreold beautifully thanks to the very convincing Mol and the extremely talented Mary Harron who is easily one of the best directors around today. More please Mrs Harron!
  • July 29, 2008
    Mol was pretty cute...like an innocent kitten cute, which isn't what I would have expected Page to be like, but it made for an interesting movie.
  • July 30, 2007
    A great-looking but boring movie--a perfect parallel for Mol's good, but dull portrayal of Page. Or Page herself, for that matter. The bouncing from black and white to heavily saturated color with locales was great, as was seeing Gretchen Mol's lady garden, but I never really gav... read moree a shit about Betty. It's generally boring and completely forgettable.
  • July 12, 2007
    Flat but effective biopic with a great performance from Mol
  • April 7, 2007
    gretchen mol is very good but the film is missing something
  • April 3, 2007
    Very good Biopic. Entertaining and sexy.
  • December 5, 2006
    A film regarding the rise of 'degrading' pornography is fashioned as a fairly sweet indie comedy, this biopic of 50s pin-up sensation Bettie Page won't be too all tastes. But perhaps that's the point.
    The tale opens with Bettie's post-childhood trauma years; she is shy and appre... read morehensive, but easily charmed. This aspect of her is then manipulated by a group of horny college boys in order to gang-rape her. Some time after this ordeal, she finds that the highly taboo practice of S&M photoshoots could be for her. Instead of being some sort of vice or crutch to alleviate her distresses on, Page treats the topic as sweet 'n' light, agreeing that people enjoy seperate things; if anything she finds it amusing.
    This is, the crux of Harron' story, that there need be no real connection between trauma and 'specialist' pornography. Sadism isn't necessarily the by-product of deviance, and it's her persuavive argument that allows the auidence to be comfortbaly on Bettie's side when the US clampdown on 'degradation' marked her out as public enemy no.1.
    Harron's film is finely crafted with some superb camerwork, the majority of it in monochrome, intentionally mimicking old photographs, and the occaisonal vibrant colour used for Bettie's various magazine covers.

Critic Reviews


Roger Moore
May 26, 2006
Roger Moore, Orlando Sentinel

In Mary Harron's film biography of the nude and naughty pin-up girl, Notorious is synonymous with 'joyless.' Full Review

David Edelstein
May 12, 2006
David Edelstein, New York Magazine

With her blue-black hair, Mol looks so much like Page that this could be a documentary, and her swings between modesty and exhibitionism are amazingly fluid. Full Review

Steve Murray
May 6, 2006
Steve Murray, Atlanta Journal-Constitution

... the movie's worth a look simply for Mol's career-boosting performance. Full Review

Jonathan Rosenbaum
May 6, 2006
Jonathan Rosenbaum, Chicago Reader

We can't always be sure what's archival and what's simulated because sometimes the filmmakers are trying to fool us. But their preoccupation with the manufacture of images keeps this exercise in expos... Full Review

Lou Lumenick
May 6, 2006
Lou Lumenick, New York Post

Disappointingly skin-deep and almost shockingly wholesome.

Tom Long
May 5, 2006
Tom Long, Detroit News

But still, who was Bettie Page? The film offers not a clue. Full Review

Terry Lawson
May 5, 2006
Terry Lawson, Detroit Free Press

About a time when taking off one's clothes for a camera was notorious. We can't go back there, but this is an enjoyable, uncritical visit. Full Review

Richard Nilsen
May 4, 2006
Richard Nilsen, Arizona Republic

It isn't a bad film, but it isn't a good film, either. Basically, it's a movie that doesn't have a good reason for having been made. Full Review

Stanley Kauffmann
May 2, 2006
Stanley Kauffmann, New Republic

Harron's work here is unclear in its theme or purpose.

Bruce Westbrook
April 28, 2006
Bruce Westbrook, Houston Chronicle

This listless biopic of the famed 1950s model is as timid and tame as her photos seem today. Full Review

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