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Billy Bob Thornton, Frances McDormand, Michael Badalucco, James Gandolfini, Tony Shalhoub ... see more see more... , Jon Polito , Scarlett Johansson , Richard Jenkins , Katherine Borowitz , Adam Alexi-Malle , Bert Lytell , Lucy Cotton , Frank Currier , Tammany Young , Fred Warren , Clarence J. Elmer , William Roselle , Frank Strayer

Set in a sleepy Northern California town in the 1940s, Joel Coen and Ethan Coen's The Man Who Wasn't There stars Billy Bob Thornton as Ed Crane, a humble barber who suspects his hard-hearted and hard-... read more read more...drinking wife Doris (Frances McDormand) of having an affair with her boss (James Gandolfini). When a jocular stranger (Jon Polito) breezes into town hinting at the fortune to be made investing in an outlandish-sounding new invention called dry cleaning, Ed hatches a blackmail scheme he hopes will make him rich and get him some revenge at the same time. His plan goes horribly awry when he accidentally commits a murder for which Doris ends up being blamed, landing her in the slammer and Ed at the mercy of blowhard big-city lawyer Freddy Riedenschneider (Tony Shalhoub). Filmed in black-and-white by three-time Oscar-nominated cinematographer Roger Deakins, The Man Who Wasn't There was inspired by the seedy crime novels of James M. Cain, putting a distinctly Coen brothers' spin on the film noir tradition. Though spiked with their characteristic humor, its moody atmosphere hearkens back to the darker moments of Blood Simple and Fargo -- a marked departure from the high-spirited slapstick of O Brother Where Art Thou. ~ Tom Vick, Rovi

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81% liked it

37,841 ratings

Critics

81% liked it

154 critics

R, 1 hr. 57 min.

Directed by: Ethan Coen, Joel Coen

Release Date: October 31, 2001

Keywords: brothers

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DVD Release Date: April 16, 2002

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Stats: 1,872 reviews

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Flixster Reviews (1,872)


  • May 13, 2012
    The Coens capture the look and feel of not only film noir, but that era (late 1940s) as a whole, perfectly with this film. Billy Bob Thornton is great as the laconic, chain-smoking barber Ed Crane, who doesn't have a whole lot to say, and doesn't really do much either.

    To break ... read moreout of his achingly dull life Ed decides to get involved with a businessman trying to start up a dry cleaning business. To get the money for financing, Ed blackmails his wife's boss who is having an affair with her. Of course, since this is both a noir and a Coen Brothers film, not all goes according to plan, and nothing is really quite as it seems.

    This isn't the best film from the Coens, but it's still really good. It's by far their most serious work, but even then, there's still a shred of their trademark dry, dark humor and some really odd characters and weird things going on, mostly a motif involving flying saucers. Heck, even Ed himself is very much an alien with how he really doesn't seem to fit into the world.

    The most striking thing about this film is definitely the look. Filmed in color, but printed in black and white, this is immediately their msot strikingly gorgeous work from a visual standpoint. Unlike some modern films done in black and white, this actually does look and feel like a legit 40s film. It's an impressive job that was done by the production designer, costume designer, and the venerable director of photography Roger Deakins.

    I could stare at this film all day and never tire of the great images it has to offer.

    Give this one a shot. It's slow, odd, and deliberate, but a real underrated gem worth looking at. The perforances are great, the music is wonderful, and it's just a great love letter to classic noir. Also ,the commentary track is amazingly entertaining and funny in its own right.
  • fb1664868775
    March 26, 2012
    fb1664868775
    A beautiful minor key film. The inclusion of some of Beethoven's most beautiful sonatas into this noir really works. Thornton and McDormand are fantastic plus a whole host of supporting roles that are hilarious.
  • January 18, 2012
    Definitely the Coens' greatest achievement. right after Blood Simple, Millers Crossing, Raising Arizona, No Country for Old Men, the Big Lebowski, Fargo and O' Brother, Where Art Thou.
  • March 12, 2011
    The Coen brothers stylish noir looks as cool as it gets, but is it entertaining enough? No. No thrills, not too much suspense, but hell, no wonder Roger Deakens got the Acamedy Award nomination for this one. Awesome cinematography.
  • December 22, 2010
    very well written and expertly crafted, the film lacks substance, a surprise for a coen film, but the cinematography was excellent and the narration alone was interesting enough to make for a good film. it really says something for the coens when a film this good is one of their... read more bottom films.
  • December 4, 2010
    A passable outing by the Coen brothers that borders on the bland. The style is noir, sure, but the story is not - so unfortunately, in places, all you're left with is uninspiring black and white. Part of me thinks they only chose black and white to help us differentiate between t... read morehis film and the very similar story they told in Fargo. But, in the plus column are Frances McDormand - does she work for anyone else anymore? I wouldn't! - and Billy Bob Thornton's narration. Monotone actually worked.

    I watched this not long after reading Ethan Coen's collection of short stories (Gates of Eden, 1998), and had this been in there, it would've been the best of the forgettable lot, but not nearly enough to save it. I give it two-and-a-half stars, which equal to one giant mmmeh.
  • June 12, 2010
    Maybe it's just the fact that it's the plot is so flashy or the fact that it's shot so well, but this is really just undeniably amazing to watch. I think it's the best that Billy Bob Thorton has ever been, I love him in it. Even though it's a throwback to Noir, it feels like you ... read moregot something new with this. Again I have to mention the cinematography because it is just flawless. This is probably the best and true example of Neo-Noir because it uses all of the old devices. The voice-over, double crossing characters, sex and morality is all there. Joel Coen directed a masterpiece and a true ode to the genre.
  • September 3, 2009
    The Coen's most beautifully directed film, hands down. The smooth black and white finish is sublime. Thornton is fantastic, in what I believe to be his best role to date (Just beating his character in sling blade). The whole cast are on top form and for me, this has my favourite ... read moreCoen film ending.
  • November 2, 2008
    So, it seems the Coens can't always be on top of their game. The Man Who Wasn't There is not an awful movie because it is better than your average flick, but for a Coen's film, it is a tad disappointing.

    Shot entirely in black and white, which matches the the late 1940s

    ... read more setting, The Man Who Wasn't There takes some time to develop. This isn't the problem. The problem comes after the story develops. It is a good ride for the first hour, but there is a slow and steady decline the rest of the way through. The film seems to drag on and on and it keeps going until just under the 2-hour mark.

    The film noir style also plays a big part of this picture. Once again this is fitting with the setting and the black and white visuals. Billy Bob Thornton does match well with this style of film, but film noir doesn't exactly translate into exciting. I'm not saying that it can't be done. It just isn't done here.

    As usual, the acting is on the money. Billy Bob Thornton is able to carry his nonchalant character to the very end. Frances McDormand finds herself in yet another Coen's production and Tony Shaloub ends up being the most charismatic and entertaining character of the movie. Remember John Turturro's role in The Big Lebowski or Woody Harrelson's role in No Country for Old Men? That is what Scarlett Johansson's role is here. It is sort of off to the side in a mini-side story.

    This may not be the strongest film from the Coens, but you will get a kick out of it if you enjoy film noir.

  • October 25, 2008
    When I saw The Man Who Wasn't There in the theater I was incredibly disappointed. Not enough of the Coens' trademarked weirdness and way too much wayward boredom. Since 2001 I've grown a whole new appreciation for film noir (which The Man Who Wasn't There pays homage to almost pe... read morerfectly) and thought I might have a whole different perspective on the film.

    Unfortunately not.

    The Man Who Wasn't There bored me to tears just as badly as it did in its initial run I'm sorry to say. The story is still too quiet and subdued for me to see how anyone can possibly be interested in it, but Roger Deakins' photography is nothing short of brilliant and breathtaking.

Critic Reviews


Richard Schickel
October 13, 2009
Richard Schickel, TIME Magazine

Affectlessness is not a quality much prized in movie protagonists, but Billy Bob Thornton, that splendid actor, does it perfectly as Ed Crane. Full Review

Todd McCarthy
November 7, 2007
Todd McCarthy, Variety

The film holds the interest, to be sure, but more due to the sure sense of craft and precise effect that one expects from the Coens than from genuine involvement in the story. Full Review

Jonathan Rosenbaum
November 7, 2007
Jonathan Rosenbaum, Chicago Reader

Joel and Ethan Coen stay true to their bent for dense heroes and neonoir, and to their unshakable conviction that life usually turns out to be splendidly horrific. Full Review

Eric Harrison
July 21, 2005
Eric Harrison, Houston Chronicle

Despite the movie's humor and sense of irony, it takes on a sense of somberness as it progresses. Full Review

Liam Lacey
March 22, 2002
Liam Lacey, Globe and Mail

A paradoxical film even by the Coen brothers' standards: a painstakingly crafted throwaway. Full Review

Peter Rainer
January 22, 2002
Peter Rainer, New York Magazine

The Man Who Wasn't There denatures pulp, and although I know this was the Coens' intention, it's not a particularly gratifying one. Their movie isn't there, either. Full Review

Joe Baltake
November 18, 2001
Joe Baltake, Sacramento Bee

Nothing else matters here except Thornton's blandly bravura performance ... and the film's rampant, detailed atmosphere. Full Review

Jay Boyar
November 16, 2001
Jay Boyar, Orlando Sentinel

If the drabness doesn't get you, the deliberately glacial pacing will.

Tom Long
November 11, 2001
Tom Long, Detroit News

A noble failure in the canon of America's best sibling film team, a movie that was there just a bit too long. Full Review

(CNN.com) Paul Clinton
November 11, 2001
(CNN.com) Paul Clinton, CNN.com

A beautifully executed film that is remarkable on many, many levels. Full Review

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Facts


    • Carcanogues: Some day I think she will make very good typist.
    • Ed Crane: Me, I don't talk much... I just cut the hair.

The Man Who Wasn'... : Watch Free on TV


The Man Who Wasn't There Trivia


  • When I was going up the stairs, I met a man who wasn't there. He wasn't there again today, I wish, I wish he'd go away. this quote is from what movie?  Answer »
  • This poem appears in the movie: As I was going up the stair I met a man who wasn't there He wasn't there again today I wish, I wish he'd go away  Answer »
  • Which of these is a Coen Brothers film?  Answer »
  • What movie is this quote from? "As I walked up the stairs I met a man who wasn't there. He wasn't there again today. I wish, I wish he'd go away."  Answer »

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