Catherine Deneuve,
David Bowie,
Susan Sarandon,
Cliff De Young,
Beth Ehlers
... see more
The exquisitely beautiful Catherine Deneuve plays Miriam, a centuries-old vampire capable of bestowing the gift of immortality on her lovers -- namely her current partner John (David Bowie). To sustai... read more
DVD Release Date: October 5, 2004
Stats: 1,012 reviews
Your Rating
Flixster Reviews (1,012)
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January 8, 2012
1983, u ninnies! i watched this in honor of bowie's 65th b-day :D don't know how i missed it back in the day but in 2012 it's actually quite fun. it's very stylish and dark and kinda sleazy. denueve and bowie are a stunning couple; too bad he disappears halfway through, but the... read more
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December 8, 2011
British vampire thriller from Tony Scott that really really does look like one of those old Cadbury's Flake adverts from the 80's. The constant swirling sweeping silky curtains fluttering in the breeze for no apparent reason, pale females with too much makeup, birds flapping n sw... read more
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November 21, 2011
This is Tony Scott's debut film, and, well, let's put it this way: had the rest of his films been done in the same manner as this one, then his career would be pretty different than the way it is.
This is a vampie film based on a novel, though I use the term loosely as it isn't ... read more -
July 28, 2011
Moody, nuanced and erotic, Tony Scott gives his best in this suave spooker about ubercool postmodern New Yawk vampires.
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June 30, 2011
In the 1980's you had three phenomenal vampire films, Fright Night, The Lost Boys and Near Dark. All of them horror classics, and all of them excellent films. But there's one vampire film that has been obscured by those superior films, and that's The Hunger. The popularity of tho... read more
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June 12, 2011
I love David Bowie but I'm not big on Susan Sarandon...I stoped watching half way through because 1. David Bowie died. and 2. The movie just didnt seem to be going anywhere...
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March 1, 2011
A Vamp film that refreshingly ignores some of the age old clichés - the word "vampire" isn't even used. It's pretty stylized all the way through and it plays out like a 90 minute music video featuring some mildly bloody moments and soft erotica with Catherine Deneuve's seduction ... read more
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January 20, 2011
An absolutely wretched piece of 80s offal. Points are earned for what I presume was some semblance of originality, as I guess Susan Sarandon and Catherine Deneuve locked in a lesbian vampire affair was pretty sensational back in the day. I guess if you're into viewing films as ti... read more
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January 14, 2011
Yes, this movie has Bowie in a cool role as a vampire, and the rest of the cast is good too, but I don't like the story, it's different from other vampire movies, but it's just so scientific and weird, too weird for me. Overall, this is a cool looking movie, but the story needs ... read more
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April 6, 2010
Sort've the female equivalent of Interview With The Vampire, only this is taken far more seriously and is more logical than most vampire films. Tony Scott's debut is stunning, everything a gothic 80s movie should look like. The performances from Susan Sarandon, Catherine Deneuve ... read more
Critic Reviews
The Hunger is an agonizingly bad vampire movie, circling around an exquisitely effective sex scene. Sorry, but that's the way it is, and your reporter has to be honest. Full Review
The movie reeks with chic, but never, for one minute, takes itself too seriously, nor does it ever slop over into camp. Full Review
The obsessive conjunction of lesbian sex and flowing blood suggests a deep-seated misogyny, but neither this nor any other theme is registered with enough clarity to offend. Full Review
Bloody lesbian-vampire story is stylish, but no Twilight. Full Review
The focus of Hunger is emphatically the death of Bobby Sands, specifically, what happens to his body, viewed from a tragic outside and, to an imaginative extent, a determined inside. Full Review
More style than substance, and perhaps simply an excuse to get Denueve and Susan Sarandon, Miriam's post-Bowie love, in bed together. Full Review
A slick, largely empty visual exercise with vague thematic overtones about a clash between American and European culture. Full Review
Deneuve and Sarandon are something else.
Visual sensualities will have a feast, but you'll have to read Whitley Strieber's novel if you don't want to emerge with a badly scratched head. Full Review
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