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Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård, Steven Berkoff ... see more see more... , Robin Wright , Yorick van Wageningen , Joely Richardson , Geraldine James , Goran Visnjic , Donald Sumpter , Ulf Friberg , Bengt Carlsson , Tony Way , Per Myrberg , Josefin Asplund , Eva Fritjofson , Moa Garpendal , Maia Hansson Bergqvist , Sarah Appelberg , Julian Sands , Anna Bjork , Gustaf Hammarsten , Simon Reithner , David Dencik , Marcus Johansson , Mathilda Von Essen , Mathias Palmer , Martin Jarvis , Inga Landgr_ , Reza Debahn , Anders Berg , Mats Andersson , Anders Jansson , Jurgen Klein , Karl Josephson , Sandra Andreis , Arly Jover , Pierre Sjö Östergren , Tess Panzer , Alastair Duncan , Alan Dale , Julia Rose , Peter Carlberg , Jan Abramson , Lena Stromdahl , Matt Wolf , Leo Bill , Anne-Li Norberg , Marco Albrecht , Martina Lotun , Anna Carlson , Yvonne Ästrand , Fredrik Dolk , Christian Heller , Werner Biermeier , Christine Adams , Peter Hottinger , Joyce Giraud , Bengt Wallgren , Elodie Yung , Anna Charlotta Gunnarson , Andreas Björklund , Embeth Davidtz , Joel Kinnaman , Karen E. Wright , Leah Almada Harshaw , George Gerdes , Donald Sumter

The Girl with the Dragon Tattoo is the first film in Columbia Pictures' three-picture adaptation of Stieg Larsson's literary blockbuster The Millennium Trilogy. Directed by David Fincher and starring ... read more read more...Daniel Craig and Rooney Mara, the film is based on the first novel in the trilogy, which altogether have sold 50 million copies in 46 countries and become a worldwide phenomenon. -- (C) Sony

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86% liked it

114,590 ratings


86% liked it

224 critics

DVD Release Date: March 20, 2012

Stats: 12,177 reviews

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Flixster Reviews (12,177)

  • September 17, 2014
    I liked this version just as much as the original, not surprising as they're pretty much the same film. For all the things I preferred in David Fincher's version, there are just as many things I preferred in Niels Arden Oplev's. Still, I liked it, it is a visually strong piece wi... read moreth a great cast with strong performances. The big question, and the one I'm struggling with, is who's the better Lisbeth; Noomi Rapace or Rooney Mara? That's a tough one!
  • fb100001050230219
    August 6, 2014
    Only David Fincher could make a 'style over substance' thriller this impressive.
  • May 13, 2014
    Really enjoyed this movie. And it can be watched more than once. You almost need to take notes at the beginning of the movie though.
  • April 15, 2014
    A disgraced journalist and a young researcher who has been the victim of serial abuse throughout her life join forces to discover the fate of a girl who disappeared from a small Swedish town 40 years earlier. I was nowhere near as enamoured with the Swedish original as many other... read mores seemed to be, but this big budget American reinvention achieves something very rare; a Hollywood remake that is better than the original. Daniel Craig is a much more charismatic protagonist, Rooney Mara's Lisbeth seems like much less of a caricature and the supporting cast that includes Christopher Plummer and Stellan Skarsgard provides much more dramatic depth. But it is Fincher's dark, brooding visuals that give the necessary texture and the result is a film that feels more adult and less sensationalist than the Swedish version. Like The Departed and Insomnia before it, TGWTDT is proof that a Hollywood remake CAN work in the right hands if the bigger budget is spent on talent rather than superfluous special effects.
  • February 2, 2014
    I was utterly gripped by the drama. Excellent performances, great pace and overall adaptation.
  • November 22, 2013
    ā~...ā~...ā~...Ā 1/2
  • July 31, 2013
    Solid performances!!! Great flick!
  • April 25, 2013
    There were a lot of concerns for this film before it came out, due to the fact it was a remake of an already critically acclaimed trilogy. However, it may not be as good, but its still a strong yet shocking remake. Once again, David Fincher's dark and gritty atmosphere methods ha... read moreve mixed successfully with this story. With regards to acting, the main focus is Rooney Mara; who's perfomance is extremely disturbing and powerful. It was a shame she didn't win the Oscar that she deserved. Aside from that, most people preferred the Swedish version over this, which is understandable, but this is worth a try.
  • October 19, 2012
    The Swedish ones are just a lot better. Yes, they have subtitles...but they're better.
  • September 15, 2012
    It may depend largely on where you live (more specifically, if you live in Scandinavia or not), but when the Millennium trilogy came out in theaters in 2009, it caused a major splash. With a very sombre and brutal style, it blended the mundane and the extreme in a very effective ... read moremanner. It was a fantastic example of what you can expect from Swedish film-making at its very best. Few need introduction, however, to who David Fincher is. Having made such dark and compelling masterpieces as Se7en and Social Network, few have reached his zenith of directing in the modern age of filming. So it at least intrigued me when David was recruited to direct the anglicized version of the Swedish legend. The best news of all, though, is that not only does David and his team stand up to the task with great vigilance, but actually makes a film that is independently brilliant, standing at least on par with the original film adaptation.

    The Girl with The Dragon Tattoo is the first of three episodes in an overarching story focusing on two central characters: Mikael Blomkvist (Daniel Craig), writer for the magazine Millennium, and Lisbeth Salander (Rooney Mara), a rude, brash but brilliant computer hacker who not only affects Mikael's life greatly but has a past that is obviously bubbling under the narrative's surface. When Mikael is sued for libel by a very influential (and rich, of course) businessman, and fails to win the case, he loses much of his credibility as a journalist, outside of having to pay a fine and go to jail. So when he's offered a hefty sum of money to help retired CEO of Vanger Industries - Henrik Vanger - with a certain problem, he jumps at the offer. So what is the task he has been hired to do? To solve the supposed murder of Harriet, Henrik's niece, who suddenly disappeared many years ago and never returned. This plunges him into a net of lies and secrets, where the list of suspects ranges over an entire family, the very family he now lives in close proximity to.

    The plot is a very dense affair, and there's a lot happening at all times. As with the first one, its various complexities are translated to the screen with relative ease. In fact, it's not hard to be fully aware of what's happening at any given time, while no depth has been sacrificed in the process. Most of the thanks for that should go to Steven Zaillian, the film's screenwriter. Not only does he accurately represent the version of the tale we know already, but he puts in even more detail that seems to have been completely missing in the Swedish version. For instance, we barely even knew anything about Mikael's daughter before, but here she's not only revealed and fleshed out, but is also an important component of the story itself. The editing is also brilliant, which deftly separates the important from the pointless, making for a more compact and exciting experience.

    Fincher also takes note to put his own mark on the film as with any of his previous works. He's put a lot of work into making the movie true to its original source, seeing how it happens in Sweden and all the characters have Swedish names and Swedish accents. It comes off as bizarre at first but works surprisingly well as you go along. It's a stark contrast to what could have happened if less care had been put into the transfer from one culture to the next. So we get the cold yet charming environs of Sweden interspersed with Fincher's various visual cues and emphases. Lighting, setting and colors are all strikingly apparent, creating a mesmerizing atmosphere that sucks you in and sticks in your mind. This can work both as comforting and exceptionally disturbing (as any viewer will see when about a third is over), where orange and white both serve as warm and sickly in different circumstances.

    His fantastic work reflects in the great job of the cast. Daniel Craig does well as Mikael, portraying first and foremost a man that is no James Bond, no action hero that can brave gunshots and death threats. He is the first to eventually abandon any vestige of the Swedish influence, going back to just being his British self. However, in no way is he a bad choice here. Rooney Mara, however, is the shining star. Her portrayal of the menacing Lisbeth is simultaneously haunting and vulnerable, creating a character that is simply unforgettable. Her presence is all-encompassing and even though she is cold as ice almost all the way through, she retains a sort of humanity, something we can relate to. This opens up the chance to also feel sorry for her and all that she has had to go through. This is vital to not make the character too extreme and Rooney shoots and scores in one of the best character roles of 2011.

    The supporting cast does a stellar job as well, with highlights being Cristopher Plummer as Henrik Vanger, Stellan Skarsgård as Martin Vanger and Yorick van Wageningen as the inexplicably disturbing Bjurman. The music is also fantastic, created by Trent Reznor and Atticus Ross. It's more subdued than their previous work on Social Network but it works perfectly for the gritty atmosphere and cold climate.

    The Girl With The Dragon Tattoo is an example of how to put your own spin on a common story. The pacing is brilliant, the music is sublime, the acting outstanding (particularly Rooney Mara) and the overall narrative is translated brilliantly from what was already a superb yarn. There's not much else to be said, it's a must-see and among the year's very, very best.


    Žegar Millennium žrķleikurinn (byggšur į bókum eftir Stieg Larsson) kom śt ķ bķó įriš 2009 śt um alla Skandinavķu, voru nęr allir talandi um hann į einn eša annan hįtt. Enda er žaš skiljanlegt, žar sem hiš drungalega og harkalega andrśmsloft serķunnar, ķ bland viš sterkar en raunsęjar persónur, gerši allar žrjįr aš stórkostlegri skemmtun. Žvķ įtti David Fincher, leikstjóri margra gęšamynda eins og Se7en og Social Network, grķšarlega erfitt verkefni fyrir höndum meš aš heimgera fyrstu myndina, The Girl WIth The Dragoon Tattoo, meš glęnżju leikarališi og grķšarlegum vęntingum frį kvikmyndaįhorfendum. Aš minnsta kosti var ég mjög spenntur ķ aš sjį hvaš hann myndi gera meš söguna og til allrar lukku slęr hann enn og aftur ķ gegn. Myndin gefur fyrri śtgįfunni ekkert eftir og ef eitthvaš er nęr hśn aš vera žéttari, tilfinningarķkari og eftirminnilegri, sem er sjaldgęft žegar kemur aš endurgeršum almennt.

    Žetta er, eins og įšur segir, fyrsti kaflinn ķ einum samfelldum žrķleik. Ašalpersónurnar eru annars vegar Mikael Blomkvist (Daniel Craig), sem skrifar fyrir blaš aš nafni Millennium, og hins vegar Lisbeth Salander (Rooney Mara), harkaleg, dónaleg en brįšsnjöll "tölvuhakkari" meš dularfulla fortķš. Mikael er ķ kröggum, žar sem hann hefur veriš kęršur fyrir ęrumeišingar af grķšarlega įhrifamiklum išnjöfri. Tapar hann žvķ mįli og er lįtinn dśsa ķ fangelsi ķ 3 mįnuši įsamt žvķ aš žurfa aš lįta af hendi dįgóša fślgu fjįr fyrir hans meintu lygar. Meš feril sem er viš žaš aš enda fer hann į fund meš Henrik Vanger, fyrrverandi framkvęmdarstjóra Vanger Industries. Žaš kemur ķ ljós aš Henrik hefur stęršarinnar verkefni fyrir Mikael: fyrir nokkrum įratugum hvarf litla fręnka hans, Harriet, algjörlega sporlaust. Hans verkefni er aš nota blašamannahęfileika sķna til žess aš finna śt hvaš geršist viš hana, og žar sem Mikael hefur lķtiš annaš aš gera (og fęr vel launaš fyrir žetta torręša starf) samžykkir hann bošiš, og hefst handa viš rannsókn į mįli sem er miklu flóknara og hęttulegra en honum gat óraš fyrir.

    Handritshöfundi myndarinnar, Steven Zaillian, tekst mjög vel upp meš aš halda framvindunni žéttri įn žess aš fórna til žess skiljanleika eša einlęgni. Saga Larsson er ķ raun öll um einlęgni, žaš er lķtiš veriš aš bśa til sżndarheim žar sem žaš er ein dęmigerš hetja aš "bjarga" einu fórnarlambi, heldur er žaš samvinna tveggja nęstum gagnstęšra póla sem reynist sterkara en nokkuš einstaklingsverk. Zaillian nęr fullkomlega aš mišla žessum įherslum fram į svišiš og nęr žvķ ef eitthvaš er betra en sś sęnska. Til dęmis fengum viš lķtiš aš vita um dóttur Mikael įšur fyrr, en hér birtist hśn ekki ašeins fullmótuš persóna heldur lķka sem ómissandi hluti af söguheildinni. Einnig er klippingin frįbęr, žaš er ekkert skiliš eftir sem žjónar engum tilgangi sem gerir atburšarįsina ennžį meira spennandi.

    Svo mį ekki gleyma hlutverk Fincher, en hann setur eins og alltaf sitt einkunnarmerki į myndina. Mikiš hefur veriš lagt upp śr aš gera myndina trś sögu Larsson. Myndin gerist ķ Svķžjóš, persónurnar heita sęnskum nöfnum og žau tala öll meš sęnskum hreim. Žaš getur tekiš smį tķma aš venjast žessu en žegar lķšur į myndina fer žetta aš reynast betri kostur. Ķ stašinn fyrir aš reyna aš breyta sögunni óžarflega til aš heimfęra hana yfir til Bandarķkjanna notar hann menningarlegu einkenni Svķa til aš sveipa myndinni įkvešnum blę. Lżsingin og litirnir ljį umhverfinu žaš lķka, žar sem til dęmis appelsķnugulur virkar sem bęši huggandi og višbjóšslegur ķ mismunandi ašstęšum, sama meš hinn sterķla hvķtan. Žetta er bara eitt annaš dęmi um hversu snilldarlega Fincher getur ofiš saman mismunandi sjónarspilum ķ eitt, sameinaš verk.

    Leikarališiš endurspeglar einnig hęfileika hans David ķ leikstjórastólnum. Daniel Craig virkar vel sem Mikael, einkum sem persóna sem er langt frį žvķ aš vera James Bond, bara hefšbundinn blašamašur sem er algjörlega óvanur žvķ aš vera ķ nokkurskonar lķfshęttu. Hann er reyndar sį fyrsti til aš hętta algjörlega meš sęnska hreiminn, farandi aftur ķ sinn flotta (en mótsagnakennda hér) breska hreim. Hann gerir sitt besta hins vegar og er langt frį žvķ aš vera vont val. Rooney Mara er hins vegar įn nokkurs vafa stjarna myndarinnar. Tślkun hennar į Lisbeth Salander er samstundis įhrifarķk og berskjölduš, og nęr hśn aš byggja upp persónu sem er algjörlega ógleymanleg. Žaš sem er mikilvęgt meš Lisbeth er aš žrįtt fyrir haršneskjulega śtlit hennar er hśn mannleg, manneskja sem hefur tilfinningar og djśprętar įstęšur fyrir aš vera eins og hśn er. Žaš gerir hana į sama tķma skiljanlega og mašur finnur til meš henni ķ erfišleikum hennar. Žaš gerir žaš aš verkum aš persónan er ekki öfgakennd heldur raunveruleg. Rooney Mara eignar sér nęstum hlutverkiš og hśn er einfaldlega ógleymanleg hér.

    Ašstošarleikararnir standa sig einnig mjög vel, sérstaklega Christopher Plummer sem Henrik Vanger, Stellan Skarsgård sem Martin Vanger og Yorick van Wageningen sem hin ólżsanlega ógešslegi Bjurman. Trent Reznor og Atticus Ross koma lķka aftur til aš semja tónlist fyrir Fincher og gera žaš óašfinnanlega. Žaš er ašeins minna įberandi en virkar samt fullkomlega fyrir hiš hrjóstruga andrśmsloft myndarinnar.

    Ef žś vilt sjį dęmi um hvernig skal setja nżjan svip į žaulreynda sögu, žį er The Girl With The Dragon Tattoo tilvalin mynd. Sagan og tónlistin vinna vel saman mešan leikurinn er hreint afbragš (og žį sérstaklega Rooney Mara). Lķtiš annaš žarf aš segja, myndin virkar į alla bóga og er hreint meistaraverk; sannarlega meš bestu myndum 2011.

Critic Reviews

Joe Morgenstern
December 22, 2011
Joe Morgenstern, Wall Street Journal

It's certainly worth seeing if you missed the original. If you saw it, however, there's no way of unseeing it, and nothing in the new one to top it. Full Review

Peter Travers
December 22, 2011
Peter Travers, Rolling Stone

Fincher's Dragon Tattoo is a faithful adaptation that brings the dazzle but shortchanges on the daring... It's gloriously rendered but too impersonal to leave a mark. Full Review

Eric D. Snider
December 21, 2011
Eric D. Snider,

What he has delivered is adequate, but it doesn't have any flavor - and of all the things Fincher is, "bland" is not usually one of them. Full Review

Ben Sachs
December 21, 2011
Ben Sachs, Chicago Reader

David Fincher's adaptation of the international best-seller is a triumph of craftsmanship over material. Full Review

J. Hoberman
December 20, 2011
J. Hoberman, Village Voice

An altogether leaner, meaner, more high-powered, stylish, and deftly directed affair, though similarly hampered by a too-long narrative fuse. Full Review

Dana Stevens
December 20, 2011
Dana Stevens, Slate

Even Fincher's elegantly gruesome style can't turn this Swedish noir into the meditation on evil and corruption that it fancies itself to be. Full Review

Alonso Duralde
December 20, 2011
Alonso Duralde, TheWrap

Provides all the jolts and forward motion that any good airport novel gives you, but it's the film equivalent of the book that kept you awake from Chicago to Baltimore, only you don't feel bad about l... Full Review

Mark Rabinowitz
December 20, 2011
Mark Rabinowitz,

When it comes down to it, this is Rooney Mara's movie, and I don't care if the second and third stories are any good as long as they are full of Lisbeth Salander. Full Review

James Berardinelli
December 20, 2011
James Berardinelli, ReelViews

This is what a movie adaptation should be: a film whose base narrative has its roots in the source material but whose soul can be identified through the images that unfold on screen. Full Review

Wesley Morris
December 20, 2011
Wesley Morris, Boston Globe

I don't think I've seen an actor do more with deadpan expressions than Mara does in this movie. Her face doesn't move but, whether she's tasing a man or standing in front of a mirror watching a cigare... Full Review

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    • Martin Vanger: You know what's harder than shooting someone? Just missing him. That was a very good shot up at the cabin.
    • Mikael Blomkvist: it didn't work. I'm here.
    • Martin Vanger: Mikael, it did work. You're here.
    • Lisbeth Salander: Something wrong with the report?
    • Dirch Frode: No, no. It was quite thorough. I'm more interested in what's not in it.
    • Lisbeth Salander: There's nothing 'not in it'.
    • Dirch Frode: Your opinion of him isn't .
    • Lisbeth Salander: He's clean in my opinion.
    • Dirch Frode: You mean, he's hygienic?
    • Lisbeth Salander: He has had a long standing sexual relationship with his co-editor of the magazine. It destroyed his marriage but not hers. He sometimes performs cunnilingus.... Not often enough, in my opinion.
    • Dirch Frode: No you were right to leave that out.
    • Lisbeth Salander: I know.
    • Mikael Blomkvist: 'There's one more possibility...'
    • Lisbeth Salander: Just a second please... okay, what were you saying?
    • Lisbeth Salander: I like working with you.
    • Mikael Blomkvist: I like working with you too.
    • Lisbeth Salander: Everybody has secrets, the trick is just finding out what they are.

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