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Kirk Douglas, John Cassavetes, Carrie Snodgress, Charles Durning, Amy Irving ... see more see more... , Fiona Lewis , Andrew Stevens , Carol Eve Rossen , Rutanya Alda , Joyce Easton , William Finley , Jane Lambert , Dennis Franz , Michael O'Dwyer , Mickey Gilbert (II) , Frank Yablans , Patrick Billingsley , Tom Blair , J.P. Bumstead , Marshall Colt , Joe Finnegan , Gordon Jump , Bernie Kuby , Sam Laws , J. Patrick McNamara , Alice Nunn , Felix Shuman , Melody Thomas , Hilary Thompson , Al Wyatt , Daryl Hannah , Jack Callahan , Jerome Anthony Hawkins , Stephen Johnson , Laura Innes , Harold C. Johnson , John Roche

Brian De Palma returns to the mind-blowing potential of telekinesis in the follow-up to his 1976 horror hit Carrie. While vacationing with his psychic son, Robin (Andrew Stevens), and close associate ... read more read more...Childress (John Cassavetes), government agent Peter Sandza (Kirk Douglas) survives a terrorist attack, only to discover that it was staged by Childress so he could kidnap Robin for his own nefarious purposes. With the assistance of another psychic (William Finley) and Hester (Carrie Snodgress), an employee at the Paragon Institute for Psychic Research, Peter discovers a telekinetic Chicago high-school girl named Gillian (Amy Irving), who may be able to help him find Robin. Even though they have never met, Gillian can see Robin's memories and experiences telepathically, and she knows that he is in trouble. But Childress knows all about Gillian, too, and he is not about to let Peter's paternal quest get in the way of his plans for harnessing their psychic power. ~ Lucia Bozzola, Rovi

Flixster Users

46% liked it

4,719 ratings

Critics

77% liked it

22 critics

R, 1 hr. 57 min.

Directed by: Brian DePalma

Release Date: January 1, 1978

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DVD Release Date: September 4, 2001

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Stats: 227 reviews

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Flixster Reviews (227)


  • January 6, 2011
    I didn't get to see the whole movie, but it seemed okay from what I saw. The story is good and pretty interesting, I really want to see the rest of this movie.
  • November 14, 2010
    So bad it was entertaining. Plot was nearly impossible to follow, topped off with some really bad acting and script. If it was a recent film, would have turned it off in disgust, but the 70's setting gave it a kitschy quality it perhaps didn't really deserve. By the over the top ... read moreending nearly fell off my chair laughing.
  • September 30, 2010
    This very watchable film from Brian DePalma is worth seeing just to see John Cassavetes explode. The meta symbolism is breathtaking.
  • March 30, 2010
    It wasnâ??t the best idea to follow up Carrie with another film about psychics, but this certainly isnâ??t bad. The parallel storylines of Kirk Douglas and Amy Irving were very interesting and almost completely different in style. On the one hand it feels like a spy thriller and ... read moreon the other it feels like a science fiction movie. Both tie together in a great way towards the end for a showdown with the diabolical John Cassavetes. The only real thing that brings it down is the weak character development of Kirk Douglasâ?? son who absolutely serves no purpose in the story and would have been better off dead from the get go. Technically speaking though, this is Brian DePalma at the top of his game. Thereâ??s a great slow motion scene that is reminiscent in style to Dario Argentoâ??s Four Flies on Grey Velvet with a nice twist. I also love the use of space and the way it doesnâ??t feel like an effects driven story. Extremely beautiful aesthetically.
  • February 5, 2010
    This one was really really good. Much better than some of his other stuff at the time.
  • September 28, 2009
    Another "blast from my past" that would have beem better left to my original memory.
    I remember being really impressed (and frieghtened) by this when (as a teenager) we rented it from the video store.
    This time around it seemed painfully slow and at times horribly predictable. ... read more
    The "cool telekinetic power" scenes that I remembered so well are few and far between, but still fun (in a chessy 70's sort of way).
  • March 15, 2009
    Brian De Palma's follow-up to Carrie is another supernatural thriller about teens with psychic abilities. Former government agent Peter Sandza searches for his missing son, kinapped by a close associate in order to harness his paranormal abilities for evil. Along the wa... read morey, Peter meets a psychic girl who aides him in his quest. Kirk Douglas's overwrought performance and seeing Carrie Snodgress, 30 years younger, play his girlfriend, are just a couple of the unintentionally hilarious bits that make this movie so entertaining. Darryl Hannah's film debut.
  • November 30, 2008
    The Fury is an entertaining, yet disjointed thriller that seems to be a combination of David Cronenberg's "Scanners", and a 007 Bond film. The 007 character is played by Douglas, an agent for a super-secret government agency. While living in the middle east, he's attacked by ag... read moreents posing as terrorists, and left for dead. But it's his son and his son's psychic ability they're after as this agency uses psychics in their cold war battle with the Soviet Union. Meanwhile, a 17-year old girl is also discovered who has psychic powers (when she uses them, everyone around her starts to bleed profusely), and it's up to Douglas to free her while at the same time using her to find his son. Some bad editing in the first hour jumbles key plot elements, in that there seem to be holes in the story that sometimes make it unclear what is happening. I assume the film was edited down due to time constraints, but there were other, more extraneous scenes that could've been removed without affecting the story (I especially enjoyed the ten-minute "Ice cream eating" scene). Also of note is the score by the famous John Williams and it's heavy reliance on the theremin, an instrument most famous for cheesy grade B thrillers from the 40s and 50s. I can't say whether the score was good or bad, but usually when it's that conspicious and distracting from the movie, it's not a very good score.
  • January 25, 2008
    One of De Palma's most fascinating films, this parapsychological thriller is surely the most downbeat mainstream film of the Seventies. Not a critical favourite, I actually like this one a lot. The first couple of times you watch it it just feels like a series of striking set-pie... read moreces poorly strung together, but with further viewings De Palma's virtuosity and inventive use of storytelling techniques (like CCTV, unusual back-projection, subjective camera and slow-motion) assert themselves. I can't deny that the plotting does go astray later on. Though it represents a bold deviation from audience expectation, the outcome of Kirk Douglas' final reunion with his kidnapped son cannot fail to disappoint; as with Scatman Crothers' return to the Overlook Hotel in "The Shining", you wonder why he (and you) bothered. However, John Cassavetes comeuppance at the end is worth hanging on for. John Williams contributes an excellent Bernard Herrmann-esque score.
  • July 30, 2007
    A battle of telekinetic powers combined with terrorism. Great theme music. Imy Irving is great in this film. There's a bloody showdown at the end. The rest is somewhat forgettable. I was too young to understand the exact plot of this film, and not interested enough to re-visit it... read more when I was older.

Critic Reviews


Steve Crum
July 17, 2008
Steve Crum, Video-Reviewmaster.com

Above average supernatural doings with Kirk Douglas and some paranormal youngsters.

Douglas Pratt
June 15, 2007
Douglas Pratt, DVDLaser

a pointless but exciting mishmash of action scenes and psychic effects, supported by a cast of reliable and attractive performers.

Jeffrey M. Anderson
March 18, 2007
Jeffrey M. Anderson, Combustible Celluloid

This more streamlined thriller about another telekinetic girl (Amy Irving) has few supporters, but it revealed further development in De Palma's storytelling skills. Full Review

Eric Henderson
September 4, 2006
Eric Henderson, Slant Magazine

The movie that draws the deepest line in the sand between De Palma apologists and De Palma maniacs. Full Review

Chuck O'Leary
October 9, 2005
Chuck O'Leary, Fantastica Daily

An often overlooked De Palma effort. A highly entertaining supernatural thriller with a number of visually stunning set pieces and an unforgettably explosive finish.

Scott Weinberg
April 3, 2005
Scott Weinberg, eFilmCritic.com

One of De Palma's flawed-yet-fascinating early experiments.

Michael A. Smith
January 1, 2005
Michael A. Smith, Nolan's Pop Culture Review

De Palma's follow up to "Carrie." Look for Darryl Hannah in her first role.

Rich Cline
June 12, 2004
Rich Cline, Shadows on the Wall

Seriously unnerving.

Ken Hanke
March 1, 2004
Ken Hanke, Mountain Xpress (Asheville, NC)

DePalma's most-underrated movie. Full Review

Bob Bloom
January 19, 2003
Bob Bloom, Journal and Courier (Lafayette, IN)

A guilty pleasure horror outing, with a dynamite finale that's a blast!

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