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Charles Boyer, Danielle Darrieux, Vittorio De Sica, Jean Debucourt, Mireille Perrey ... see more see more... , Paul Azaïs , Madeleine Barbulée , Jean Galland , Serge Lecointe , Hubert Noël , Leon Walther , Lea di Lea , Lia Di Leo , Guy Favières

Max Ophüls' masterpiece stars Danielle Darrieux as the titular Madame Louise de..., who in the film's opening scenes is forced to discreetly sell a pair of earrings, a gift from her military officer h... read more read more...usband Andre (Charles Boyer), in order to make good on her debts. After she claims the earrings to be lost, the story of their possible theft hits the newspapers, prompting the jeweler who bought them (Jean Debucourt) to secretly sell them back to Andre, who then gives him to his mistress Lola (Lia Di Leo) as she prepares to leave for a holiday in Constantinople. There, the earrings again change hands as Lola pawns them to cover her gambling losses. They are then purchased by Donati, an Italian diplomat (Vittorio de Sica) on his way to France to meet with Andre. Of course, the earrings soon find their way back to Louise. ~ Jason Ankeny, Rovi

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91% liked it

1,553 ratings

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100% liked it

24 critics

Unrated, 1 hr. 45 min.

Directed by: Max Ophüls

Release Date: July 19, 1954

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DVD Release Date: September 16, 2008

Stats: 138 reviews

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Flixster Reviews (138)


  • November 26, 2008
    Superb.
  • February 17, 2012
    As the film opens, Madame Louise is looking through her things for something to sell, in order to have some extra spending money. In lieu of her furs or her diamond cross pendant, she takes out a pair of earrings. She sells them, then pretends to "lose" them at the opera one ni... read moreght. When the missing earrings are reported in the paper as stolen, the jeweler she pawned them off on comes to return them to her husband, the General (Charles Boyer). The general buys them back and gives them to his mistress, who's about to leave the country on an extended trip to Constantinople. When the mistress runs upon hard times, she hocks the earrings and it's then that the visiting ambassador, Baron Fabrizio Donati buys them. Donati meets Louise at customs and falls in love with her at first sight. As the two pursue a friendship that turns into romance, he gives her the earrings, not knowing they were originally hers.

    That Louise could sell the earrings her husband gave her as a wedding present speaks of how she regarded her marriage to the General. It's not as if the general were a bad man or that they weren't quite suitable companions. "I don't like the person I've become in your eyes" says the general to Louise, who suddenly feels the painful sting of jealousy as he watches his wife fall in love with another man. The general, deep down, is quite a human character, perhaps even more so than the overly romantic Baron who comes to steal away his wife. The idea that people create these narrow pathes through life that they limit themselves to is not strictly the domain of the upper class of the past. Perhaps it's a lesson to be found in watching the, uhs... march to their own respective dooms in such orderly fashion.
  • November 16, 2011
    Max Ophuls' The 'Earrings of Madame de...' is a visually stunning, sparkling melodrama for adults. There is so much subtext in the script (most of what the characters say is not what they mean) that it requires an film goer with a fully engaged mind to appreciate the film. I t... read morehink it is the subtlety and restraint that have kept this film off most 'best films of all time' lists, which tend to favor bigger emotions and more sweeping visual epics.

    The unlikely plot sounds pretty contrived, and it is. The premise is that the fate of a peripatetic, inanimate object (earrings in this case) owned by the spoiled trophy wife is the catalyst for life changing epiphanies. I recently saw a very different classic, Winchester 73 with James Stewart where the object was a rifle. The plot is contrived, but the characters aren't, they are fully recognizable humans. The plot is just the Macguffin to get there.

    As the earrings pass from hand to hand, new layers of character and information are revealed about the nature of the relationships of the members of this love triangle, Charles Boyer (the cuckolded French General), Danielle Darrieux (the spoiled trophy wife), and her lover, to whom she doesn't get to actually make love, Vittorio De Sica (the Italian diplomat and Darrieux' lover). The performances are flawless, and despite the low key nature of the style, somewhere at the 45 minute mark we care about these people and are glued to find out how it all turns out. Despite the light tone, the film is ultimately a tragedy.

    I can't let my little review end without mentioning the sumptuous photography and the best use of moving dolly shots that I have ever seen in a film. The camera follows character as they move from room to room and from object to object. It's not as attention grabbing as the big restaurant single shot scene in Scorsese's "Good Fellas", but the shots are so well executed, we barely notice them except to be fully involved and empathized with the characters.

    If you like Renoir's 'Rules of the Game' or Bergman's 'Smiles of a Summer Night' you must see this film. Or if you're just starting to get into black and white mid-twentieth century European films about adultery among the gentry, this film is a good place to start.
  • November 21, 2008
    terribly romantic but don't let that stop u. ophuls is a master and this is movie magic. my fave of his films i have seen; intricate plot and amazing performances :D
  • October 8, 2007
    [font=Century Gothic]In "The Earrings of Madame De...", short of funds, a countess(Danielle Darrieux) decies to sell back the earrings her husband(Charles Boyer), a general, gave to her for their wedding. At first, the jeweler(Jean Debucourt) hesitates but after she faints, he a... read moregrees to the sale. Later at the opera, the countess claims to have lost them which leads to rumors of their being stolen. The jeweler fearing ruin sells them back to the general who gives them to a lover traveling to Constantinople.[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]"The Earrings of Madame De..." is a bitterly ironic movie about a vainglorious woman that rests on some very large coincidences. That having been said, director Max Ophuls makes it all very plausible as he explores a faithless society that has been ruined by its own materialism.(Early on in the movie, the countess prays for the jeweler to buy back her earrings, going so far as to light a candle in a near empty church. By the way, are there any strict rules as to what we can pray for? I'm just asking since it is football season...) [/font]
  • October 15, 2009
    even though it's too slow for the taste of today's movie-going audiences, it retains the lustre and the depth of Max Ophuls' expertise. You can't help but admire the cinematography, frame by frame- it's impeccable. Another very important classic in the history of film.
  • February 17, 2012
    As the film opens, Madame Louise is looking through her things for something to sell, in order to have some extra spending money. In lieu of her furs or her diamond cross pendant, she takes out a pair of earrings. She sells them, then pretends to "lose" them at the opera one ni... read moreght. When the missing earrings are reported in the paper as stolen, the jeweler she pawned them off on comes to return them to her husband, the General (Charles Boyer). The general buys them back and gives them to his mistress, who's about to leave the country on an extended trip to Constantinople. When the mistress runs upon hard times, she hocks the earrings and it's then that the visiting ambassador, Baron Fabrizio Donati buys them. Donati meets Louise at customs and falls in love with her at first sight. As the two pursue a friendship that turns into romance, he gives her the earrings, not knowing they were originally hers.

    That Louise could sell the earrings her husband gave her as a wedding present speaks of how she regarded her marriage to the General. It's not as if the general were a bad man or that they weren't quite suitable companions. "I don't like the person I've become in your eyes" says the general to Louise, who suddenly feels the painful sting of jealousy as he watches his wife fall in love with another man. The general, deep down, is quite a human character, perhaps even more so than the overly romantic Baron who comes to steal away his wife. The idea that people create these narrow pathes through life that they limit themselves to is not strictly the domain of the upper class of the past. Perhaps it's a lesson to be found in watching the, uhs... march to their own respective dooms in such orderly fashion.
  • August 12, 2009
    Elegant, full of that aristocratic cool superficiality, with characters almost constantly acting their respective roles in their surface level relations. Underneath all that pretense is a bored, unsuccessful marriage and one man's ill conceived response to realizing that his wife... read more loves someone else.
  • February 10, 2009
    Excellent old (1953) French film. The filing is wonderful. I especially like the sequence when the ill-fated couple fall under their respective spells.
  • November 30, 2008
    Oh my. Stumbled on this in a Criterion Collection e-mail and bought it on a whim, never having heard of Max Ophuls, but was interested in seeing Danielle Darrieux after having heard her in Persepolis. Amazing photography, lush sets and costumes and simply not a thing to disappo... read moreint! I was a bit fearful that this would be a pure chick flick, but the nuanced acting by all involved -- especially Darrieux and Boyer -- and the ironic plot twists, all revolving around the titular earrings kept me involved to the end. The astounding tracking shots are truly something to be seen - dizzying in their breadth!

Critic Reviews


J. Hoberman
March 13, 2007
J. Hoberman, Village Voice

On one hand, Madame De . . . is all surface and style; on the other, it conveys real loss. Full Review

Andrew Sarris
March 7, 2007
Andrew Sarris, New York Observer

Three good reasons you should see The Earrings of Madame de ... are the presence and performances of Danielle Darrieux, Charles Boyer and Vittorio De Sica. This celestial triangle has never been surpa... Full Review

A.H. Weiler
May 20, 2003
A.H. Weiler, New York Times

Like its turn-of-the-century décor and costuming, it is elegant and filled with decorative but basically unnecessary little items, which give it gentility and a nostalgic mood, but nothing much more s... Full Review

Roger Ebert
November 24, 2001
Roger Ebert, Chicago Sun-Times

One of the most mannered and contrived love movies ever filmed. It glitters and dazzles, and beneath the artifice it creates a heart, and breaks it. Full Review

Dave Kehr
January 1, 2000
Dave Kehr, Chicago Reader

Ophuls's camera style is famous for its physicalization of time, in which every fleeting moment is recorded and made palpable by the ceaseless tracking shots, yet his delineation of space is also subl... Full Review

Dennis Schwartz
February 10, 2012
Dennis Schwartz, Ozus' World Movie Reviews

Elegant. Full Review

Gabe Leibowitz
August 21, 2009
Gabe Leibowitz, Film and Felt

The tracking shots effortlessly glide down corridors, into rooms, through gardens. They particularly shine during two dancing scenes, where the smooth movements of the partners are echoed by the grace... Full Review

Emanuel Levy
September 27, 2008
Emanuel Levy, EmanuelLevy.Com

Ravisihing classic made at the height of Ophuls' career (La Ronde, Lola Montes), this much admired film is flawless in subtle narrative and lavish style as an indictment of socio-sexual mores of Europ... Full Review

Sean Axmaker
September 20, 2008
Sean Axmaker, Parallax View

.. not just directed, not just choreographed, but sculpted in time and space, with actors and decor as the raw materials and the camera carving out the story. Full Review

Michael E. Grost
August 8, 2008
Michael E. Grost, Classic Film and Television

Haunting romantic tragedy. Full Review

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