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Utake Abe, Hazel Childers, Jack Dean, Sessue Hayakawa, James Neill ... see more see more... , Dana Ong , Fannie Ward

The Cheat was the picture that "made" the reputation of director Cecil B. DeMille. Broadway star Fannie Ward plays an irresponsible socialite who uses the charity funds entrusted to her to play the st... read more read more...ock market. When she loses the money, Ward is afraid to tell her husband Jack Dean, so she arranges to borrow $10,000 from wealthy oriental Sessue Hayakawa. It is understood that, in exchange for the loan, Ward will surrender herself sexually to Hayakawa. When her husband gives her a gift of $10,000, Ward tries to call off her deal with Hayakawa, but the enraged oriental calls her a cheat; wrestling her to the floor, he brands the woman with a symbol signifying that she belongs to him. She responds to this humiliation by shooting Hayakawa. Ward's loyal husband takes responsibility for the shooting, standing trial on an assault charge. To save her husband, Ward confesses all in court, displaying the brand mark on her shoulder. Logically, Ward should now be charged with the crime, but this is 1915: the all-white courtroom spectators pounce upon Hayakawa, nearly killing the poor fellow, and Ward and her husband are exonerated. Depending upon where this film was shown, Sessue Hayakawa's character was either Japanese or Burmese: either way, he was regarded as the villain of the piece almost solely on the basis of his race. Interestingly, Hayakawa was elevated to stardom on the basis of The Cheat, permitting him to play far more sympathetic characters in the future. As mentioned, The Cheat also served as the breakthrough film for Cecil B. DeMille: critics of the time fell over themselves praising DeMille's creative use of low-key lighting and shadow effects to artistically convey his melodramatic yarn. Though The Cheat was remade several times, the 1915 DeMille film remains the definitive version. ~ Hal Erickson, Rovi

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35% liked it

386 ratings

Unrated, 55 min.

Directed by: Cecil B. DeMille

Release Date: December 13, 1915

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Flixster Reviews (44)


  • November 2, 2011
    I loved this movie, it mixes the romance, thriller, and drama genres, sort of like a film noir, but much earlier. There are a lot of cool editing techniques used skillfully too. And I loved the ending. I highly recommend this movie, it's the best movie I've seen from the 1910s... read more so far.
  • October 19, 2009
    Fannie Ward plays Edith Hardy a free-wheeling, fun-loving, but ultimately irresponsible, wife to Richard Hardy played by Jack Dean. Fannie loves to spend money and party it up with New York's swinging socialite circle like there's no tomorrow. Although Richard loves his wife dear... read morely he decides he needs to curtail her wild spending lest they lose their fortune and drastically cuts down her spending allowance. While attending one of her big social gatherings, an associate informs her of a sure thing investment in which any money put in will surely double the very next day!

    As treasurer of the local Red Cross Edith is entrusted with all of their funds at which point they have $10,000 readied to be presented to the national organization at the next gathering. I think you can see where this is going as sure enough, Edith takes the money and give it to her friend. As if on cue, during the very next social party the friend arrives despondent and informs her that the company has collapsed and all the money is lost. Edith panics and eventually collapsed.

    Fortunately, or rather most unfortunately for Edith, at the time this news arrives she is being romanced by a rich Japanese ivory trader named Tori played by the legendary Sessue Hayakawa. Tori is a major power player in the upper ranks of the rich elite in New York and he has serious designs on Edith. He uses this opportunity to pressure Edith into having an elicit affair with him if he pays off her debt and avoids the massive social embarrassment that would ensue if the news would become public. Edith, who initially was very entranced by Tori, now senses great menace but reluctantly agrees.

    Edith returns home feeling rather empty and lifeless. Her husband bursts in and informs her that all of his investments have paid off big time and not only are they now very well off, but they are incredibly rich. Edith is at first elated but then the memory of the incident plays upon her mind and she falls back saddened. Her husband takes obvious note of this reaction and Edith quickly makes up a story about losing $10,000 in a bridge game. Her husband is suspicious but gives his wife the a check to cover the amount.

    Edith later sneaks out of the house and meets up with Tori at his house. Tori has been calling her repeatedly wondering why she hasn't come over and Edith hopes that she can simply pay Tori the money and end the deal. Unfortunately for her Tori rejects the attempt at a pay off and labels Edith a cheat and a liar. What follows next is a very brutal fight as Tori throws Edith around and slams her down onto his desk. He pulls her hair and rips the back of her dress down and then brands her with a hot signature iron that he uses to mark his belongings. As far as he is concerned he has marked her with his symbol and she is now his.

    Edith fight off the pain and manages to break away from Tori. She gets a hold of his gun and shoots him in the shoulder. She makes her escape just as her husband arrives who, suspicious as to what his wife's motivations truly are, has just arrived onto the scene. Richard Hardy immediate assesses the scene up and decides to take the fall for his wife when the police arrive. Tori goes along with this as it would mean Richard would be out of the way.

    A rather quick but intense court scene ensues in which Richard admits that he shot Tori but refuses to divulge the reason why. The confused jury finally decides to convict him when Edith can take no more and rushes the judges podium. Despite the efforts of the police to quell her, Edith emotionally yells out what really happened that fateful night and to prove her point she pulls down her dress to reveal the brand that Tori inflicted upon her. The courtroom crowd can take no more and angrily rushes the judges podium demanding justice while the police attempt to hold them at bay. The judge throws out the ruling and the Edith and Richard are free to go.

    A very early film whose techniques and attention to detail really belies its age. A technical triumph despite its rather mundane settings this film really demonstrates how good a director Demille would turn out to be with some excellent use of shadows and lighting. Then there's the incredible presence of Hayakawa. Although a very early film, Hayakawa quite obviously out acts everybody by actually bringing brooding subtlety to the screen as opposed to the more manic motions and overacting by his co-stars typified in early silent films. In a interview Hayakawa admitted that he tried not to express too openly his emotions but instead intensely thought them. This is really noticeable whenever he is on screen and his presence is quite powerful.

    There has also been some labeling of this films having strongly racist overtones. As somebody who has watched a decent amount of early films I really just don't see it. Sure Hayakawa is the menacing villain, but his race is never an equation in the film and doesn't even come up as an issue by anybody in the movie. He is initially shown as an accepted member of the rich elite social circle and people are very much charmed by him. I've seen a number of early murder mystery pictures that I find you could have easily replaced Hayakawa with any typical caucasian actor and the plot and reaction by everybody would be the same. Of course you would be deprived of the great acting by Hayakawa.

    But due strong protests by the Japanese government, later prints were changed to identify Hayakawa's character as Haka Arakau, a ivory trader of Burmese descent. But again, race is not really an issue here as it's all about the character to no matter how one labels Hayakawa's character, he's still the same person you see on screen.

    An artistically interesting film with some strong acting by Hayakawa who sets the tone for future actors and how they will approach their craft.

Critic Reviews


Dennis Schwartz
June 5, 2008
Dennis Schwartz, Ozus' World Movie Reviews

Made waves during its day because of its explosive sexual and racial content. Full Review

Ken Hanke
May 23, 2004
Ken Hanke, Mountain Xpress (Asheville, NC)

Fascinating -- albeit racist -- pre-Biblical DeMille.

March 25, 2006
New York Times

Click to read the article Full Review

Emanuel Levy
August 21, 2005
Emanuel Levy, EmanuelLevy.Com

No review available.

Thomas Delapa
May 10, 2005
Thomas Delapa, Boulder Weekly

No review available.

Critic ratings and reviews powered by RottenTomatoes.com

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The Cheat Trivia


  • in which movie did racheal mc adams cheat on here fiance with her first love?  Answer »
  • Which actor did Diane Lane´s character cheat on in the 2002 movie "Unfaithful"?  Answer »
  • Where does this line come from? "Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away."  Answer »
  • "I'm a politician, which means I'm a liar and a cheat and when I'm not kissing babies, I'm stealing their lollipops". Which movie is this a quote from?  Answer »

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