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Jacques Tati, Guy Decomble, Paul Frankeur, Santa Relli, Maine Vallee ... see more see more... , Roger Rafal , Jacques Beauvais , Delcassan

In Jacques Tati's charming -- and essentially plotless -- pre-Hulot first feature, Tati is Francois, a contented and happy postman in a small, unhurried French village. Francois is at ease with his jo... read more read more...b and leisurely performs his duties, peddling away on his rounds upon his beloved bicycle. Things perk up when a traveling carnival arrives in town. One of the attractions at the carnival is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts, "Rapidite, rapidite." Francois takes up the call, and attempts to Americanize his work style. Intriguingly, Tati originally shot this film in two simultaneous processes - a black-and-white one and an experimental color one called 'Thomson-Color' - but was forced to release the black-and-white when he ran into problems printing the color film; he subsequently tinted select sequences, then in the late 1990s his daughter (a film editor) prepared and released a color version of the entire movie. ~ Paul Brenner, Rovi

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83% liked it

2,287 ratings

Critics

100% liked it

13 critics

Unrated, 1 hr. 19 min.

Directed by: Jacques Tati

Release Date: February 19, 1952

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Flixster Reviews (116)


  • fb1142797643
    May 19, 2012
    fb1142797643
    Comedy legend Jacques Tati directs, co-writes and stars in this charming look at a guileless postman bicycling his rounds in a small French village. The film is near plotless, unless you count a late section where Tati's character Francois sees a newsreel about American postal ef... read moreficiency and strains to accelerate his own work in reply. (This final act is wholly recycled from Tati's 1947 short "School for Postmen.")

    The laughs depend on sight gags, lightly presented but carefully choreographed, and Francois doesn't speak much. When he does, he adopts a self-involved, thinking-out-loud mutter that barely calls for a response. Chickens, who cackle throughout the film with perverse consistency, arguably have more lines than any human. Francois's bike -- which frequently gets away from him -- accounts for a large chunk of the humor and the rest revolves around his interaction with the playful townsfolk, who alternately cheer on his diligence or try to throw him off course. (Learn to say no to alcohol, Francois!) The lack of story is somewhat wearying, but the film's brisk 79 minutes pass before this becomes a serious problem.

    "Jour de Fete" was simultaneously shot in both color and black-and-white, and the latter version was the standard for years. However, a restored color edit was finally released in 1995. Given the subtlety of the film's visual humor, it's possible that some jokes are easier to pick up in color. So, don't worry about the ethics of "colorization."
  • August 3, 2009
    Jacques Tati's first and my personal favorite of his. Charming and funny; no laugh-out-loud hysterics but it does make you laugh compared to his more famous films which only provoke smiles. This guy respected his viewers from beginning to end with moments of innocent sight gags a... read morend complex balancing of roles. See it to the end for the sequences where the mailman character is in full blast.
  • November 6, 2007
    JTs first feature film. Funny, but not as funny as the HULOT series. Mailmen r always funny tho lol.

Critic Reviews


Eric Kohn
January 2, 2008
Eric Kohn, New York Press

The originality of its design makes Tati's cinema unfold as it were a series of Looney Tunes episodes envisioned by Robert Altman. Full Review

Dennis Schwartz
April 10, 2007
Dennis Schwartz, Ozus' World Movie Reviews

Delightfully filled with physical slapstick and sight gags. Full Review

Dan Lybarger
November 3, 2002
Dan Lybarger, Lawrence Journal-World

Tati's directorial debut is also one of his funniest. Like his other movies, it's best to keep your eyes wide open and look at tiny images in the corner of the screen. Tati isn't playing M. Hulot in t...

February 23, 2012
Variety

Click to read the article Full Review

Lisa Nesselson
March 26, 2009
Lisa Nesselson, Variety

Click to read the article Full Review

Stanley Kauffmann
January 1, 2000
Stanley Kauffmann, New Republic

No review available.

Jonathan Rosenbaum
January 1, 2000
Jonathan Rosenbaum, Chicago Reader

Click to read the article Full Review

Emanuel Levy
June 26, 2005
Emanuel Levy, EmanuelLevy.Com

No review available.

Thomas Delapa
August 25, 2004
Thomas Delapa, Boulder Weekly

No review available.

Carol Cling
September 5, 2003
Carol Cling, Las Vegas Review-Journal

No review available.

Critic ratings and reviews powered by RottenTomatoes.com

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