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Sean Connery, Dyan Cannon, Martin Balsam, Alan King, Ralph Meeker ... see more see more... , Christopher Walken , Val Avery , Conrad Bain , Paul Benjamin , Hildy Brooks , John Call , Carmine Caridi , Sam Coppola , Reid Cruickshanks , Robert Dagny , Bradford English , Michael Fairman , Stanley Gottlieb , Margaret Hamilton , Anthony Holland , Scott Jacoby , Joseph Leon , Judith Lowry , Helen Martin , Garrett Morris , Meg Myles , Michael Prince , Norman Rose , Richard B. Shull , Max Showalter , Tom Signorelli , Paula Trueman , Janet Ward , Dick Anthony Williams , Jack Doroshow , John Braden , Michael B. Miller , Frank Macetta , Ralph Stantley , Stan Gottlieb

This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. Seeking a quick financial turnover, Anderson uses mob... read more read more... funding to finance an ambitious robbery. With a gang of expert thieves, Anderson sets about to rob every wealthy tenant of a fancy East Side apartment building. What he doesn't know is that every move he makes is being monitored and taped by several law-enforcement agencies, who hope that Anderson will lead them to the Mob kingpins. Though the film may look like a "comment" on the Watergate break-in, The Anderson Tapes actually preceded that third-rate burglary by nearly two years. The Anderson Tapes boasts an impressive supporting cast, many of whom play wildly against type, including Alan King as an aging and infirm Mafia don. ~ Hal Erickson, Rovi

Flixster Users

55% liked it

804 ratings

Critics

80% liked it

10 critics

PG, 1 hr. 38 min.

Directed by: Sidney Lumet

Release Date: June 17, 1971

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DVD Release Date: January 6, 2003

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Stats: 92 reviews

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Flixster Reviews (92)


  • March 6, 2011
    I just saw it b/c Tarantino put it on the March schedule at the New Beverly Theatre. I respected Lumet but I would never have expected he could have done this one, particularly not as early as 1971. It's very slick but from beginning to end has the spirit of the American New Wave... read more that was coming. Maybe Lumet could see this direction for a studio vehicle after M*A*S*H, but he went all the way. The editing and cinematography show total confidence, in taking in so much of the surroundings -- with whatever invasive-looking cameras and monitors are on the walls -- at high speeds and getting across truthfully so many ephemeral moments of people relating to each other. Garret Morris suddenly appears as a policeman, and you actually see that at this point a new important role in the movie is for this guy to BE a policeman, that for a while what's happening with him and his sparse lines is literally as important as what's happening with Connery.

    My only disappointment with this movie was that it wasn't longer. I wanted to see how the characters would handle different situations between them, before the heist even began. Because once the heist begins, Lumet and Frank Pierson make each character we've come to believe in fade into the machinery they've chosen to be a part of. It's both the culminating bravery of the movie and the tragedy in it. Characterization is honored but ultimately subsumed by the filmmaking, which soon differs from the graceless destructiveness of monitors and camera only by the filmmakers' artistry and candor. This doesn't leave the viewer with a hollow feeling, but a hollowing one.
  • March 1, 2011
    Love the structure, hated the music. Solid performance by Connery and the first performance by Walken make Anderson Tapes worth a watch.
  • February 10, 2011
    Sean Connery plays a jail bird who's let out and decides to pull another heist with the help of a team of experienced crooks; little does he know the cops are monitoring everything.

    What's so unique about this film by Sidney Lumet, in superb form as director, is that heist films... read more rarely mount the tension by showing us the cops' side -- here it's like a ticking time bomb, we're just waiting for Connery and his crew to be arrested and we know that they don't know that the cops know (err...) and the result is pretty tense.

    No fault found in the acting: Connery and a very young Christopher Walken (in his film debut) are great, particularly Walken who shows extensive range very early on. After seeing this I was reminded of his recent role in the "Stepford Wives" remake and had to wonder why he's resorting to such trash, because he's just as talented (almost, anyway) as De Niro and Pacino and the difference is he wasted a lot of this during the '80s and '90s by taking on small bits in horrible films. I mean, in 2003 he starred in KANGAROO JACK. C'mon!

    Overall THE ANDERSON TAPES is a tense and unique crime thriller that, although very "70s-ish" is entertaining, if a bit outdated in terms of technology. I'm sure it will be remade some day, there's a lot of potential, however I doubt it'll ever come close to the original.
  • February 24, 2010
    Routine caper film starts well but runs out of steam at the end. Dyan Cannon is a bright spot but disappears half way through. Still fun for the many familiar faces in the supporting cast some new at the time like Christopher Walken and some old hands such as Margaret Hamilton.
  • May 9, 2010
    Cool film by Sidney Lumet even though it's outdated I still like those taping bugging system ppl used back in those times. It's a heist film that goes all so wrong. I love how the editor Joanne Burke smartly uses freeze frames in this film. It's a good little caper picture with a... read more good cast.
  • September 30, 2008
    Just released on dvd for the first time: Enjoyable Sidney Lumet caper, lighter than the Hill and The Offence, with Connery as Ace thief 10 years behind the times, and Martin Balsam steals each scene as a surprisingly convincing stereotype homo before it was a stereotype.
  • February 21, 2008
    Not one of Lumets best, but enjoyable. Had some great scenes and good acting throughout, but the story could have been stronger.
  • August 5, 2009
    Although the surveillance equipment used is dated, the plot is still very contemporary. Intriguing plot, good pace and fine performances. Some interesting and effective offbeat casting. Well edited.
  • November 14, 2008
    There's some fun camp value to be had here, and the film shows Lumet's skillful use of flashback to better tell his story.

    The awful synth soundtrack is what kills the film, especially when it's combined with various musical 'stingers' that pop up to ham-fistedly indicate that t... read morehe characters are under surveillance, with a loud grating noise every time a CCTV is onscreen.

    Worth a rental, but nothing I need to re-watch again and again.

Critic Reviews


Emanuel Levy
January 24, 2011
Emanuel Levy, EmanuelLevy.Com

Starring Sean Connery, Sidney Lumet's thriler is one of the best caper films of the 1970s Full Review

Dennis Schwartz
May 23, 2009
Dennis Schwartz, Ozus' World Movie Reviews

Weak caper flick that's phony, superficial and unconvincing, that too slickly veers between comedy and suspense. Full Review

Rob Gonsalves
April 9, 2007
Rob Gonsalves, eFilmCritic.com

If this sort of thing bores you, you may want to give it a chance anyway because Christopher Walken ... makes his Hollywood film debut. Full Review

Scott Weinberg
April 3, 2005
Scott Weinberg, eFilmCritic.com

Good, old-fashioned Connery heist flick. Goes down smooth.

S. James Wegg
November 12, 2004
S. James Wegg, JWR

Sizzling story telling!

March 26, 2009
Variety

Click to read the article Full Review

Roger Greenspun
May 9, 2005
Roger Greenspun, New York Times

Click to read the article Full Review

Roger Ebert
October 23, 2004
Roger Ebert, Chicago Sun-Times

Click to read the article Full Review

Emanuel Levy
June 26, 2005
Emanuel Levy, EmanuelLevy.Com

No review available.

Robin Clifford
November 19, 2004
Robin Clifford, Reeling Reviews

No review available.

Critic ratings and reviews powered by RottenTomatoes.com

Fresh (60% or more critics rated the movie positively)

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