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Minnie Driver, Jeremy Renner, Bobby Coleman, David Denman, Adam Rodriguez

An unwitting murderer and a woman close to his victims struggle to come to terms with where the fates have taken their lives in this independent drama. Ana (Minnie Driver) was a wife and mother caring... read more read more... for an educationally challenged son and a moody-but-loving husband when fate led her to cross paths with Saul (Jeremy Renner). Saul was a gambling addict deep in debt to loan sharks and desperately in need of enough money to keep collectors from killing or injuring him; a foolish decision on his part led to the death of Ana's husband and son. Years later, Saul is on death row, awaiting execution for his crimes, and Ana is unable to find closure, still grieving bitterly for the loss of her family. When Ana and Saul finally meet face to face not long before he's to be put to death, they both find it difficult to express their thoughts about loss, forgiveness, and redemption. The first feature film from writer and director Charles Oliver, Take was screened as part of the 2007 Tribeca Film Festival. ~ Mark Deming, Rovi

Flixster Users

41% liked it

14,660 ratings

Critics

45% liked it

29 critics

R, 1 hr. 39 min.

Directed by: Charles Oliver

Release Date: July 25, 2008

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DVD Release Date: February 24, 2009

Stats: 124 reviews

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Flixster Reviews (124)


  • August 11, 2011
    In the present day, Saul(Jeremy Renner) is being prepared to be executed by lethal injection. In the past, he is a petty crook and gambler who works at a storage facility while taking care of his invalid father. He is also badly in need of $2,000. Ana(Minnier Driver), a maid, ... read morecould also use a little extra cash. She has just been told that her son Jesse(Bobby Coleman) is being transferred to special education. To avoid that fate, she wants to send him to private school but receives little support from her husband Marty(David Denman, of "Drop Dead Diva"), himself a teacher.

    "Take" is a ponderous movie that lumbers towards its inescapable conclusion where two people have their lives changed in a fateful meeting. After which, there is a curious endnote praising restorative justice which long story short says that confrontation is good for the soul between convict and victim, forgetting for a second how many people are in jail for victimless crimes. And in this case, it only works one way as Saul is definitely beyond the point of no return. In fact, Jeremy Renner's sad sack performance seems to work towards the conclusion that Saul has no business being on death row(which personally I don't think anybody should be) which is a debate the movie ducks away from.
  • December 27, 2011
    Good indie flik. Moves very slowly.
  • June 25, 2011
    good didn't think i'd like the non-linear flashbacks but I did, it just takes a little more work and I'll admit that I'm a pretty lazy movie watcher, I just like to let it wash over me but the extra work pays off big in this one amazing performances by both driver & renner in thi... read mores american tragedy.
  • June 30, 2009
    Too bad their lives had to meet in the store. I just had a bad feeling with the kid sitting in the car and the little on taking off his red boots. The ending was not a surprise but he should of opened the truck. Hard to forgive but he was as lost as any child from what his father... read more did not do.

Critic Reviews


Ronnie Scheib
August 13, 2008
Ronnie Scheib, Variety

The talky redemption element, however, ultimately feels artificially tacked on. Full Review

Frank Scheck
August 13, 2008
Frank Scheck, Hollywood Reporter

Stylistically as well as thematically complex.

Robert Abele
July 25, 2008
Robert Abele, Los Angeles Times

Take is too enamored of its time-shifting gimmick and cheap suspense to ultimately have much impact. Full Review

Rex Reed
July 23, 2008
Rex Reed, New York Observer

Obscured by ugly, dark photography, a jumbled script, mumbled performances, and clueless direction that make it impossible to see or hear a lot of what's going on even if you cared, the result is a fi... Full Review

John Anderson
July 18, 2008
John Anderson, Newsday

Dramatically, however, Take consistently works, and, with such a story, that's an amazing thing. Full Review

Kyle Smith
July 18, 2008
Kyle Smith, New York Post

A woefully earnest indie about a crime and its aftermath. Full Review

Joe Neumaier
July 18, 2008
Joe Neumaier, New York Daily News

It's like a full-length public service announcement. Full Review

Nathan Lee
July 18, 2008
Nathan Lee, New York Times

If there is anything the cinema needed less than another angst-ridden, cross-cutting tragedy about crime, fate, memory and redemption, it's the kind shot in an ugly monochromatic palette like Take. Full Review

Ed Gonzalez
July 16, 2008
Ed Gonzalez, Village Voice

Oliver wants to defend restorative justice, but his interest in this form of victim-offender mediation registers only as an afterthought. Full Review

Jeff Vice
September 12, 2008
Jeff Vice, Deseret News, Salt Lake City

This sullen dramatic thriller is introspective to the point of being navel-gazing. And its up-to-interpretation form of 'conclusion' is fairly pretentious. Full Review

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