Strangers on a Train

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Strangers on a Train

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Strangers on a Train

Farley Granger, Robert Walker, Ruth Roman, Leo G Carroll, Patricia Hitchcock

In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is awa... read more read more...re that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men. ~ Hal Erickson, Rovi

Id: 10895647

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Strangers on a Train Recent Reviews
  • clintervin
    March 7, 2012
    clintervin
    Alfred Hitchcock loved to plunge ordinary people into extraordinary situations culminating in feverish life or death climaxes, and Strangers On A Train is one of his finest efforts. This film is fantastically atmospheric with a palpable malevolence throughout. It also features un... read moreforgettable performances, particularly Robert Walker as Bruno Anthony, a character with a combination of indolence and menace as threatening as any villain ever. There are wonderful "trick" shots, like the much-discussed strangulation reflected in the glasses. The music, likewise for me, captures the film's aesthetic; its almost terrifying in places.

    Strangers' centerpiece is the strange duality between Guy Haines and Bruno. Its important to note that Guy is innocent of actual murder but not the intent to murder. Even girlfriend Anne (Ruth Roman) is suspicious of Guy after their phone conversation. Bruno assumes a lot, and Guy is guilty of omission more than commission. Bruno is the dark, "other side" of Guy, the tennis star who "does things." Ironically it is Bruno who actually does things. They carry on an implicit homosexual courtship throughout.

    Just a quick note on other actors/characters: Laura Elliot as Miriam and Hitchcock's daughter Patricia as Barbara Morton are better actors and more interesting than the more famous Ruth Roman. Roman looks the part of senator's daughter/girlfriend Anne Morton but is too wooden. She represents upper class decorum but is not sexy. The point is that she's got the morals and class that Guy's wife lacks, and this contrast works well in the film.

    Strangers is well crafted at every level, and the suspense screams to a stunning climax where Bruno almost succeeds in pinning the blame on Guy before his brutal death. The destruction of the carousel in which Bruno dies and the truth is revealed may be my favorite Hitchcockian climax. (Norman Bates' mother is pretty good too!)
  • moonrivers
    February 25, 2012
    moonrivers
    Everyone has someone they want dead. From this casual statement of a very secret everyman wish comes a suspenseful amusement park ride, a descent into madness wrapped in a candy box. Walker's Bruno is one of the most seductive of cinematic villains and certainly one of the best... read more reasons to see one of the best of Hitchcock films.
  • StarCrossedVoyager
    December 26, 2011
    StarCrossedVoyager
    In my opinion this is Hitchcock's best film. With a fantastic and interesting story that keeps you gripped and involved right until the end is a classic I could watch again and again. Everything about this film is near perfect except the ending which (as I have found with many Hi... read moretchcock films) left me unsatisfied as it was a bit too easy and convenient. Nevertheless a brilliant film and a must watch.
  • fb733768972
    December 9, 2011
    fb733768972
    "Strangers on a Train" is classic hollywood cinema at it's finest. As as simple as a story can be, two unlikely men (one on a mission to kill for happiness and satisfaction, the other to live life as it is) come into contact with each other. Bruno (the psychotic one) decides to c... read morereate a plan to kill Guy's (the subtle one) wife who has been very tiresome lately. Once Bruno goes through with it, all hell breaks loose as Guy tries to plead innocent by straying away from any sight of the authorities. This film has one of the most intense endings I have ever seen, with hints of humour, glamour, and horror. The 'Mise En Scene' is absolutely wonderful and Alfred Hitchcock definitely leaves his Auteur mark on his films, particularly the shadows and metaphors through the cinematography in this film. This does not only have a perfect story, a perfect cast, a perfect script, and a perfect resolution, but it is definitely one of the best films ever made! "Strangers on a Train" is a true cinematic masterpiece!
  • fb1664868775
    November 13, 2011
    fb1664868775
    Featuring a frightening performance by Robert Walker and great direction from the master auteur.
  • binky013
    October 2, 2011
    binky013
    For just plain real-world, everyday scary, this Hitchcock is hard to beat. There really are psychopaths like Bruno Anthony running around out there, so beware of running into one of them. Robert Walker plays well about as whacked out a nutcase as you could hope not to find. I ... read morelove what Rob Reiner did with the old "criss-cross" motif in Throw Momma from the Train.

    Just saw this again. Really too bad that Walker passed away so young. Now days, 32 years old seems like a just a kid to me..
  • spielberg00
    June 24, 2011
    spielberg00
    A creepy, tense film about murder. Typical Hitchcock--memorable, but mostly lesser.
  • stevenecarrier
    May 25, 2011
    stevenecarrier
    I have always thought "Strangers on a Train" to be an extremely padded film. While the first 3rd of the picture is near air tight, the last 2/3s are almost a wash. The film manages to bring up interesting concepts of existentialism and violence but abandons them for a clear cut m... read moreoral in the films conclusion. It doesn't help that the film careens into the ridiculous with a silly climax and unnecessarily goofy side characters. "Strangers on a Train" feels like a compromise, and being able to watch the even more-so homosexually charged European cut solidifies this. There are many interesting ideas posed by the story and the first act (namely the violent, child-like state of Bruno), but it's pretty much tossed aside for an audience pleasing ending.
  • danperry17
    April 6, 2011
    danperry17
    Based on a pot-boiler by the famous Patricia Highsmith (though I've heard Hitchcock and a steady stream of writers got pretty far from the novel), Strangers on a Train may be as good of a thriller film as was ever made. Plotted with the expertise of the Greek tragedians - charact... read moreers of high status, miss the mark, fall - and the efficiency of Chekhov (all the guns go off in this one!), this is a film that could be called the height of noir.

    Visuals I will never forget:

    -Bruno laying back in the train seat with his cigar
    -Bruno's growing shadow in the Tunnel of Love
    -Bruno waiting at the capitol, black silhouette on white pillars
    -Bruno watching tennis: all other characters turning their head with the play, and Bruno staring straight ahead, at Guy
    -When Guy turns on the light and finds Bruno in the bed - jump-worthy!

    I've said Bruno enough, so let me praise the acting: Robert Walker took over the film, and Farley Granger, as Guy, was more innocent than Jimmy Stewart without being cartoony but carried a real upper-crust outlook convincingly all the while. From the opening proposition to the stunning merry-go-round accident - a real man really crawled under a real running merry-go-round, by the way - this one's a classic: essential viewing by any standard.
  • SirPant
    February 14, 2011
    SirPant
    As villains go, surely you can't get more fiendish than Robert Walker's Bruno Anthony! The dialogue is sublime, as you'd expect from Hitchcock and it's shot brilliantly but it's Walker that really steals the show. Patricia Hitchcock as Barbara Morton was also great casting. A cla... read moressic and one of Hitchcock's best!
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