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Charles Isherwood, John Lahr, Patrick Pacheco, Michael Riedel, Jacques LeSourd ... see more see more... , Linda Winr , Boy George , Alan Cumming , Joe Mantello , Jason Moore , Rosie O'Donnell , Tonya Pinkins , Stephen Schwartz , William Goldman , Kevin McCollum (II) , Stephanie D'Abruzzo , Tony Kushner , Kristin Chenoweth , John Tartaglia , Idina Menzel , David Stone , Jeff Whitty , George C Wolfe , Jeanine Tesori , Chris Boneau , Nancy Coyne , Rocco Landesman , Robyn Goodman , Bobby Lopez , Jeff Marx , Jeffrey Seller , Raul Esparza , Euan Morton , Joe Dulude , Stephen Oremus , Ben Brantley , Marc Platt

The documentary ShowBusiness: The Road to Broadway journeys behind the scenes of four Broadway productions mounted during the 2003-4 theatrical season that ultimately garnered nominations for Best Mus... read more read more...ical: Wicked, the Rosie O'Donnell/Boy George collaboration Taboo, Tony Kushner's Caroline, or Change and the iconoclastic puppet review Avenue Q. The film provides a glimpse into each stage of the theatrical process for these productions - from auditions to staging to rehearsals to previews to opening night to awards season. ~ Nathan Southern, Rovi

Flixster Users

78% liked it

1,762 ratings

Critics

88% liked it

52 critics

PG, 1 hr. 42 min.

Directed by: Dori Berinstein

Release Date: May 11, 2007

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DVD Release Date: October 16, 2007

Stats: 134 reviews

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Flixster Reviews (134)


  • June 4, 2008
    [font=Century Gothic]"Show Business: The Road to Broadway" is a blithely entertaining documentary about the 2003-2004 Broadway season focusing on four musicals - Wicked, Avenue Q, Taboo and Caroline, or Change, from the plays' conception to the 2004 Tony Awards with an amazing a... read moremount of backstage access. However, I do wish there had been some information for the uninitiated on such topics as applause which is heard after all plays and the TKTS booth at Times Square which offers half-price tickets to select Broadway shows on the day of performance.[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]In general, the documentary is concerned with what makes a Broadway play a success in this day and age when the critic of the New York Times no longer has the power of life and death.(By the way, no reputable critic should comment on the possible appeal of a play, just on how good it is. And critics vote on the Tony Awards.) The short answer is: who knows? As somebody mentions, producers invest in a show out of love. If they wanted a better investment on their money, then they should go to Atlantic City and play roulette instead. Some plays might have a cult following but that is not enough. What usually does not work is a big name which can actually work against a show.(By the way, is it just me or does Tony Kushner writing a musical just seem odd?) My best guess would be to find an idea that appeals to people who do not traditionally go to the theatre. For example, I generally do not like musicals but I think I would find Avenue Q or Wicked appealing. [/font]
  • November 28, 2008
    Pretty cool.
  • June 24, 2009
    A very interesting look into an exciting season on Broadway -- and a specific look at four different shows from the earliest rehearsals to the end at the Tony Awards. Any fan of musical theatre will surely dig this documentary.
  • October 25, 2007
    Gives you a little peek inside what it really takes to get a show on Broadway. While watching it I came to the conclusion that Taboo really did get screwed over, some of the theatre critics are not very nice, and being an actor isn't all fun and games. I'm now proud to say that I... read more have so much more respect for these people that put a show together than ever before. I just wish that they'd included something about Avenue Q's "Vote with your heart" Tony campaign, and wasn't it heartbreaking when Euan Morton lost his Working Visa and had to leave the country after Taboo closed?

Critic Reviews


June 30, 2007
Atlanta Journal-Constitution

Bright lights, big drama. A delectable trip down Broadway. Full Review

Philip Kennicott
June 21, 2007
Philip Kennicott, Washington Post

It is filled with neurotic people in greasepaint, some charming, most amusing, and by the time you've spent an hour and a half with them, you're more than invested in their lives and cares. Full Review

Mick LaSalle
June 8, 2007
Mick LaSalle, San Francisco Chronicle

Along the way, the film includes insightful observations about the creative process. Full Review

Miriam Di Nunzio
June 8, 2007
Miriam Di Nunzio, Chicago Sun-Times

In the end, I wish Berenstein had devoted her filmmaking to two musicals instead of four, thus affording even more screen time to each show's creative process (the audition process, the choreography, ... Full Review

Ty Burr
June 8, 2007
Ty Burr, Boston Globe

The film's slick and entertaining, an obvious must-see for musical hounds. It holds water for laypeople, though, because the insights into a communal creative process are so sharp. Full Review

Frank Scheck
June 8, 2007
Frank Scheck, Hollywood Reporter

Sheds much-needed light on a fascinating show-business institution.

Joe Morgenstern
June 7, 2007
Joe Morgenstern, Wall Street Journal

Dori Berinstein's cameras catch gallant theater people doing what they've done since Sophocles was a pup: rehearsing, revising, worrying, learning, stretching, struggling to bump things up from good t... Full Review

Albert Williams
June 7, 2007
Albert Williams, Chicago Reader

Dori Berinstein's fine documentary chronicles the production of four high-profile musicals during the 2003-'04 New York theater season. Full Review

Chris Jones
June 7, 2007
Chris Jones, Chicago Tribune

Much of this strikingly human, rapidly paced and laudably well-rounded film is fascinating. Full Review

Charles McNulty
June 1, 2007
Charles McNulty, Los Angeles Times

The film is a love letter to theater and the people who make it. Full Review

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