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Charles Aznavour, Nicole Berger, Marie Dubois, Michele Mercier, Albert Remy ... see more see more... , Claude Mansard , Bobby Lapointe , Jean-Jacques Aslanian , Serge Davri , Alex Joffé , Richard Kanayan , Catherine Lutz , Alice Sapritch , Daniel Boulanger , Claude Heymann , Boby Lapointe

Francois Truffaut's loving homage to Hollywood gangster films is less a plot-filled film noir than a free-associative meditation on the genre. Charles Aznavour stars as a one-time concert pianist who ... read more read more...gained fame as Edouard Saroyan but has since changed his name to Charlie Kohler and plays honky-tonk in an out-of-the-way saloon. His self-imposed exile is shattered by the appearance of his mobster brother Richard Saroyan (Jacques Aslanian). Richard and his other brother, Chico (Albert Remy), are on the lam from gangsters they've double-crossed. Charlie helps Richard and Chico get away, but he now finds that his life, along with his younger brother Fido's (Richard Kanayan, has been put into jeopardy, having gotten mixed up with gangsters Momo (Claude Mansard) and Ernest (Daniel Boulanger) who are pursuing Richard and Chico. Momo and Ernest keep an eye on Charlie's apartment and, although they don't get Fido, they manage to kidnap Charlie and Lena (Marie Dubois), a co-worker with whom he has fallen in love. But when Ernest runs a red light and is pulled over, Charlie and Lena escape the gangsters' clutches. They take refuge in Lena's apartment, where Charlie sees a poster for a performance by Edouard Saroyan, causing Charlie to think back upon the circumstances that had led him to this moment in his life. Lena and Charlie make love, and Charlie returns to his apartment, only to discover Fido has been kidnapped. Lena and Charlie then head back to his club, where they plan to quit their jobs and try to find Fido. ~ Paul Brenner, Rovi

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60% want to see it

6,141 ratings

Critics

95% liked it

19 critics

Unrated, 1 hr. 32 min.

Directed by: François Truffaut

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DVD Release Date: May 18, 1999

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Flixster Reviews (405)


  • fb1216165431
    September 10, 2011
    fb1216165431
    A second from François Truffaut, Shoot The Piano Player boldly shoots how the past haunts the present and shall continuously pester the future. Crime, drama, romance, and mystery right on target.
  • April 6, 2011
    A heavily noir influenced crime drama about the inability to escape your past. For only his second feature, this film feels bold and mature. While it is much more stylized than his debut, it still retains a lot of the heart that made the 400 Blows so good.
  • February 13, 2011
    at this point, this is probably my favorite of truffaut's films. a simple structure, but laid out without the gimmicks normally seen in films like this. well written and well shot, the film simply executes the story with no wasted time. excellent crime drama.
  • September 30, 2008
    My favorite Truffaut hands down.

    The camera and storytelling here are so playful, it's easy to see Truffaut's love of the Noir genre. The loose hand held style, rhythmic frequent cutting and the free form jazz soundtrack all bring this down and dirty character piece to life.

    Ex... read moretra kudos for the matricide by way of fibbing gag
  • July 22, 2008
    This film is too French New Wavy to be American film noir. The pacing is off and the gangster story is like a MacGuffin - only there to provide a frame for philosophical meanderings. Charles Aznavour is magnetic though.
  • December 10, 2007
    Cool little film noir by Truffaut. Almost zany at times.
  • November 20, 2007
    Inventive, sensible, witty and comical film-noir homage.
  • November 19, 2006
    A great film. Almost like a French film noir.
  • November 6, 2007
    The Piano player doesn't get shot, though.
  • August 23, 2009
    I would have thought that I would have seen this a while back what with it being a François Truffaut film from the height of his career. I think the movie?s title is a big part of why it took so long to catch up, it just made the thing sound annoyingly madcap. It turned out not... read more to be what I thought it was, but there were reasons to be worried. This feels a lot more in tune with the new wave than a lot of the other Truffaut films I?ve seen, felt more like a Godard movie and not in a way that was of my liking. It lacked a lot of the more conventional depth of The 400 Blows and Jules and Jim. It certainly had charms of its own, but it just wasn?t as much to my liking.

Critic Reviews


Michael Phillips
October 18, 2008
Michael Phillips, Chicago Tribune

The determined jollity of Georges Delerue's saloon piano score, which later opens up to encompass a wide world of romanticism, sets the tone for Francois Truffaut's audacious second feature, made in 1... Full Review

J. Hoberman
September 4, 2008
J. Hoberman, Village Voice

Truffaut's form of self-reflection is ultimately a way of playing the audience. Full Review

Bosley Crowther
May 20, 2003
Bosley Crowther, New York Times

It is a teasing and frequently amusing (or moving) film that M. Truffaut has made, but it simply does not hang together. Full Review

Ken Hanke
September 16, 2009
Ken Hanke, Mountain Xpress (Asheville, NC)

One of those rare movies that you're sorry to see end. Full Review

Dennis Schwartz
November 4, 2008
Dennis Schwartz, Ozus' World Movie Reviews

It's my favorite Truffaut film, not because it's the best but because it's the most enjoyable. Full Review

Melissa Anderson
September 4, 2008
Melissa Anderson, Time Out New York

Often overlooked, Truffaut's wonderful second film stars Charles Aznavour, master of the chanson, in his only collaboration with the director. Full Review

John A. Nesbit
February 12, 2007
John A. Nesbit, Old School Reviews

A landmark film that took the world three decades to accept Full Review

Jeffrey M. Anderson
June 13, 2005
Jeffrey M. Anderson, Combustible Celluloid

An affectionate tribute to the low-budget crime movies that Truffaut so loved, and it's one of my favorite Truffaut films. Full Review

Christopher Null
August 17, 2003
Christopher Null, Filmcritic.com

Like Charlie only being able to let his real feelings out through that little crate piano, films like this remind us of our love for film and the possibilities within even the most bare and irreverent... Full Review

Marjorie Baumgarten
March 10, 2003
Marjorie Baumgarten, Austin Chronicle

The influence of American genre films, especially the gangster films, is never more pronounced than in this highly entertaining drama. Full Review

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