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Lelia Goldoni, Ben Carruthers, Anthony Ray, Hugh Hurd, Rupert Crosse ... see more see more... , Tom Allen , Dennis Sallas , Jack Ackerman , Cliff Carnell , Marilyn Clark , Ronald Maccone , Greta Thyssen , John Cassavetes , Bob Rech , David Jones , David Pokitillow , Hugh Herd , Rupert Cross , Tom Reese

Shadows was John Cassavetes' first directorial effort. Like his later critically acclaimed films Faces and Husbands, Cassavetes fills the screen with probing, unflattering closeups. Unlike his other f... read more read more...ilms, however, Shadows zips along at 87 minutes, avoiding the pitfall of putting the director's nonfans to sleep. The film is a straightforward account of a biracial romance (a far less common film subject in 1960 than today). Light-skinned African-American Lelia Goldoni falls in love with a white man Anthony Ray, who spurns her when he meets the rest of her family. Far from subtle, Shadows benefits from the undisciplined energy of its direction and the excellence of its individual performances. Costing a scant $40,000 (less than the average half hour TV episode of the era), Shadows won the Critic's Award at the Cannes Film Festival and led to more expensive studio assignments for John Cassavetes. ~ Hal Erickson, Rovi

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80% liked it

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100% liked it

15 critics

PG, 1 hr. 21 min.

Directed by: John Cassavetes

Release Date: January 1, 1959

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DVD Release Date: April 7, 1998

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Stats: 277 reviews

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Flixster Reviews (277)


  • April 6, 2012
    A new-waveish beatnik sociopolitical commentary that gets far less recognition than it deserves.
  • November 21, 2010
    This is a pretty good, and very different, drama movie, but it's not all that exciting or intense. Plus, I wasn't familiar or impressed with any of the actors.
  • May 11, 2010
    Classic American cinema, way ahead of the rest with an important message to boot. Not only was the subject matter original in film but so was the production. Essential viewing for film fans and especially film makers. It has to be one of the coolest films ever made!
  • October 12, 2009
    According to the information that can be found on the box, a very important and influential movie and Cassavetes directorial debut.
    It's VERY difficult to rate this one objectively after seeing A Woman Under the Influence first, which is a completely different movie. Somehow the... read more style reminded me a little of A Funeral Parade of Roses.
    Couldn't keep my eyes off of Lelia Goldoni, she's beautiful.
  • April 13, 2009
    Cassavetes' debut: A close examination of daily life. People wanting to find something to do, striving to understand their moods, shortcomings, and the possibilities and impossibilities of the New York Universe they inhabit. Coming to terms with race and racism. Falling in, out o... read moref love. Trying to find stability. All in the course of 81 minutes. Shadows is a film about nothing: the chain of events that take place every day and we hate because they bore us, which we call nothing. And it is maybe the Mother of all films about nothing created afterwards, none of which seem to really be on par with it. Cassavetes, like Truffaut, tells a small story where every story we know can fit, too.

    Lelia, Benny, Rupert, Tony, Hugh... terrific actors, all of them. I can only imagine how wonderful it must have been to work in such compenetration with the material, in a way that performances this earnest and solid materialized, especially considering Cassavete's pro-improvisation attitude. Although I've read here and there that the improv was not absolute, the intelligence of the actors is obvious.

    This film left me with several enduring cinematic moments in my mind. Benny coyly speaking to a girl in a diner, one of the most successfully intimate takes I can remember. Lelia's iconic weary face in Tony's bed. The jazz score, so appropriate with the Beat scene, beautiful but not invasive. And the gritty black and white photography.

    Shadows is not so concerned with aesthetics as it is with exposing and exploring ideas and opinions and notions of filmmaking that were perhaps being underappreciated, forsaken, or rejected at the time. Besides being a realistic portrait of human emotions and situations, it is also a landmark of independent American cinema and testament to Cassavetes' original often-imitated approach to filmmaking. It's refreshing to think of his closeness with performers. Adequate communication and communion between all the elements of the film flow through it from beginning to end. Watching it feels like witnessing something truly one of a kind.
  • January 25, 2008
    There are perfect moments in this movie.
  • November 10, 2006
    This entire movie was improvised. It is an undisputed masterpiece.
  • fb1142797643
    November 16, 2011
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    Everyone knows "Shadows" is a historically important film, but it's also interesting on its own terms. The loose plot takes place within the late-'50s clique of New York jazz cats. Period lingo is kept to a minimum (save some talk of "making the scene"), so the dialogue doesn't a... read morege as badly as one might expect.

    A white man picks up a beautiful young woman, but later discovers she's a fair-skinned black. The meat of the story is the racial tension between the surprised man and the woman's wary brothers, but the conflict is pushed aside rather than building to a strong conclusion. Otherwise, the sequences mostly dwell on cynical hipsters cavorting in clubs and apartments while making aggressive plays for whatever tawdry babe is within reach. The closing credits boast that the film was an improvisation, and some awkward cuts and blackouts do suggest off-the-cuff spontaneity that was structured afterwards in the editing room. The acting is amateurish, though not offensively so.

    Director John Cassavetes briefly appears as a ruffian in one early crowd scene.
  • fb208103125
    November 3, 2011
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    A film made using improvisation performances from it's talented cast, Shadows was the first film by director John Cassavetes and was made with a meager budget of $40,000. The film obviously focuses fully on the story and issues at hand and the brief 82 minute runntime flies by a... read mores the film keeps going full steam ahead. A great drama piece exploring the, rare at the time, issue with interracial relationships and is a genuine and realistic approach to the ideals explored.
  • November 20, 2011
    Great experimental picture by John Cassavetes. A tad creeky but you can't help but admire the performances, the setting, and the themes. It's a nice little movie.

Critic Reviews


Jonathan Rosenbaum
April 29, 2007
Jonathan Rosenbaum, Chicago Reader

This is the only Cassavetes film made without a full script (it grew out of acting improvs), and rarely has so much warmth, delicacy, and raw feeling emerged so naturally and beautifully from performa... Full Review

Bosley Crowther
May 9, 2005
Bosley Crowther, New York Times

Shadows is an unfinished picture in every sense of the word. Yet it is fitfully dynamic, endowed with a raw but vibrant strength, conveying an illusion of being a record of real people, and it is inco... Full Review

J. Hoberman
June 17, 2003
J. Hoberman, Village Voice

Arguably the founding work of the American independent cinema. Full Review

Emanuel Levy
June 16, 2011
Emanuel Levy, EmanuelLevy.Com

In this experimental film, Cassavetes' approach and a cast of unknowns brought a new sense of realism to the American cinema. Full Review

Dennis Schwartz
September 22, 2010
Dennis Schwartz, Ozus' World Movie Reviews

It's Cassavetes's auspicious debut film as director. Full Review

Jeremiah Kipp
February 14, 2009
Jeremiah Kipp, Slant Magazine

The Beat generation espoused a rejection of mainstream American values, and John Cassavetes's Shadows feels like a relic from that movement. Full Review

Jason Morgan
December 8, 2008
Jason Morgan, Filmcritic.com

a cinematic improvisation (as the end credits mention) of amateur vitality Full Review

May 30, 2007
Film4

Even decades later, it has a spark of exciting newness about it. Full Review

August 29, 2006
TV Guide's Movie Guide

Its importance in the development of the American independent movement cannot be overstated, nor can the unique power it still retains. Full Review

Derek Adams
June 24, 2006
Derek Adams, Time Out

A very modern, impressionistic snapshot of New York bohemia with scenes linked not by dramatic line but by place, time and mood. Full Review

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Shadows Trivia


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