Get movie widget Recommend it Add to Favorites

Carlos Gallardo, John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson ... see more see more... , Walter Brennan , Ward Bond , John Russell , Estelita Rodriguez , Claude Akins , Malcolm Atterbury , Harry Carey Jr. , Bob Steele , Nesdon Booth , Robert Donner , Pedro Gonzalez Gonzalez , Fred Graham , Myron Healey , Riley Hill , Eugene Iglesias , Tom Monroe , Bing Russell , Bob Terhune , Ted White , George Bruggeman

Featuring Carlos Gallardo, star of Robert Rodriguez's cult-classic debut El Mariachi, Bravo is a tense action thriller about a musician struggling to stop a criminal rebellion. Gallardo is Carlos Brav... read more read more...o, a mariachi who was once a dedicated government agent. When the Mexican president is kidnapped by a group led by an evil and powerful drug lord, the guitar player must conjure up his heroic past to save the day. Throwing an additional wrench in the gears is the fact that Bravo is dating the president's daughter. ~ Matthew Tobey, Rovi

Flixster Users

89% liked it

21,627 ratings

Critics

100% liked it

35 critics

Unrated, 2 hr. 22 min.

Directed by: Howard Hawks

Release Date: March 1, 1998

Invite friends to see

DVD Release Date: May 8, 2001

Get It:

Stats: 1,243 reviews

Your Rating



clear rating

Flixster Reviews (1,243)


  • fb1664868775
    March 2, 2012
    fb1664868775
    One of the most entertaining and fun film experiences you'll ever have. Wayne, Martin & Brennan really shine in this one. Some of the best dialogue I've ever heard.
  • February 18, 2012
    An entertaining classic. Sure, to an extent, it's a vehicle for Ricky Nelson - toward the end, we get some very anachronistic country music! - but overall, it's a simple film in which John Wayne does his usual thing (as the sherriff), Dean Martin shines as a drunk struggling to g... read moreet it together, and luminous Angie Dickinson and her legs-right-up-to-her-neck win the seen-it-all-sherriff's heart. I liked the way in which everyone in town was trapped, in a sense, and the tension that comes from having the barbarians - Burdette's gang - at the gate all the while. The title wasn't the best one, but there's so much in this movie, I don't know what you'd call it: laughs, love, action and drama combine to make an enjoyable film. It doesn't "hit hard," but it's definitely a hit.
  • January 1, 2012
    John T. Chance: You want that gun, pick it up. I wish you would. 

    "You've seen nothing like 'em together... and in the heat and hate of Rio Bravo nothing can tear 'em apart!"

    Rio Bravo is a film that defines the Western genre, maybe more than any other does. It has everything t... read morehat the makes the genre great. It has tough leader, with two under respected helpers against a lot of bad guys. Then comes the young gunslinger to help out the undermanned sheriff. The setting looks great as a backdrop to the violence that ensues. It may be a tad bit longwinded, but the actors and plot will keep your attention for the 140 minute runtime.

    At the beginning of the film, Chance arrests Joe Burdette for murder and locks him in the local jail. Joe's brother assembles a team to of hired hands to watch the town and make sure that the sheriff can't take Joe away from the town. Soon, a battle ensues between the authorities and Burdette. This plot has been used a million times since Rio Bravo, but never has it been done as well as it was here. 

    This isn't my favorite Western, nor is it my favorite John Wayne movie, but it is one of the best in both categories. If you're a fan of the genre, there isn't much you can find to complain about here. It's right up there with Stagecoach, Once Upon a Time in the West, and The Good, the Bad, and the Ugly, when talking about the best of the genre. What makes it so great is Howard Hawk's wonderful direction and a big name cast that includes John Wayne, Dean Martin, and Ricky Nelson.

    Rio Bravo is a must see for the casual and die hard film fan alike. There's a reason it has acquired its status as a genre masterpiece. 

    John T. Chance: Sorry don't get it done, Dude. That's the second time you hit me. Don't ever do it again. 
  • fb619846742
    August 16, 2011
    fb619846742
    A massively over-rated but still largely enjoyable Western yarn concerning a town under fire, and the sheriff (John Wayne) who must keep it from falling apart after he arrests the brother of a morally bankrupt man who will do anything to break him free. Many critics hail this to ... read morebe a classic and one of the best Westerns ever - it isn't. It's corny, sometimes badly acted, and there are predictable stereotypes and plot-lines everywhere. However, Wayne's likable performance coupled with Dean Martin's surprising turn as a drunk gunslinger makes this film worth watching, as well as occasionally funny and exciting, especially the closing sequence. Still though, how this is seen by many as one of the best movies ever is beyond me. It's just like "The Searchers", it bogs down from time to time and it goes on a little long, but when you have a master actor like Wayne at the helms, more than likely it will somehow, someway, still win you over at the end due to its irresistible charm despite its faults.
  • August 14, 2011
    Fun, fast and very funny. Full review later.
  • August 14, 2011
    Considering how many people consider this to be one of the best and most influential westerns out there (and especially since it was the loose basis for one of my personal favorites, and many of the directors I love and am influenced by love it) I had some extremely high hopes fo... read morer this one.

    Needless to say (at least for now) I'm a bit disappointed. First of all, flixster is wrong. The running time is not 1 hr. 25 min. Add 55 min. to it, and that's what it really is. I wasn't expecting the film to be that long, and have the very leisurely pace that it does. Also, given those two factors, I was shocked to learn that the plot is really straightforward and simple.

    It concerns a sheriff (John Wayne), two deputies, one a recovering drunk (Dean Martin), the other an old cripple coot (Walter Brennan), and a young aspiring gunslinger (Ricky Nelson) holed up in a western town holding a criminal wanted for murder hostage while that man's brother and his gang try to break him out.

    Some research tells me that during the later part of his career, Howard Hawks began feeling that all the stories had been told, so he started cutting down the plot to bare bones (which can be a bit off putting initially) and letting the films work as near plotless things with characters just hanging out and going for that type of filmmaking that would become really big with art house cinema.

    I think it is kinda cool now sicne I have let it set in, but initially, this kinda bugged me. I do like that type of things once in a while, but I guess I jsut wasn't in the mood for it when I watched this. Maybe I owe it a rewatch or something. I did like this film, but I don't really think it's a masterpiece, at least not yet.

    It's cool just hanging out with the characters, and i get why this is called a hang out movie, yet I felt kinda underwhelmed. Not really bored, but there could have been more character development, or more for the characters to do. There are moments of tension and suspense, but not as much as there could or should have been.

    Wayne is good, and doesn't totally just play the "John Wayne role". I also liked that he wears the same hat he's been weating ever since Stagecoach. Martin is surprisingly really good as the drunk turned straight, and Brennan is rather enjoyable (if a tad silly) as the comic relief. Angie Dickinson is also in this, and she's not bad (nice to look at), but they maybe could have given her a tad more to do.

    I do think this is a well made movie, but it could have been better. Maybe now that I know what to expect, when (if) I rewatch it I'll be able to sit back, relax, and see exactly why this is so highly regarded, beyond what I've already mentioned, and the fact that it has some good music and cinematography.
  • June 29, 2011
    Hawk's 2 & 1/2 hour celebration of heroism is actually an intimate and leisurely paced western. Partially a response to Zimmerman's indictment of cold war cowardice "High Noon", Hawks exhaustively explores redemption and bravado. Yet, what sets this film apart from other testoste... read morerone charged westerns is that Hawks looks at the price of such courage. Martin's ongoing quest for redemption amid the battle with the brutes feels very authentic and adds a surprising amount of emotional depth to a genre that allows no time for tears.
    Also, Hawks adds a dose of realism to the film by having characters feel physically ill after a bout of violence.
    However, other than the touching character studies, I never really got a sense of what was at stake during this battle between good and evil.
    The so called villians aren't really explored and by the time we reach the climactic final shoot out, it becomes really hard to care about who wins.
    This is made worse by Hawks' idealism, which often suffocates the realism that could have really made this film incredible. The good seem to always be in the right and one gets the feeling that Wayne's life is never at stake. In the final battle, Wayne is able to pretty much stand out in the open and experiences no danger. He is also able to hammer out any one liner he wants to, regardless of the impending doom.
    Wayne's character is of the ilk that if a man is given a chance to do the right thing, he will. While I think this was probably a message that cold war audiences really needed to be fed, it detracts from the realism that Hawks explores elsewhere in the film. Sure Martin's character experiences hard times, but you know he will come surely come around.
    I suppose I set myself up for failure by watching a lot of Italian Westerns before this. After spending so much time with morally ambivalent characters, these characters seem a little too puffy at times to be taken too seriously.
    It is an entertaining watch and Hawks is a phenomenal storyteller, I just think tonally he wanted it all in this film and it makes it feel inconsistent.
  • December 7, 2010
    I can't come down hard on this particular western. I wanted to, because it is flawed, but I enjoyed it far too much. An excellent Howard Hawks picture.
  • June 21, 2010
    Every time I watch it, Rio Bravo gets better and better. Not only is it one of my favorite westerns, but one of my favorite movies. There?s so much to love and admire about it, I think it?s one of the most accessible movies. People of all ages and gender can appreciate this class... read moreic because it covers so much ground and truly depicts the lifestyle and attitude of the time period. John T. Chance, easily one of John Wayne?s most memorable roles. He?s as charming as he is quick with a shotgun. The cast doesn?t end there though, Dean Martin and Ricky Nelson are a wonderful supporting team that gives so much to the lovable nature of the film itself. Walter Brennan as Stumpy still makes me laugh, by far the greatest comedic relief to ever exist in a single movie. The story is pretty interesting in that it has about four central plots going on at the same time, but it works wonderfully and feels more natural than just having a simple jail defense for two and a half hours. Howard Hawks never fails to make a visually stunning screen, this is one of the most beautiful westerns that rivals John Ford. This is a movie that should be seen by all, it?s truly remarkable and in my opinion flawless.
  • January 10, 2009
    In terms of structure and character development, this is a fascinating movie. The first wordless sequences that introduce the story to the viewer are a textbook on how to establish time and place in an economical manner. The story takes place in a small town in Texas, and directo... read morer Hawks works hard to create his own universe. For the most part, the movie is filmed indoors, giving the story a strong sense of isolationism. This technique forces the viewer to concentrate on characters and situations. It is interesting that such a character-driven movie doesn't utilize close-ups, which made me think that Hawks was very interested in showing how characters interact with the environment. Even more interesting is the fact that our hero is not all that good. The main character played by John Wayne is a bit morally problematic because he is willing to operate outside the law. It reflects the sensibilities of Hawks and Wayne. They simply dare people not to agree with their point of view, and that makes the film fascinating to watch. Wayne is such a charismatic movie star that it is almost impossible not to agree with his most questionable choices. The script is excellent and the supporting cast is memorable (Walter Brennan steals many scenes as an old timer). I could go on and on about the film's great attributes, but I'm just going to say that I believe this movie is one of the great American films. If you love westerns or you just want to see a near perfect film I recommend you to watch this masterwork. It's a classic.

Critic Reviews


April 27, 2009
TIME Magazine

Wayne, of course, walks off with the show -- not by doing anything in particular, but simply by being what he is: at 51, still one of the most believable he-men in Hollywood. Full Review

May 13, 2008
Variety

Rio Bravo is a big, brawling western. Full Review

Dave Kehr
May 13, 2008
Dave Kehr, Chicago Reader

Howard Hawks's finest western (1959), and perhaps his finest film. Full Review

A.H. Weiler
March 25, 2006
A.H. Weiler, New York Times

Despite its slickness, virility, occasional humor and, if it may be repeated, authentic professional approach, it is well-made but awfully familiar fare. Full Review

Charles Taylor
January 1, 2000
Charles Taylor, Salon.com

A comic western that ambles through its two hours and 21 minutes, it always has time to pause for a joke, a song or banter among the characters. Full Review

Cole Smithey
August 29, 2011
Cole Smithey, ColeSmithey.com

[VIDEO] "Rio Bravo" (1959) is Howard Hawkes's shamelessly commercial Western. Full Review

Richard T. Jameson
May 1, 2011
Richard T. Jameson, Parallax View

If Only Angels Have Wings is the foremost masterwork of the director's early period, Rio Bravo is that of the later, even more genial years. Full Review

Michael E. Grost
July 7, 2010
Michael E. Grost, Classic Film and Television

Classic Western with superb story telling. Full Review

Andrew L. Urban
February 20, 2009
Andrew L. Urban, Urban Cinefile

Texecution is superb in every department, making this one of the classics of the genre Full Review

May 13, 2008
TV Guide's Movie Guide

A lengthy, leisurely paced film. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

More Like This


Click a thumb to vote on that suggestion, or add your own suggestions.

  • The Magnificent Seven
    The Magnificent Seven (100%)
  • McLintock!
    McLintock! (98%)
  • The Searchers
    The Searchers (100%)
  • Tall in the Saddle
    Tall in the Saddle (0%)

Facts


No facts approved yet. Be the first

Rio Bravo : Watch Free on TV


Rio Bravo Trivia


  • In "Rio Bravo," what useful objects, stored near the warehouse, did Stumpy and Chance use?  Answer »
  • In the movie Rio Bravo with John Wayne, Dean Martin, Ricky Nelson, what was Ricky Nelson's characters name?  Answer »
  • Which film below is not a remake?  Answer »
  • Which of the following westerns was NOT directed by John Ford?  Answer »

Movie Quizzes


Recent News


No recent headlines. Got one?

Recent Lists


Most Popular Skin


No skins yet. Interested in creating one?