Sandra Hueller,
Burghart Klau??ner,
Imogen Kogge,
Karl Klinger,
Friederike Adolph
... see more
Director Hans-Christian Schmid helms this award winning account of a first-year university student whose bout with epilepsy leads to a tragic exorcism. Inspired by the same events that were previously... read more
DVD Release Date: March 6, 2007
Stats: 278 reviews
Your Rating
Flixster Reviews (278)
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November 24, 2009
a tragic clash of science and superstition inspired by the case of a mentally ill and very religious german girl who died under exorcism in the 70s. the film is understated and plays almost like a documentary
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November 20, 2009
Don't see this expecting something in the vein of The Exorcist. There aren't any spinning heads or projectile vomiting and no sign of the demon Pazuzu here. Instead, Requiem is a non-sensationalized, non-judgmental look at what happens when mental illness clashes with religion.... read more
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November 20, 2008
Like "The exorcism of Emily Rose" this film is (merely) inspired by the true events around Anneliese Michel in Germany of the 70s. A girl raised in strictly catholic terms battles with epilepsy as she is struggling to start a new life as University student. The grasp of her relig... read more
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July 1, 2008
The German counterpart of "The exorcism of Emily Rose" but with more emphasis on the family and the human drama. told with lack of grandeur and ostentation, which is not ultimately too impressive, it is a correct approach but the ending was a little anticlimactic for my taste. Sa... read more
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June 10, 2007
Requiem is an odd little movie. It's a subversive, tiny attack on basically everything - conservative idealism, the medical system, religion. The movie is angry, but it can't decide what to be angry at. And spearheading all of this rage is mousy, disheveled Michaela. This poor gi... read more
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May 6, 2007
Impressive evocation of drab 70's life and the clash of religion and medicine in trying to explain mental illness
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May 11, 2011
7.3/10
"Requiem" is a rather ingenious and intelligently plotted little drama that also doubles as some sort of horror film. It starts and ends as a drama, yet it brings out the horrors of reality and its many pleasures. In other words, the horror and ... read more -
August 28, 2008
An interesting film. Whilst most films dealing with exorcism focus on the more horrific details, 'Requiem' is more about the build-up and the dramas faced by the main character.
The acting, especially that of the main character played by Sandra Huller, is very good. Hans-Chris... read more -
January 4, 2007
Very minimalistic film based on the true story of a girl who died after an exorcism, which doesn't resort to the kind of flashy special effects seen in The Exorcism of Emily Rose to convey the main character's suffering. However, the movie seems to be rather murky in its ideals, ... read more
Critic Reviews
Stage actress Sandra Huller delivers a stunning, understated performance... Full Review
The nonsensationalistic results are also somewhat ho-hum -- and oddly less convincing than Friedkin's lurid mess, let alone the elegant satanism sagas of Tourneur and Polanski. Full Review
The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't. Full Review
In lesser hands, Requiem would seem merely bleak, but Schmid makes a rigorously urgent and compelling film out of Michaela's odyssey. Full Review
[Sandra Hüller's] intensity is so compelling you truly have no idea if those demons are real. Full Review
You won't find rotating heads and vomit in the exorcism movie Requiem. Instead, German director Hans-Christian Schmid relies on a frighteningly realistic performance by Sandra Huller as blue-eyed blon...
Like The Exorcism of Emily Rose ... Requiem is loosely based on the real-life story of a West German woman who died in 1976 after a series of failed exorcisms.
Just as haunting as a horror film and far more heartrending. Full Review
This quietly unnerving psychological study from German director Hans-Christian Schmid wields its ambiguity about religion and science like a double-edged blade. Full Review
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