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Vincent Cassel, Emmanuelle Devos, Olivier Gourmet, Olivia Bonamy, Olivier Perrier ... see more see more... , Bernard Alane , Cecile Samie , David Saracino , Christophe Vandevelde , Pierre Diot , Serge Boutleroff , Celine Samie , Christophe Van de Velde , Francois Loriquet

A woman looking for love finds a man who leads her into a life of crime in this thriller. Carla (Emmanuelle Devos) is a woman in her mid-twenties who works as a secretary in a real estate office. More... read more read more... cute than pretty, Carla is shy by nature, and the fact that she has a hearing problem has made her all the more withdrawn. While she longs for a relationship with a man, she finds herself living vicariously through her friend Annie (Olivia Bonamy), a single parent who dates often while Carla babysits her child. Carla makes the acquaintance of Paul (Vincent Cassel), a rough-hewn small-time criminal who has just been released from prison on parole. While Carla ought to know better, she finds herself strongly attracted to Paul, and Paul responds in kind. But before long, it becomes obvious that Paul is having an influence on Carla's normally stable nature; eager to get even with a co-worker who had wronged her, Carla persuades Paul to steal one of her company's files, which makes things more than a bit difficult for Carla's rival. Carla and Paul's actions go from malicious to seriously criminal when Paul hatches a scheme to rob a nightclub owner to whom he owes money -- a scheme that involves Carla's keen skill as a lip reader. ~ Mark Deming, Rovi

Flixster Users

80% liked it

5,026 ratings

Critics

97% liked it

95 critics

R, 1 hr. 55 min.

Directed by: Jacques Audiard

Release Date: July 19, 2002

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DVD Release Date: July 22, 2003

Stats: 271 reviews

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Flixster Reviews (271)


  • July 3, 2007
    Superb Hitchcockian thriller with a fantastic double act in Emmanuelle Devos & Vincent Cassel, who are both excellent. The film is unbearably tense, romantic, sexy, offbeat and finally oddly beautiful. The cinematography is great, the central conceit is used to great effect (soun... read mored design is particularly effective) and the direction taught. The director, Jacques Audiard, who has gone on to make the equally impressive The Beat That My Heart Skipped, is fast becoming a personal favorite...
  • March 19, 2010
    I really loved this movie, a beautiful yet gritty romance/thriller. One of the best movies I have seen lately. Both Vincent Cassel and Emmanuelle Devos gave astounding performances. Since I have now seen all of Jacques Audiard's work, it is safe to stay that this is his masterpi... read moreece, with "A Prophet" tailing close behind.
  • April 25, 2008
    It's strange, I never even noted the production or release years of this film and, due to a colour filter used on the cover, was under the impression it was from the 60s or 70s. Of course, it was 30 or 40 years later that it was actually made, and that results in a completely dif... read moreferent framework for the filmmakers to start from. I felt some tingle of recognition from the name Vincent Cassel, but I couldn't place it. Looking up his credits, I'm still not sure why. Yeah, I've seen Le Pacte des Loups (The Brotherhood of the Wolf) and Elizabeth and want to see The Messenger: The Story of Joan of Arc, but I can't think of him in any of those movies.

    Carla (Emmanuelle Devos) is a mostly deaf woman working as a secretary in an office. She uses two earpieces to manage normal hearing, keeping her hair down over them out of a certain shyness about this, but is still trod upon--more likely due to her quiet demeanour, politeness and occupational position than her disability, though that remains a likely culprit as well.She reads lips--hence the title--but does primarily use her aids. When she finally faints one day at work, her boss offers to hire an assistant for her--kind of a pleasant surprise, a helpful boss with all of these disrespectful coworkers?--and she accepts this. Her friend Annie (Olivia Bonamy) mentions her very, very active sex life and re-ignites Carla's lust, leading her to specifically request a young, male in particular for the assistant's position she's been allowed to hire. Enter Paul (Vincent Cassel), a rather dishevelled gentleman with a grubby moustache who says he has come to take the position on. Immediately defensive, Carla interviews him and finds him attractive, but is wary of the fact that he has just left prison. Still, she finds herself helping him to temporary housing, new clothes and his job--for which he is horribly undereducated--leading him into a feeling of obligation, which he first mistakes for something she wants only privately and is too shocked to accept when offered. Instead, she asks for his help as an ex-thief, to regain the work--and associated benefits--that she has been denied by self-serving coworkers. Soon the two are entangled in using their respective talents to benefit the other in illicit ways, growing closer in a dark, lusty way, rather than a cute romance--though certainly there's a bit of that kind of chemistry between the two actors.

    Devos is excellent in her role, showing a strong woman cowed too many times, who remains just as submissive in most situations but will take a dominant position eventually when given the tools and opportunity to take it. Paul is reluctant to get involved in illicit activities again, taking his parole seriously, with hawk-eyed parole officer Masson (Olivier Perrier) interviewing him regularly about his progress. He is drawn in unwillingly though, and Cassel manages these transitions just as well as Devos does hers, the two circling each other in a mating dance that almost seems to bear points of hostility to prove oneself to the projected mate. It's fascinating, and with a supporting cast composed primarily of unseemly characters like loan shark Marchand (Olivier Gourmet)* that manages to push and prod the two of them into increasingly dangerous territory, a movie that starts out about the social position inhabited by the disabled rapidly turns into a clever, intelligent thriller of intense suspense that uses audio cues to manipulate the audience into sharing in Carla's way of hearing the world--audio is muffled when her aids are off, and accompanied by the rustle of them being replaced when she replaces them--and brings us ever closer to her view of everything.

    *OK, what is this, "Oliver Foodterm" movie? I know, I know, they're French words with those associations in English, but two in one movie?
  • February 4, 2008
    Better than expected. My 1st VCassel flick (still havent seen LA HAINE). ED is quite good too, tho I really didnt care for her in LA MOUSTACHE for some reason lol.
  • July 8, 2007
    Emmanulle Devos is excellent as the lead role, portraying a deaf women. She is riduculed and taken advantage of at work until the hiring of a ex-con helps her to extract some revenge and realize the potentional of her abililty to read lips.Emmanuelle does a great job here, her is... read moreolation apparent without it being shoved in your face. The writing and directing are both excellent. This film is near perfect, I almost gave it five stars. But there is a third story going on about the ex-con's parole officer and his missing wife. If there's any connection it is not evident.

Critic Reviews


Geoff Pevere
October 4, 2002
Geoff Pevere, Toronto Star

Audiard has created one of those rare, commercially released movies that trades in actual, honest-to-god surprise. Full Review

Rick Groen
October 4, 2002
Rick Groen, Globe and Mail

Having changed into action gear, the picture never looks back, leaving two people who seemed wonderfully unique to do things that are cinematically trite. Full Review

Roger Moore
September 5, 2002
Roger Moore, Orlando Sentinel

It's neither as romantic nor as thrilling as it should be. But it offers plenty to ponder and chew on as its unusual relationship slowly unfolds.

Joe Baltake
August 30, 2002
Joe Baltake, Sacramento Bee

Read My Lips works on many levels, one being a fresh take on the 'office romance,' but a romance that evolves in a strictly nontraditional way. Full Review

Susan Stark
August 9, 2002
Susan Stark, Detroit News

Thoughtful, provocative and entertaining.

Robert Denerstein
August 9, 2002
Robert Denerstein, Denver Rocky Mountain News

It's erotic, suspenseful and built around two surprising characters. Even better, it doesn't feel like every other thriller we've ever seen.

Michael O'Sullivan
July 26, 2002
Michael O'Sullivan, Washington Post

Fascinating and transgressive love story.

Ann Hornaday
July 26, 2002
Ann Hornaday, Washington Post

A beautifully calibrated drama.

Mick LaSalle
July 26, 2002
Mick LaSalle, San Francisco Chronicle

Read My Lips is not a heist film, a thriller, a twisted romance, a film noir or a character study, but a unique concoction that bends all these genres to its vision. Full Review

Wesley Morris
July 26, 2002
Wesley Morris, Boston Globe

An inventive, propulsive office thriller. Full Review

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