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Qi Shu, Jack Kao, Duan Jun-Hao, Niu Chen-er

Master filmmaker Hou Hsiao-Hsien directs this look at life in modern Taipei, the first part of a planned series. The film opens with a vivacious lass named Vicky (Shu Qi) sauntering down a neon-lit tu... read more read more...nnel as the voice-over describes how she is going to break up with her on and off boyfriend Hao Hao once she has spent the NT$500,000 in her bank account. A young free spirit and party girl, she makes a living for both her and Hao Hao (Tuan Chun-hao) by working at a hostess bar. Lazy, neurotic, and pathologically jealous, Hao Hao spends his time DJ-ing and smoking speed when he is not rifling through Vicky's belongings looking for some hint of infidelity. At work, she meets Jack (played by Hou regular Jack Kao), a businessman with strong links to the mafia who nonetheless is kind and nurturing to Vicky. They soon begin an ambiguous affair. This film was screened at the 2001 Cannes and Toronto Film Festivals. ~ Jonathan Crow, Rovi

Flixster Users

68% liked it

2,509 ratings

Critics

80% liked it

30 critics

R, 2 hr.

Directed by: Hsiao-hsien Hou

Release Date: October 8, 2001

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DVD Release Date: August 17, 2004

Stats: 133 reviews

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Flixster Reviews (133)


  • March 26, 2009
    Coming out of Taiwan, Millennium Mambo is a film from Hsiao-hsien Hou with its own uniqueness. Unique enough to make it special? To some, maybe.

    There isn't much to the plot and although this seemingly B-movie is realistic, it isn't entertaining enough. This 1 hour 40

    ... read more minute picture creeps by slowly and it is almost all long takes. I'm talking takes that take minutes at a time. While this is pretty cool, the camerawork isn't the greatest and everything that happens in these shots are uneventful. There is also narration that basically explains what will happen next for most of the movie. I guess that means no surprises.

    It must be the realism that will catch people's interest, but watching all the constant smoking and drinking, whether in a club or at an apartment, makes you want to go someplace with fresh air.

    The gorgeous Shu Qi puts on a quite a performance. It is too bad this movie isn't as entertaining as her. The rest of the supporting cast is forgettable. Chun-hao Tuan is one annoying guy to watch. His character is just so bland and irritating that he is very detestable. You don't love to hate him. You just hate him.

    Props to the long takes and Shu Qi, but at the end of the day, Millennium Mambo is one boring movie. I'm not saying that this is a film to avoid, because people that enjoy the directing work of Hsiao-hsien Hou or the acting of Shu Qi will want to give this a shot.

  • November 13, 2008
    I aspire to become familiar with Hsiao Hsien's film package,in a greater degree through his past movies.His independent mambo derives a swaying emotion and a texture of images brimmed with poetry no matter how many neon lights appear.There should have been a more "undercover" mys... read moretery in all this,it's an obvious fact this girl's loneliness pushes her endorsed senses.The 2000's is a new era for Taiwanese cinema and Hsien.
  • June 17, 2008
    Good Qi Shu performance and direction, but the script seems a bit lacking in spots.
  • April 3, 2008
    The first and last movie I ever walked out on, mostly because of the person attending it with me. But make no mistake, this is a boring, boring film. I should really watch it again, since I never saw the whole thing this rating doesn't really count, and I might not have the who... read morele movie marathon of TIFF bringing me down also.
  • April 3, 2008
    Pretty lame coming of age film. A girl in an abusive relationship who gets relocated to Japan by a mafioso to save her from her stupid decisions.
  • April 3, 2008
    I absolutely LOVE this movie. Maybe because it reminds so much of the life I lived at the beginning of the new century! Tragic yet beautiful. From the opening scene of her walking through an outside corridor to the techno-trance soundtrack, the club scenes, the prosaic life scene... read mores, to the ending shots of Winter in snow-covered Yubari. I just LOVE this movie!
  • April 3, 2008
    A very good movie about a girl coming into her own and learning who she is. She has dropped into the seedy side of life due to her druggy, controlling, boyfriend and slowly, through the cours eof the film, learns to stand on her own and leaves the situation.
  • April 3, 2008
    Hou's take on modern Taiwanese youths. The film focus on a young woman in a hopeless and mirthless relationship with a possessive, lazy boyfriend. Hou suggests their rootlessness as a source of their discontent, as we never get a glimpse of their estranged families. The least ... read moreinteresting Hou I've seen thus far, though it's definitely the prettiest (cinematography by Lee Pin Bing, who also shot In the Mood for Love), with a lyrical voiceover that adds some much needed depth. It's also the least stylistically rigorous film compared to Hou's other late films.

Critic Reviews


G. Allen Johnson
May 7, 2004
G. Allen Johnson, San Francisco Chronicle

A work of uncommon emotional density. Full Review

Lisa Kennedy
April 9, 2004
Lisa Kennedy, Denver Post

There is artistry and a fabulous ambiguity coursing through Hou's meditative film. Full Review

Wesley Morris
March 5, 2004
Wesley Morris, Boston Globe

Recalls the unease that crept over the world's youth back at the turn of the last century. Full Review

Charles Taylor
January 17, 2004
Charles Taylor, Salon.com

The combination of the thick sensuality of Mark Lee Ping-bing's cinematography and the gradual fascination that Hou's measured rhythms exert keep you watching. Full Review

V.A. Musetto
January 2, 2004
V.A. Musetto, New York Post

Amazing film.

Elvis Mitchell
December 30, 2003
Elvis Mitchell, New York Times

Hou Hsiao-hsien's latest movie has a much quicker pulse than several of his other recent films, but it is not nearly as rich or resonant as his other work. Full Review

J. Hoberman
December 30, 2003
J. Hoberman, Village Voice

Sensationally shot by Mark Li Ping-bin. Full Review

Dennis Lim
June 25, 2002
Dennis Lim, Village Voice

A slow burn of profound sadness salved by some of Hou's most breath-catchingly beautiful passages to date. Full Review

Michael Rechtshaffen
November 27, 2001
Michael Rechtshaffen, Hollywood Reporter

A mind-numbing case of style over precious little substance.

Robert Davis
June 3, 2008
Robert Davis, Paste Magazine

We get far too few opportunities in the U.S. to see Hou's gorgeous films on the big screen. If this one comes to your town, don't pass it up. Full Review

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