It is a great Movie, what is wrong with you guys?
John Gielgud,
Michael Clark,
Michel Blanc,
Erland Josephson,
Isabelle Pasco
... see more
Puzzle-master Peter Greenaway exposes another aspect of his peculiar obsessions to the filmgoing public. Prospero's Books uses Shakespeare as a foundation and then skips along to define its own lush t... read more
DVD Release Date: October 22, 1992
Stats: 169 reviews
Your Rating
Flixster Reviews (169)
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January 15, 2009
Greenaway brings his pattened style to this tale set in Machievelli's Milan. The visuals are quite compelling but the story drags in places. The theatrical side of the director just could not say no to monologues from Gielgud.
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January 15, 2008
Sir John Gielgud was one of the 20 greatest actors in history, cinematic or on stage. Worth a viewing.
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July 24, 2007
beautiful movie to watch, gielgud is wonderful. plus lots of naked people! over the top at time and quite slow, but as usual beautifully detailed and fascinating
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May 30, 2007
The cook, the thief, his wife, and the cast of Oh, Calcutta. Listening to Gielgud is the only pleasure.
Critic Reviews
Gone is any sense of drama or character; the cluttered spectacle yields no overriding design but simply disconnected MTV-like conceits or mini-ideas every three seconds. Full Review
Greenaway is not a frivolous film maker. He doesn't shoot a lot of material with the expectation of stumbling upon a found object within. His films are planned from the first frame to the last. Full Review
Greenaway bombards you with images, with no regard for the average attention span. Is he a genius or a fake? Debating that question is almost as stimulating as watching a Greenaway film.
Prospero's Books references the masterpieces of the past in a manner that antagonizes our pleasure in the arts rather than enhancing it. Full Review
It is simply a work of original art, which Greenaway asks us to accept or reject on his own terms. Full Review
Does it work? That depends on whether you find Greenaway's elaborate visual conceits and rarified narrative structures daring and liberating, or boringly self-indulgent. Full Review
Lubricious biblophilia rubbing up against a warehouse of naked extras, this Shakespearean adaptation is, in many ways, the epitome of cinematic pretension. Full Review
It cries out to not only be heard but be seen for what it wishes to convey about the act of creativity. Full Review
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