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Chiara Mastroianni, Catherine Deneuve, Gena Rowlands, Sean Penn, Iggy Pop ... see more see more... , Simon Abkarian , Danielle Darrieux , Gabrielle Lopes , François Jerosme

Filmmakers Vincent Paronnaud and Marjane Satrapi collaborated to co-write and co-direct this adaptation of Satrapi's bestselling autobiographical graphic novel detailing the trials faced by an outspok... read more read more...en Iranian girl who finds her unique attitude and outlook on life repeatedly challenged during the Islamic revolution. The English-language version features the voice talents of Sean Penn, Gena Rowlands, and Iggy Pop, with Catherine Deneuve and Chiara Mastroianni reprising their roles from the original French-language version. ~ Jason Buchanan, Rovi

Flixster Users

92% liked it

44,504 ratings

Critics

97% liked it

147 critics

PG-13, 1 hr. 35 min.

Directed by: Vincent Paronnaud, Marjane Satrapi

Release Date: December 25, 2007

Keywords: animated

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DVD Release Date: June 24, 2008

Stats: 8,337 reviews

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Flixster Reviews (8,337)


  • December 13, 2011
    Just about as expected. In fact, I was prepared for worse experience while opting for it. It had too much in it that appealed me to stay away from it. But as usual, I couldn't ignore its high rating for ever (I did it for long, though). Of course, had it been a movie for kids, I ... read moremight not have dared to go for it.

    A critically acclaimed animated autobiographical (give or take a little) flick that turned out to be no more than average for me.
  • October 12, 2011
    This smart animated film tells the story of the Islamic revolution in Iran from the eyes of a open minded young girl, growing up to be a woman both inside and abroad of the country. That's surprisingly informative as a history lesson, both funny and dark and realistic at times, b... read moreut always striking the right tone. While the animation always stays simplistic, the main character easily engages the audience and makes you care for her voyage and the story of her home. Only the ending comes off as a bit anticlimatic, but that doesn't take anything away from the importance and charm of the film. Very well done.
  • fb1216165431
    September 10, 2011
    fb1216165431
    Intimacy with the history of Iran, the Islamic Revolution through an animated autobiography by and of Marjane Satrapi, a witness to the oppression of civil and women rights in Iran. Persepolis is visually beautiful, and socially, culturally, and politically reflective. Significant.
  • April 9, 2011
    I saw this movie in school, and my reaction. It was actually pretty good. Very, very good. It had some big flaws, but for the most part, I enjoyed it.

    Let's start with the bad, and work up to the good. First of, despite most of the movie being very good, the ending flat out su... read morecked. Like it really, really sucked. They leave us on a cliff hanger, yet they never give us a sequel. Heck, they don't even give us a spin off television series. It's right up there with Knowing for worst ending ever.

    However, the good really outweighs the bad. Marji is a very interesting and complicated character. She is very free spirited and brave, but sometimes that can get her in trouble. By the end of the movie, we truly feel for her, especially when Uncle Anooush is arrested.

    The script was also very good. I don't often notice a script, but the script for Persepolis was so good it was actually quite shocking.

    It's a very intelligent and emotional film that I reccomend to anyone, especially historical fiction lovers and fans of the movie The Boy in The Striped Pajamas. Great, great film.
  • January 27, 2011
    They say that we must learn from the past or we're doomed to repeat it. I've always thought that was because the past helps us better understand the present.
    This autobiographical film tells the story of a young girl who comes to a vague political awareness during the Islamic Re... read morevolution against the Shah and comes of age during the following cultural shift from an era of relative freedom to a world dictated by Islamic law. Though she spends part of the film in Vienna, most of the action takes place in Khomeini's Iran.
    The film has many strengths, not the least of which is its clever animation. Most of the film takes place in black and white, primarily used to differentiate past from present, oppression from freedom, and the contrasts of each image give the film a visual poetry that is absent in many color animated films. If you've ever thought that actresses were more beautiful, actors more charming, in older, black and white films, then you'll also be struck by the grace of the visuals in Persepolis.
    What is more, Satrapi understands that many audiences wouldn't sit through a lecture on Iranian history - especially if they're expecting to see an entertaining film. Like Oliver Stone's great, politically based films, Satrapi keeps the political discussion centered on the characters. These are people whose lives have been dramatically altered by politics, and whatever political discourses the film ventures into are always relevant to the characters' journeys. Satrapi knows that in this genre we only care about politics to the extent we care about the characters.
    Finally, Iran has endured violent colonization, oil money-grubbers, a radical cultural revolution, a bloody war with Iraq, and all the problems associated with a theocracy. They've fit an awful lot of violence and upheaval all within the last fifty years. Such subjects carry a slit-your-wrists level of heaviness, but there is enough comic relief in Persepolis to keep us out of the doldrums for too long. Jokes at the expense the male ego, Marjane's resistance against Islamic norms, and a truly inspired Eye of the Tiger (you know - that song from Rocky III) sequence keep us laughing between depictions of political unrest.
    Considering France has recently outlawed burqas, I found it odd that France was the penultimate representation of freedom for the characters, but it is nevertheless true that Western democracies starkly contrast current conditions in Iran. It is also true that Western foreign policy - most notably our own policy - is actively engaged in what goes on in Iran, a warehouse of foreign oil. While it's always dangerous to get our history from film, partially because we are subject to the filmmakers' bias, watching Persepolis provides a remarkably educational and fairly accurate depiction of how Iran got from where it was to what we hear about during every contemporary newscast. Understanding the past and understanding Persepolis truly does lead us to understanding the present, and the fine animation, comic relief, and focus on character adds sugar to whatever bitterness the medicine of a history lesson might carry.
  • October 11, 2010
    if i could name one foreign film adapted from a graphic novel done in black and white and is gripping and powerful i would definetly choose this movie i mean it is probably the most realistic animated film ive ever seen plot wise the main character you latch onto the whole movie ... read moreand you follow her through all the pain and hell she goes through in her life while she narrates the story
  • December 19, 2009
    An engaging story with a very distinctive animated style.
  • October 30, 2009
    Oddly amusing animated film about a girl who grows up in the disjointed, violent middle east then moves to France to begin a new life. The movie is strangely intiguing and slick to a point, but points off for it being in French. I don't speak the language, so having to try and re... read moread the subtitles while catching everything onscreen really took the fun out of the movie. Very enjoyable anyway.
  • October 1, 2009
    Simple but beautiful animation telling a truly original and heart wrenching story of one girls struggle. A Fantastic and important film, please go see it!!
  • August 29, 2009
    A sad biography of a woman from an intellectual, liberal family who grew up through the Iranian revolution. Filmed as an almost Peanuts style cartoon animation, the story tries to also be a documentary that at times can make it a bit too dry and prosaic, which the ending only ser... read moreves to emphasise.

Critic Reviews


Tom Charity
October 18, 2008
Tom Charity, CNN.com

An exuberant autobiographical film and dark-horse contender for an animated feature Oscar. Full Review

Bob Mondello
October 18, 2008
Bob Mondello, NPR.org

The film's nuanced view of social issues is complemented by lovely black-and-white animation work that blends Islamic motifs into a sort of Yellow Submarine-ish world. Full Review

Dana Stevens
October 18, 2008
Dana Stevens, Slate

The subtlety of the interplay among the three generations of women is extraordinary. Full Review

Peter Howell
October 18, 2008
Peter Howell, Toronto Star

Persepolis is a superb film about a young girl's coming of age amidst war, fascism and family tragedy. Full Review

Mick LaSalle
October 18, 2008
Mick LaSalle, San Francisco Chronicle

It's striking how much emotion Satrapi is able to convey through these blocky drawings, which are simple but powerfully chosen. Full Review

Roger Moore
February 8, 2008
Roger Moore, Orlando Sentinel

Animated by hand, often in glorious black and white, this French classic has the pathos, wit and intellectual sting of great political filmmaking. Full Review

Lisa Schwarzbaum
February 1, 2008
Lisa Schwarzbaum, Entertainment Weekly

The movie sparkles with witty self-awareness. Full Review

Christy Lemire
February 1, 2008
Christy Lemire, Associated Press

Persepolis is a true original in the eclectic world of animation, one that's full of fascinating contradictions. Full Review

Amy Biancolli
January 25, 2008
Amy Biancolli, Houston Chronicle

A film as personal and eccentric as Satrapi's original book, a black-and-white, hand-drawn memoir of growing up and away from Iran. Full Review

John Monaghan
January 25, 2008
John Monaghan, Detroit Free Press

More than just the first film in recent memory to be considered a must-see, Persepolis begs for a second viewing, if only to chart the way it so delicately weaves together the different stages of Marj... Full Review

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Facts


    • Marjane's Grandmother (French and English Version): Fear is what makes us lose our conscience.
    • Marjane's Grandmother (French and English Version): The first marriage is practice for the second.
    • Marjane's Grandmother (French and English Version): Fear lulls our minds to sleep.

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Persepolis Trivia


  • In the movie "Persepolis", which of these is one of Marji's favourite bands?  Answer »

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