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Runki Banerji, Kanu Banerji, Subir Banerji, Karuna Bannerjee, Umas Das Gupta ... see more see more... , Haren Bannerjee , Chunibala Devi , Tulshi Chakraborty , Reva Devi , Rama Gangopadhaya , Harimoran Nag

Pather Panchali (Father Panchali), Indian director Satyajit Ray's first feature film, relates the story of an impoverished Bengalese family. When the father (Karuna Bannerjee) leaves for the city to p... read more read more...ursue a writing career, the mother (Karuna Banerji) is left with the responsibility of caring for the rest of the brood. Gradually, the film's true central character emerges: Apu (Subir Banerji), the family's son. Though excruciatingly realistic at times, Pather Panchali takes an occasional timeout to dwell on the purely cinematic. For example, when the mother receives a postcard bearing good news, Ray dissolves to a pond, where a pair of water skates scamper about. The music by Ravi Shankar at first seems to be at odds with the action; soon, however, we come to accept the music as a logical outgrowth of the events at hand. A multiple award winner, Pather Panchali was the first of Ray's celebrated "Apu Trilogy" (the other two entries were 1956's Aparajito and 1959's The World of Apu). The film was also released as The Song of the Road and The Lament of the Path. ~ Hal Erickson, Rovi

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93% liked it

5,258 ratings

Critics

97% liked it

34 critics

Unrated, 2 hr. 6 min.

Directed by: Satyajit Ray

Release Date: August 26, 1955

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DVD Release Date: October 28, 2003

Stats: 350 reviews

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Flixster Reviews (350)


  • June 4, 2009
    it's hard to believe satyajit ray and his cinematographer had never worked on a film before this. they had observed renoir filming the river and with his encouragement and the inspiration of italian neorealism made this poetic masterpiece about life in a small bengal village cir... read moreca 1920, a really timeless film. i love films about india and i'm looking forward to the rest of this series. there's huge natural talent at work here
  • June 11, 2005
    [font=Century Gothic]"Pather Panchali" is the first part of Satyajit Ray's Apu trilogy. This film focuses on a poor family with a prestigious past living in rural India. The father has dreams of becoming a writer/poet/playwright, even as he accepts a job to do a landowner's acc... read moreounts to support his family.(It should be noted that we rarely see him or any of the other men of the village.) However, he does have a kind heart, one that clashes with the reality of the situation.[/font]
    [font=Century Gothic][/font]
    [font=Century Gothic]"Pather Panchali" is really a simple, uiniversal story, about a struggling family. There is not a lot of plot to speak of; it is much more character driven. I thought the camerawork was very graceful. The film quietly builds up to its powerful climax. [/font]
  • April 24, 2006
    A masterful departure from stereotypical Indian cinema. Beautiful nature shots.
  • May 14, 2012
    My version had no sound so I'm, uh, pretty sure I missed a lot (Ravi Shankar, at least). I don't feel right scoring this having seen it with nothing but silence, but I'm too lazy to find a better copy (a lot of work in its own right.)
  • June 27, 2011
    just a phenomenal film. an emotionally captivating story about a family struggling through hardship and loss, but still managing to appreciate life. the actors had a fantastic dynamic that completely sold me on their close relationships. the cinematography and direction was fan... read moretastic as well, capturing some truly beautiful shots. I could listen to the Ravi Shankar score for hours--it's just so mesmerizing. a really great film that's both heartwarming and tragic.
  • August 6, 2010
    This one is a quiet stunner. Deeply poetic and beautiful in its simplicity. Moving in a very true, very understated way. The direction, acting, cinematography, and music were all top-notch. Often times, I forgot I was watching a film and felt more like I was viewing a historical ... read moredocument of an actual Indian family. I am really looking forward to checking out the rest of the trilogy.
  • April 14, 2009
    Though not quite as great as I expected, it definitely demonstrate Ray's directorial abilities. I admire the way the film imbues ordinary moments with lyrical quality. I found it occasionally melodramatic, plus the wife's treatment of the aunt really bothered me.
  • January 9, 2008
    Much less straightforward narrative than "World of Apu" (haven't seen "Aparajito" yet), but great movie nonetheless. A very slice-of-life story that moves at its own pace, full of the subtle sadness, humor, and fear that make up the human condition.
  • July 17, 2006
    The Apu Trilogy is my #51 "film" of all time. This is a powerful and emotional telling of the life of a young boy in india.

Critic Reviews


October 17, 2011
TIME Magazine

It is a pastoral poem dappled with the play of brilliant images and strong, dark feelings, a luminous revelation of Indian life in language that all the world can understand. Full Review

Jonathan Rosenbaum
October 24, 2007
Jonathan Rosenbaum, Chicago Reader

Satyajit Ray's beautiful first feature. Full Review

Variety Staff
October 24, 2007
Variety Staff, Variety

Film justly won the 'most human document award' at the 1956 Cannes Film Fest, unveiling a mature film talent in director Satyajit Ray. Full Review

Bosley Crowther
May 20, 2003
Bosley Crowther, New York Times

There are lovely little threads in the strange fabric. It's a film that takes patience to be enjoyed. Full Review

Roger Ebert
March 21, 2001
Roger Ebert, Chicago Sun-Times

The great, sad, gentle sweep of The Apu Trilogy remains in the mind of the moviegoer as a promise of what film can be. Full Review

Edward Guthmann
January 1, 2000
Edward Guthmann, San Francisco Chronicle

One of the legendary debuts in the history of film -- deservedly so. Full Review

James Berardinelli
January 1, 2000
James Berardinelli, ReelViews

This is the kind of motion picture that will stay with you for hours, or perhaps even days, after you've left the theater, and that's a rare characteristic for any movie. Full Review

Jay Antani
August 24, 2010
Jay Antani, Cinema Writer

There is a faith in the art form here, a pure, loving, embracing faith that really restores my own faith in movies. Full Review

Philip French
October 24, 2007
Philip French, Observer [UK]

One of the greatest pictures ever made. Full Review

Xan Brooks
October 24, 2007
Xan Brooks, Guardian [UK]

Fresh as a daisy after all these years, Satyajit Ray's 1955 spellbinder comes underpinned by a tumultuous Ravi Shankar sitar and paints a ground's-eye portrait of life in an impoverished Bengali village. Full Review

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