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Ahn Song-Gi, Joong-Hoon Park, Dong-gun Jang, Choe Ji-woo, Dong-Kun Jang ... see more see more... , Sung-kee Ahn , Ji-Woo Choi

Korean maverick auteur Lee Myung-Se directs this wildly exuberant, genre-crunching, police-comedy action flick. Held together with only the barest of plot elements, this film is a gleeful romp through... read more read more... a litany of film styles and references. Following a gangland murder in a popular Seoul shopping area, bumptious, cock-sure detective Woo ( Lee regular Park Joong Hoon) and his marginally more contemplative partner Kim (Jang Dong-gun) comb the city for the killer (former heartthrob Ahn Sung-Ki). Woo stumbles from one jaw-dropping sequence of stylized violence to another until he has his final two-fisted showdown with the killer. Nowhere to Hide was the second-highest-grossing film of 1999 in Korea and an audience favorite at the 1999 Pusan Film Festival and the 2000 Sundance Festival. ~ Jonathan Crow, Rovi

Flixster Users

54% liked it

1,595 ratings

Critics

44% liked it

18 critics

R, 1 hr. 52 min.

Directed by: Lee Myung-Se, Myung-se Lee

Release Date: January 20, 2000

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DVD Release Date: April 17, 2001

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Stats: 82 reviews

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Flixster Reviews (82)


  • April 18, 2011
    It's absolutely chaotic to look at with visual tricks and flashy camerawork accompanying the hard-hitting, brutal, but relatively bloodless, action and fights. It's a unique little Korean action-thriller but the plot is lacking and the cops are even more brutal than the drug-deal... read moreers they're at war with, so they don't come across as very likeable. It's fun and unique though and worth a look if you like far-eastern cinema.
  • August 5, 2009
    Park Joong-Hoon is quite underrated, the movie has probably the most generic cop/crime story ever written, but the whole investigation is fun to watch. The slow-mo abuse could make even Zack Snyder cringe, but it's tolerable.
  • November 22, 2008
    Brutal but bland Korean cops chase crooks through a generic plot. With its blaring soundtrack, flashy editing and pointless camera tricks, it seems like a 112 minute music video, with all the depth of characterization typical in that genre.
  • July 15, 2009
    Brutal, funny and stylishly directed film about Korean cops tracking down a murdering gangster, creates some great characters with stunning, atypical images. Some may be shocked by the methods used by the Korean homicide investigators, as they rabidly trash human rights to accom... read moreplish their goal.
  • February 14, 2009
    Overbearingly stylish, with rich colors, flashy quick cuts, jumpy edits, speed metal musical scores..all cumulating to an original, creative arthouse look that detracts from the experience instead of enhancing it. This film feels like a music video...shallow characterization and... read more a weak script all adds up to a pretty picture that lacks any real depth.
  • December 23, 2009
    Nowhere to Hide (1999)

    This is one of my first experiences with Korean movies and I was blown away. Yes, the story is pretty much your typical cop movie with a standard, predictable script (even to the point of being comical), but Myung-se Lee does an excellent job of telling i... read moret to us. Especially amazing is the infamous 40 step assassination scene in the rain. I actually liked this movie more than "Old Boy".

    Inchon Detectives Woo (Joong-Hoon Park) and Kim (Dong-gun Jang) are after a top criminal mastermind, Chang Sungmin (Sung-ki Ahn). Detective Woo is a Korean Dirty Harry, who beats the crap out of his suspects and sleeps in the homes of people close to Chang. Yeah, yeah, he's driven.

    The movie has lots of action with elaborate camera angles and editing. The movie also has a killer soundtrack The fighting scenes are WAY over the top. The main problem is that the story is so lame and boring, that Myung-se Lee is fighting an up hill battle. Ironically, he wrote the story too, so who can you blame? That's why this movie is either hated or loved.

    It does make me want to see more films by Myung-se Lee.
  • July 11, 2007
    A surprisingly fun and energetic flick. It's gritty, violent, but the tension is a hell of a ride. Very cool thing to catch on a Saturday evening when your parents are out shopping. :P

Critic Reviews


Mick LaSalle
February 21, 2001
Mick LaSalle, San Francisco Chronicle

This is flash in the service of nothing, the proverbial sow's ear doing an indifferent imitation of a silk purse. Full Review

Elvis Mitchell
February 21, 2001
Elvis Mitchell, New York Times

The film often churns with the pleasure that visual stimulation can provide and more affection for the bang-bang techniques than you're likely to see in the movies of music-video directors simply maki... Full Review

Kevin Thomas
February 21, 2001
Kevin Thomas, Los Angeles Times

Reveals that in Lee Myung-Se Korea has a filmmaker with enough razzle-dazzle and visceral appeal to rival Hong Kong's -- and Hollywood's -- John Woo. Full Review

Stephanie Zacharek
February 21, 2001
Stephanie Zacharek, Salon.com

Lee can't tell a story to save his life, but he's something of a visual magician, laying out glittering piles of goodies that you instinctively want to follow. Full Review

Steve Erickson
February 21, 2001
Steve Erickson, Chicago Reader

Nowhere to Hide may not be devoid of substance, but beneath the virtuoso finish it's rotten to the core. Full Review

Pablo Villaca
January 4, 2007
Pablo Villaca, Cinema em Cena

Myung-se usa o seu fiapo de roteiro para nos lembrar da velha máxima de que Cinema é, de fato, Imagem; e o resultado é um filme que contrasta os personagens falhos e incompetentes a um incrível virtuo...

Rob Thomas
July 21, 2005
Rob Thomas, Capital Times (Madison, WI)

The shots may look cool, but their artiness prevents the film from building momentum.

William Arnold
April 3, 2002
William Arnold, Seattle Post-Intelligencer

The bottom line is that Lee's innovative but ultimately tedious and even ludicrous MTV-style visuals add absolutely nothing to the story dynamics. Full Review

Keith H. Brown
January 21, 2002
Keith H. Brown, Eye for Film

Too often the film and its visuals feel [like] disconnected, self-indulgent set pieces. Full Review

David Parkinson
July 3, 2001
David Parkinson, Empire Magazine

There's an exuberant, (post)modernity about the visuals -- the camera is never still and Lee's choice of angle is often inspired. Full Review

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