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Judith O'Dea, Russell Streiner, Duane Jones, Karl Hardman, Keith Wayne ... see more see more... , Judith Ridley , Marilyn Eastman , Kyra Schon , Charles Craig , S. William Hinzman , John Simpson , Rossie Harris , George A. Romero , John A. Russo , George Kosana

This film tells the story of a small town community theatre troupe who are premiering Mrs. Frankenstein -- a bombastic original musical -- during the annual Halloween celebration. Following a bizarre ... read more read more...event which causes the town to be overrun by a horde of zombies, the remaining survivors barricade themselves in the theatre, fighting for their lives. The ensemble cast features a variety of quirky characters, including a former soap star, a b-movie action hero, an alcoholic who quotes Shakespeare, a starlet hoping to make it to Broadway and the awkward young man who pines for her. Together, they must fend off zombie attacks as well as confront their own personal issues if they are going to have any chance of survival.

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88% liked it

128,289 ratings


96% liked it

52 critics

R, 1 hr. 30 min.

Directed by: George A. Romero

Release Date: October 1, 1968

Keywords: white, horror, scary, zombie

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DVD Release Date: April 12, 2005


Stats: 7,759 reviews

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Flixster Reviews (7,759)

  • August 5, 2014
    A family, a man, and a woman hold up in a farmhouse as they try to survive an attack of zombies.
    I should forgive this 1968 classic for its poor special effects, its misogyny, its predictable character types, it plot holes, its overwrought performances, and its lack of any ethica... read morel raison d'etre. But I don't. The female characters are all useless fools, and why doesn't the old lady in the attic ever wake up and attack the group of survivors? If the dead are walking and she's dead, why isn't she walking? Was her brain damaged? If so, that wasn't clear.
    Overall, while it's a horror classic, there have been improvements on this genre that have made it archaic.
  • fb733768972
    October 27, 2013
    With some visually impressive images for it's time, and being one of the first films to have a boarded up home, fighting zombies away, "Night of the Living Dead," to me, was the spark of the genre. So many good films have come from this genre, and even dating all the way back to ... read morethis picture, it's terrific entertainment. Although it becomes a tad slow at times, it still manages to hold your attention well and send chills down your spine with it's practical effects. The acting is solid for it's time and the story is well played out, but the most commendable thing about this film is it's direction. George A. Romero truly knows how to handle his actors, and each zombie does not feel out of place. All around, it's a great film, albeit simple. "Night of the Living Dead" sets a bright future for this filmmaker!
  • June 27, 2013
    This little low-budget classic set the standard for future horror films. It also kick started the zombie subgenre as we know it today.

    The set up of a group of people banding together in an isolated farmhouse during a growing epidemic is simple, but the execution is superb, and ... read moreanything but simple.

    The undertones about racism (intentional or not), add a nice little social commentary to the terrifying and gruesome scenes filled with shocks and suspense, and I love how this is all done so intelligently, makes the most of it's budget and other limitations, and is very memorable, not least of which for some of the groundbreaking things done here, namely the casting, subject matter, effects, and ending. Sure, some of the acting is a little weak, but overall, this is a supremely iconic and important film, so it really is a must-see.
  • October 12, 2012
    Despite it has been 54 years since this first came out, 'Night Of The Living Dead' will still be remembered as one of few films that forever changed the Horror genre. George A. Romero's original masterpiece still maintains its punch, especially the unfair fate for a certain chara... read morecter. For those who wish to see when and how zombies became a big part in film and popular culture.
  • fb100000716838411
    October 7, 2012
    Zombies have always been a staple for Halloween, so here's one of the better zombie apocalypse films to be made. Night of the Living Dead is the 1968 movie that revolutionized how people view zombies. George Romero, the director, brought to light the slow-moving, unintelligent an... read mored relentless nature of a zombie and that's how they are often portrayed. Back when this movie first came out, it was something new for movie-goers. The gore in the movie isn't anything special compared to today's standards, but back then, it terrified people; people in theaters were in absolute shock of what was in the movie. The general story is that a group of people are stuck in a house while fighting off the living dead. The plot is simple, but it works for the time this movie was made. The people in the house together aren't too fond of eachother and it's really about how they're going to work together to survive. But in the end, it's one of those "every man for himself" type of scenarios. It actually does do a good job of producing a feeling of claustrophobia. Being stuck in building with people you hate and living off the idea of getting your brains eaten at anytime is a terrifying experience for the characters and the movie captures that so well. The atmosphere of the movie is something that really needs to be appreciated. There's a really dark and hopeless feel to the movie. It's almost like the movie is saying "Whoever comes across a zombie is fucked." That is a true factor to the movie; people die horribly. The zombies don't just eat people, they flat-out tear the living shit out of them. People innards are seen and there's a surprising amount of blood for the 60's. The issues that I have with the movie is that there is a minor pacing issue near the beginning of the film and some of the acting is pretty bad, but those don't ruin the film for me. I still really like the direction this film took. Romero went all out in displaying violence and playing out the hopelessness of the situation the characters are in. I just have to say that the ending to the movie, not to spoil anything, is very cruel, even to this day. It takes a turn that you don't see coming, but that's what makes it effective. Night of the Living Dead spawned a number of inspirations like sequels and other films where the title consists od "Night of..." This movie may not be my favorite zombie film, but it's a damn good one and it's always worth a watch, especially in October.
  • fb100000145236770
    October 5, 2012
    "Night of the Living Dead" is the movie that started it all for zombie movies. Almost 50 years ago, and zombies are still as gruesome and overall just awesome as ever. George A. Romero's masterpiece is the first in a series that just got better and turned zombie movies into the... read moreir own sub genre of horror movies. The premise is easily. A group of people are trapped in farm house as the dead begin to rise up, and come for them to feast on their flesh. The performances are all good, and the movie is way before it's time. This sits right next to "Psycho" the best horror movies of that decade. Shot in black and white, I couldn't imagine this particular movie in color. It just has a great atmosphere to it, that is hard to come by in most modern movies. This is one of those movies I can't wait to share with my son when he gets older.
  • fb100000040220993
    June 1, 2012
    This movie has truly earned it's legendary status. It's far from my favorite movie, but you can't deny, the genius and execution involved. This might have been one of the most influential movies of all time. How many movies have imitated or been influenced, by this, the origin... read moreal zombie movie? It's been 40 years, so it does show drastic age at times. It also delivers a primitive, yet claustrophobic and horrific atmosphere. I have a great deal of respect for this film.
  • May 21, 2012
    When John Landis was being interviewed on BBC Radio 5 Live for his new book Monsters at the Movies, he commented that zombies have become the main monsters of the early-21st century. From the re-tooling of Down of the Dead and political, 'infected' movies like 28 Days Later, to s... read morepoofs like Shaun of the Dead and Zombieland, zombies have become the go-to monster for popular horror. Zombies are cheap to create, easy to direct, and can be overladen with all manner of social commentary, or played for all kinds of laughs.

    With this in mind, you might think that Night of the Living Dead could not hold up to modern expectations of a zombie movie. George A. Romero's low-budget debut effort, shot entirely in black-and-white, is not as slick or grossly shocking as either its sequels or modern-day equivalents. What it is, however, is a really terrifying, deeply unnerving film, whose substance still rings true and whose scares still deliver even after 44 years.

    It's very difficult for us to imagine the kind of outcry Romero's film created the first time round. When it was first released, it played in matinee screenings alongside classic Hollywood horror movies such as James Whale's Frankenstein and Val Newton's The Curse of the Cat-People. Because the MPAA rating system was not in place until a month after it arrived, there were reports of young children going to see a fun old-fashioned horror film and coming out completely traumatised. After much public outcry, with Variety calling it an "unrelieved orgy of sadism", the film was pulled from mainstream theatres, only to find a second, more devoted audience on the midnight movie circuit.

    Looking at the film today, its terror derives from two completely different sources. One is the same kind of fear or shock that greeted audiences in 1968, namely the shock of seeing monsters that looked exactly like them, preying upon innocent people and eating human flesh. The other kind comes from the continuing political resonance, with its themes of racism, revolution and the Vietnam War still striking a chord in today's society.

    Up to Night of the Living Dead, popular horror had by and large externalised or marginalised its monsters or enemies. The War of the Worlds and Invasion of the Body-Snatchers used alien invasions as a double for communist infiltration, depicting the enemy as something that was totally un-human, something that had to be eradicated rather than understood. Whether they were tripods or pod people, the aliens were so clearly different to our heroic American protagonists that the films were never quite as scary as they could have been.

    Romero's film incorporates many classic B-movie elements into its storyline. There is the hapless heroine, the expository radio broadcast, the phone lines being completely down and alien radiation being blamed for what is unfolding. But none of these elements are ever allowed to become the centrepiece, pushing the zombies into the background for the sake of pulpy fun. Romero is too good to let that happen, and instead uses the B-movie riffs as a comfort zone to provide relief from an enemy that is like us in every detail. His "blue collar" monsters come at us head-on, relentlessly questioning our perceptions about our fellow man.

    One of the creepiest scenes in Night of the Living Dead, which reinforces this technique, comes in the very first scene. Johnny (Russell Streiner) attempts to wind up Barbara (Judith O'Dea) by playing on her childhood fear of ghosts: he jumps around, pulling hokey faces and hollering: "They're coming to get you, Barbara!". While they are larking around, we see a strange man shambling around in the background; because he looks exactly like them, we assume he's a passing stranger and take no notice. Then, out of nowhere, the stranger attacks Johnny and Barbara: he gets his head smashed in, she runs for cover, and the ordinary has become the terrifying.

    The film is on one level a brilliant examination of racism. It tackles the stereotypes associated with black people in American society, showing the tension and prejudice among the characters in a far more effective way than mainstream efforts like In The Heat of the Night. The interactions between Ben (Duane Jones) and Harry (Karl Hardman) belie a continuing distrust between blacks and whites, resulting in the latter's betrayal of the former in favour of base self-interest.

    Much of the racial politics of Night of the Living Dead are rooted in the Richard Matheson novel I Am Legend. Both the novel and its 1964 adaptation The Last Man on Earth were big influences on Romero, and while Matheson dismissed the film as "cornball" he bore Romero no ill will. Running through all three works is the theme of protagonists realising their inferior position, letting the old ways pass and submitting to the new order. But while John Neville becomes philosophical about his impending execution, Ben has no such choice. In an appropriately shocking and subversive ending, he survives the zombie onslaught, only to be mistaken for a zombie and is shot in cold blood by a white police officer.

    Romero described Night of the Living Dead as a film principally about revolution. The idea of the dead no longer being dead is a huge challenge to the preconceptions of the main characters, with Romero playing for scares what Landis played for laughs in An American Werewolf in London. Less frivolously, the zombies are characterised as an unstoppable wave, a counter-culture of death descending on, quite literally, the old way of life. The traditional family unit is destroyed, first by Barbara and Johnny being separated and then the young daughter becoming undead. The creepy scene of the child killing its mother reflects both the rise of the young generation and the erosion of family bonds in favour of pure greed.

    Like The Texas Chainsaw Massacre a few years later, Night of the Living Dead also touches on the impact of the Vietnam War. In this interpretation the zombies become the brain-dead soldiers returning home in their droves, being unable to reintegrate into polite society to the point where normal citizens feel the need to isolate themselves entirely and ignore the problem. Alternatively, they are the embodiment of war guilt, representing all the 'gooks' on the consciences of American troops, refusing to go away and tormenting the Americans to the point where they literally lose their minds.

    What makes Night of the Living Dead so effective as a horror movie is how invasive it is. By confining the action to a few rooms, Romero achieves a natural sense of claustrophobia which is exacerbated by the intimate and intrusive camerawork. The recurring images of hands clawing through the barricades are akin to the hallucinations in Repulsion, in which Catherine Deneuve imagines thousands of male hands reaching out along a corridor to grope her. In both films the threat is breaking in rather than exploding out; the threat is endemic and yet is being concentrated in a manner which becomes thrillingly unbearable.

    The performances in Night of the Living Dead are the key to cementing the level of tension achieved by both camerawork and allegory. Duane Jones and Judith O'Dea improvised much of their dialogue, adding another layer of chilling realism to an already unsettling picture. Karl Hardman's character may be the loudest and brashest in the building, but his performance is one of subtle shifts and gestures which perfectly convey his cowardice and frustration. But it's not just the heroes who are well-fleshed out. The zombies seem to take on personalities of their own, with make-up supervisor Marilyn Eastman making the best of the low-budget effects on offer.

    Night of the Living Dead remains a huge horror milestone and as cracking a debut feature as you could possibly hope for. While its dialogue is occasionally repetitive and its female characters are never properly fleshed out, its political and social significance remains writ large and it can still scare every bit as well as its gorier cousins. Romero's later zombie movies would push the boundaries of what could be shown on screen, but if pure and simple terror is what you're after, the original is still the best.
  • May 13, 2012
    An above average schlocky horror movie that was lucky to be the first zombie movie, even though nobody in the film says the z-word. The film starts out pretty good with the famous graveyard scene, and the ending is a pretty clever anti-Hollywood ending. However, this film simpl... read morey has not aged well. Most of the plot feels like the last 20 minutes of "The Birds" if it was extended to feature length. This would not be too much of a problem if the characters had been a little more interesting, and some instances of questionable acting do not help matters. Duane Jones ends up stealing the show because he is the most level-headed out of the characters and the most relatable. The gore, which made this film so infamous when it first hit audiences 1968, is pretty tame by todays standards. Despite some of these flaws, George Romero's "Night of the Living Dead" stills manages to have just enough claustrophobic atmosphere and some decently gritty black and white cinematography to keep things going. This film is interesting just to see how the zombie sub-genre was spawned, but beyond it's historical significants it is just a merely passable horror movie.
  • April 21, 2012
    A, not just scary and realist zombie gore film, but an underground political classic. Night of the Living Dead is a unique horror movie.

Critic Reviews

Amos Barshad
October 7, 2013
Amos Barshad, New York Magazine/Vulture

If [Romero's] original vision of the undead looks dulled by today's standards, his embedded political commentary on racism feels just as sharp. Full Review

Variety Staff
October 3, 2008
Variety Staff, Variety

Although pic's basic premise is repellent -- recently dead bodies are resurrected and begin killing human beings in order to eat their flesh -- it is in execution that the film distastefully excels. Full Review

Elliott Stein
September 19, 2007
Elliott Stein, Village Voice

George Romero's remarkably assured debut, made on a shoestring, about a group of people barricaded inside a farmhouse while an army of flesh-eating zombies roams the countryside, deflates all genre cl... Full Review

Dave Kehr
September 19, 2007
Dave Kehr, Chicago Reader

Over its short, furious course, the picture violates so many strong taboos -- cannibalism, incest, necrophilia -- that it leaves audiences giddy and hysterical. Full Review

Roger Ebert
September 19, 2007
Roger Ebert, Chicago Sun-Times

I felt real terror in that neighborhood theater last Saturday afternoon. I saw kids who had no resources they could draw upon to protect themselves from the dread and fear they felt. Full Review

January 26, 2006
Time Out

Chuckle, if you can, during the first few minutes; because after that laughter catches in the throat as the clammy hand of terror tightens its grip. Full Review

Vincent Canby
May 20, 2003
Vincent Canby, New York Times

The dialogue and background music sound hollow, as if they had been recorded in an empty swimming pool, and the wobbly camera seems to have a fetishist's interest in hands. Full Review

Alan Jones
October 7, 2013
Alan Jones, Radio Times

Director George A Romero redefined the meaning of horror for fear-sated audiences in the 1960s with this seminal classic. Full Review

Rob Humanick
January 23, 2013
Rob Humanick, Projection Booth

Subjects us to the kind of unrelenting nightmare we only wish we could wake up from. Full Review

Felix Vasquez Jr.
October 14, 2012
Felix Vasquez Jr., Cinema Crazed

It's pitch perfect in writing, mood, and scares, and still holds up to scrutiny, no matter how harsh. Full Review

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    • Johnny: They're coming to get you Barbara.
    • Johnny: They're coming to get you Barbara.
    • Ben: I ought to drag you out there and FEED you to those things!
    • Newscaster: It has been established that persons who have recently died have been returning to life and committing acts of murder. A widespread investigation of funeral homes, morgues, and hospitals has concluded that the unburied dead have been returning to life and seeking human victims. It's hard for us here to be reporting this to you, but it does seem to be a fact.
    • Ben: Now get the hell down in the cellar. You can be the boss down there, but I'm boss up here!
    • Johnny: They're coming to get you, Barbara, there's one of them now!

Night of the Livi... : Watch Free on TV

Night of the Living Dead Trivia

  • "They're coming to get you, Barbara, there's one of them now!" is a quote from what zombie film?  Answer »
  • In What World Famous Zombie Film Was The Word Zombie Never Mentioned?  Answer »
  • What film is the quote, "they're coming for you Barbera...." in it?  Answer »
  • Johnny: [in a creepy voice] They're coming to get you, Barbara! Barbara: Stop it! You're ignorant! Johnny: They're coming for you, Barbara! Barbara: Stop it! You're acting like a child! Johnny: They're coming for you! Name the 1968 movie the above dialog is from.  Answer »

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