My Kid Could Paint That (2007)

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  September 30, 2009

  SirPant

  Amir Bar-Lev strikes gold with this documentary. A very capable film maker gets his break when a twist in the story he is covering reveals a compelling mystery. This is a doc about so much more than a little girls paintings and its text book perfect film making!

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  August 10, 2009

  LitelBluHli

  The parents tried to PROVE that they kid does its own drawnings...and even set up cameras, but you can see them showing her to paint here, paint there...I think this is a fraud. I also think abstract art is bs! Just watch and judge it yourself.

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  April 5, 2009

  superclerk25

  Really good. There is a shift half way though the movie as the scandal breaks and the film maker needs to shift focus to what might be going on underneath it all.
  As I watch more and more docs I have noticed that there are not many that can tell the story objectively. This one ... read moreis the same as the director puts his struggle to try and stay objective into the film. Does he continue with the original premise of documenting a child painter or does he follow the path before him that could taint the story as a ruse?
  A well done film that lets you decide for yourself in the end with the facts laid out before you.

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  November 28, 2008

  Stinger839

  This is an interesting documentary which raises some larger issues about the art world (second doc in a row I've watched about "art world" following Who the $##% is Jackson Pollock?). The director can be accused of not being direct enough in his final confrontation of the parents... read more.
  
  I find an interesting conclusion made from this film: if a kid is having fun painting while interacting with a parent, what bearing does or should any input have that the parent may give the kid? If you suggest what the kid should do without taking the brush out of their hand, does that mean it's no longer the child's work? What about the adult artist who takes in criticism from other artists while still working on a piece? Are all these people also entitled to authorship or a signature? I just think this film does not make specific what PART of the parents and Marla'a behavior makes the art "not hers". I *think* it's the fact that the director suspects that the Dad Mark may do physical touch-ups to the paintings with his own brush after hsi daughter finishes, but this point isn't made clear.
  
  This film also proves that art sales are all about marketing and media attention, especially for modern art, just as the gallery owner and seller for Marla's art will attest/protest.
  
  This is a nice "debunking of the prodigy" film, and it works that angle on many levels, none of which I think the child herself will find to be insulting in future reflection.
  
  Regardless of the movie's ambiguities, in five to ten years, any questions left in the air about Marla's talent will be solved by what she will do in her future art career.

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  August 1, 2008

  gor41

  Interesting topic, let down by an uneven documentary.

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  July 31, 2008

  newvogueravyn

  A very interesting film indeed. I particularly liked the discussion on the value of modern art etc. Some of the paintings were quite arresting no matter who painted them. My own opinion on the subject is that Marla is just a child who likes to paint in the usual child way, but wa... read mores picked up by the art community - and her father and the first art gallery owner went along with that popularity to live out their own dreams of making it big in the art world, as pretty much anyone who had been denied that kind of success would have. The joy of the film is that it allows the viewer to make up their own mind, despite some of the filmmaker's leanings.

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  July 30, 2008

  kiriyamakazou

  What could have been a mature and slightly satirical look into the world of modern art suddenly plunges into a deep dark mystery. The film casts so much doubt over who creates the paintings it seems obvious Marla did not do them herself. Even the families own evidence shows her c... read morereating a less affective piece. However there is a real family at the heart of this film, especially the mother who seems painfully honest. If it is lies then it is a shame for the young protagonist, who seems to just wanna have fun, even when showing up her father on screen. Amir Bar-Lev puts too much of himself into the film for a truly objective stance, however he is honest enough to admit he is emotionally invested in the film as well as keeping a line about how documentary film makers can create their own truth. Fascinating, bewildering and something that in ten years will hopefully have a follow-up.

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  June 3, 2008

  jennifxu

  I have never in my life seen a documentary as magnificent as this - engrossing all the way through, paced meticulously, beautiful camerawork, insightful interviews, adorable children, breathtaking artwork. Amir Bar-Lev manages to capture footage of Marla that makes her look almos... read moret idiotic that the audience is supposed to question her capability of doing this. Bar Lev mostly keeps his opinions out of his documentary (as contrasted to the omnipresent Michael Moore...blegh) but the few times he actually steps into the camera and speaks it's always carefully introspective and highly respectful. He has grown to care about these people, particularly the mother, and I can feel his pain resonating through the camera when he was forced to perform the "confrontation". I want to keep my opinions out of this review but it's obvious the father doctored them up, probably without the knowledge of the mother. The reporter was kind of a bitch in the way she said things but she was the one that brought up the best points. But seriously, why the heck should it matter so much? The paintings are beautiful no matter who painted them, and I seriously want to buy a couple hundred and put them up in my house because of the sheer freedom and rapture they evoke. This was originally just supposed to be a documentary about modern art but it escalated rapidly into much more than that. It makes the documentary much more evocative but the director's hesitations are palpable...I empathize entirely. The modern art elegy could have been just as beautiful because I am in LOVE with those paintings.

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  January 15, 2008

  mrbungle7821

  [CENTER][img]http://img177.imageshack.us/img177/1803/marla2ik5.jpg[/img][/CENTER]
  
  [COLOR=DarkRed][FONT=Arial]My Kid Could Paint That - Prodigy, fraud, normal preschooler? This incisive and captivating documentary looks at a four-year-old who has made thousands of dollars on he... read morer modern art paintings. If she is the real deal, what does that say about modern art when a child can compete with serious artists? This intensely interesting story is given as objective a viewpoint as possible even as the filmmaker is forced into his own movie when the family he's been documenting is looking at his film as a favorable retort to a very critical 60 Minutes segment casting doubt that the paintings are genuine. The filmmaker has his own doubts and explores the nature of journalism and storytelling and objectivity and what is art, and that's when the documentary transcends its story and becomes about much more. I have no doubt that the child is involved in painting (the question registers with how involved her failed artist father is), but the people that are buying her paintings are buying them because they are also purchasing the story. [I]My Kid Could Paint That[/I], as one interview subject states, is really a story about adults seeking the limelight, because otherwise it would just be a kid having fun painting in the confines of her home. Is she exploited? Is she a genuine talent in a world of paint splashes and squiggly lines? Will she ever just be allowed to be a kid? These are just a few of the tantalizing questions this mature and insightful movie raises.
  
  Nate's Grade: B+
  
  
  The Namesake - Extremely heartfelt, this cross-generational family drama runs aground on some familiar territory but is boasted by strong acting. Whenever the film's focus falls to the arranged married couple settling into a new country and a new relationship, that is when [I]The Namesake[/I] is the most affecting and interesting. Too much time is spent on Gogol (Kal Penn) as their son who has completely embraced American culture and throws off his Indian roots. Of course he comes around in his opinion but his character never feels fully formed or completely believable, more like a composite of a prodigal son. Director Mira Nair has an obvious personal attachment to this tale of an Indian family trying to make their way in the U.S. of A, and she never misses her mark when dealing with the intensely decent and selfless father and his love for his wife. It's a shame then that the movie shifts too much focus at the halfway point onto Gogol. [I]The Namesake[/I] is a touching and entertaining that's a cut above thanks to sensitive performances.
  
  Nate's Grade: B+
  
  
  Kickin' It Old Skool - A moderately surprising comedy that's really much more fish-out-of--water than tired [I]You Got Served[/I] dance parody. Jamie Kennedy busts a move as a kid in a man's body who wakes up after being in a coma for 20 years. There is an overemphasis on recreating the 80s in the early part, with a crushing amount of catch phrases, name drops, and dated toys and fashions. The rest of the film follows the sports formula closely as Kennedy reassembles his aged Funky Fresh Boys to win a dance competition for standard goals like saving his family and winning the girl of his dreams. [I]Kickin' It[/I] is a simpleton comedy that never aims it sights too high, but every now and then the film connects on a gag or a character that produces some real yuks (my favorite being a homeless man convinced he invented break dancing). Some of the jokes are pretty dusty and the romance is, like most of the conflict, forced and contrived, and yet I cannot hate this movie. I never grew weary watching it even though during the climactic dance-off tournament there is a dearth of even attempted comedy.
  
  Nate's Grade: C
  
  
  A Mighty Heart - Good intentions and some proficient camerawork can only go so far to make a film worthwhile. Angelina Jolie gives the best performance of her career as kidnapped Wall Street Journal reporter Daniel Pearl's wife (she's French and Cuban, making for one really tricky accent). I wanted to like this movie more. The subject matter is serious and timely, the filmmaking has a sturdy docu-drama look, and the acting never comes across as phony, but alas, I think I mentally checked out because much of the film is a detective story that I already know the ending to. Daniel Pearl was infamously beheaded, so watching an hour of his wife, friends, and local police scramble to track down key figures, their allegiances and acquaintances, and the whereabouts of Daniels can come across as fruitless and somewhat cruel. This film doesn't have the same cathartic feel that [I]United 93[/I] had because that moment was universal, and while I can admire the cinematography and superb acting I can't ignore the fact that watching people search and fail gives me little emotional reward as a viewer.
  
  Nate's Grade: B
  
  
  Evening - A chick flick crammed with lots of bona fide stars and A-list talent that manages to squander all talent. It slogs on and on, the back and forth nature of the plot does little to keep an audience alert, and the story it tells in the past is so pedestrian, so miniscule, and ultimately so mundane that you can't help but wonder why an old woman on her deathbed would be flashing back and remembering it. This high profile weepy never finds the right tone and often settles for maudlin and predictable plot turns. [I]Evening[/I] is the kind of movie that kills the chances for a large, female-driven film to get made in Hollywood.
  
  Nate's Grade: C-[/FONT][/COLOR]

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  November 26, 2008

  gator681

  [font=Century Gothic]"My Kid Could Paint That" is an inadequate documentary about 4-year old Marla Olmstead of Binghamton, New York whose painting was displayed at a local bar which led to an article in a local newspaper which led to an article in the New York Times which led to ... read moremany more paintings of hers being sold which should be a nice downpayment on any future psychiatric treatment. The fact that things got so far is mind-boggling, especially considering it is very hard to determine the effects of these events on Marla and her younger brother with the half-life of celebrity being impossible to calculate. Everbody might have been better off with this stopping with just the one painting and the parents having a good laugh. However, director Amir Bar-Lev is so coopted by his subjects that he does not ask the tough questions that he should be asking until it is much too late. The only people interviewed aside from the New York Times writer are people who have a vested interest in Marla's paintings. I was surprised that all of them were shocked by a "60 Minutes" expose that was very critical of the entire situation and brought up the question of whether Marla really did do all of the painting. It is irrelevant of course because a painting should be appreciated on its merits, no matter the age of the artist. As I have said before, an artist creates art for himself most of all and by creating abstract art is rebelling against realism.[/font]

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• Celeste Russi
• Jonathan Crosby
• Amir Bar-Lev
• Mark Olmstead as Marla's Father
• Laura Olmstead as Marla's Mother
• Marla Olmstead
• Zane Olmstead as Marla's Little Brother
• Anthony Brunelli as Gallery Owner
• Stuart Simpson as Marla Collector

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