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Marie Féret, Marc Barbé, Delphine Chuillot, David Moreau, Marce Barbé ... see more see more... , Clovis Fouin

A speculative account of Maria Anna "Nannerl" Mozart (Marie Feret), five years older than Wolfgang (David Moreau) and a musical prodigy in her own right. Originally the featured performer, she has giv... read more read more...en way to Wolfgang as the main attraction, as their strict but loving father Leopold (Marc Barbe) tours his talented offspring in front of the royal courts of pre-French revolution Europe. Approaching marriageable age and now forbidden to play the violin or compose, Nannerl chafes at the limitations imposed on her gender but a friendship with the son and daughter of Louis XV offers an alternative. -- (C) Music Box

Flixster Users

56% liked it

1,475 ratings

Critics

74% liked it

58 critics

Unrated, 2 hr.

Directed by: Rene Feret

Release Date: August 19, 2011

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DVD Release Date: February 14, 2012

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Stats: 47 reviews

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Flixster Reviews (47)


  • September 25, 2011
    I loved every minute of this romantic portrayal of one history's lesser-known geniuses. The film poses lots of questions about the origin of talent; the will to fight in its defense; and the way your talent is perceived because of your gender. A great performance by capable youth... read more Marie Féret, in the title role.
  • May 11, 2012
    I really enjoyed the movie, though it was a bit slow and inactive at times. There's a lot of creative license taken to tell this story, but it was as heartbreaking and tragic as Nannerl's real life could have been.
  • ThomasJayWilliams
    March 9, 2012
    ThomasJayWilliams
    A re-imagined account of the early life of Maria Anna "Nannerl" Mozart, the slightly older sister of the prodigous musician, Wolfgang Amadeus ... and a contemplative look at the role of women. European in feel (it is French), the film is beautiful to look at and the score is as ... read moreequally pleasant to listen to. Nannerl finds herself traveling across Europe by coach with her family (glory-hound father, dutiful mother and esteemed brother) so her father can bask in the glory of his children's talents in some of the greatest households of Europe (pre-revolution France). What the story reveals is that Nannerl is most-likely just as talented a musican/composer as her junior brother; but because of the role women were expected to play (and her father) she is merely a prop who is told to mind her place/lot in life. As the dauphin of France takes an interest in her talent and she befriends his sad and yearning little sister, Nannerl has a chance to experience parts of life she had always been unable to persue on her own -- as she's is always basically a servant of her father's. The film meanders lazily at times like a river or a melodic sonata but I always found it interesting. The pacing is rather slow for the first quarter of the film; but it picked up once Nannerl began to experience bits of life other than playing second-fiddle to little brother. While not a film for everyone, I really appreciated what I saw here and the very sedate clues on what it is telling its audience about women. Nannerl's moment of glory comes to her when we'd least expect it -- and it was a moving scene; and seeing her clear plates off a table late in the film sadly reminds the viewer of what women were (and still are to some). This isn't an truly accurate account of this young woman's life; but I think it honors a remarkable individual nonetheless. The film champions women ... and I have to applaud that.

Critic Reviews


Stephanie Merry
November 4, 2011
Stephanie Merry, Washington Post

A meandering but transporting journey, which offers glimpses of a world as resplendent as it is stifling. Full Review

Steven Rea
November 3, 2011
Steven Rea, Philadelphia Inquirer

The music, of course, resonates. And so does this exquisite heartbreaker of a story. Full Review

Ty Burr
October 6, 2011
Ty Burr, Boston Globe

An alternately rapturous and frustrating experience. Full Review

Tom Long
September 30, 2011
Tom Long, Detroit News

This is a sad story in rich surroundings that makes you wonder how many women of genius were left behind. Full Review

Walter V. Addiego
September 15, 2011
Walter V. Addiego, San Francisco Chronicle

Nannerl is an intelligent and appealing girl who wages a dignified struggle against what turns out to be insurmountable barriers. Full Review

Roger Ebert
September 8, 2011
Roger Ebert, Chicago Sun-Times

The movie is an uncommonly knowledgeable portrait of the way musical gifts could lift people of ordinary backgrounds into high circles. Full Review

Peter Rainer
August 20, 2011
Peter Rainer, Christian Science Monitor

As speculative storytelling goes, Mozart's Sister is ingenious but as moviemaking it's plodding. Full Review

Elizabeth Weitzman
August 19, 2011
Elizabeth Weitzman, New York Daily News

Most memorable is the intriguing peek at frustrations that might have beset the real Nannerl, whose life was defined as much by sacrifice as by art. Full Review

Robert Abele
August 19, 2011
Robert Abele, Los Angeles Times

The object isn't to stir you into what-if feminist outrage so much as to let a culturally magnificent era's societal inequalities act as a dissonant countermelody to a famous artist's biography. Full Review

V.A. Musetto
August 19, 2011
V.A. Musetto, New York Post

The cast is excellent, be they relatives of the director or not. And the music, though not by a Mozart, is beautiful. Full Review

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