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Dirk Bogarde, Björn Andrésen, Silvana Mangano, Marisa Berenson, Mark Burns ... see more see more... , Carole André , Luigi Battaglia , Ciro Cristofoletti , Dominique Darel , Franco Fabrizi , Leslie French , Sergio Garafanolo , Masha Predit , Nora Ricci , Romolo Valli , Bjorn Andreesen , Silvana Magnano

Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, Bogarde falls in love with a... read more read more... beautiful young boy (Bjorn Andresen). The relationship is ruined by Bogarde's obsession with the boy's youth and physical perfection; the composer realizes that the child represents an ideal that he can never match. The character played by Dirk Bogarde is evidently intended to be Gustav Mahler, whose haunting music is featured on the film's soundtrack. ~ Hal Erickson, Rovi

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82% liked it

5,980 ratings

Critics

75% liked it

16 critics

PG, 2 hr. 10 min.

Directed by: Luchino Visconti

Release Date: March 1, 1971

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DVD Release Date: February 17, 2004

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Stats: 402 reviews

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Flixster Reviews (402)


  • March 2, 2010
    Moments of perfection.
  • February 20, 2010
    Like the sand in the hourglass, there is no stopping the passage of time. This cinematic achievement is unmatched in its visual eloquence, but remains an emotionally unsatisfying experience. Long shots, slow pans, and silence, only punctuated by Mahlerâ??s symphonies, create em... read moreotional distance. On first appearance, Aschenbach is a man already in decline: His cultured facade doesnâ??t mask an underlying vulgarity. Alienated from his artistic and spiritual impulses, he recognizes an idealized and pure beauty in the form of a pre-pubescent boy, which does nothing to create a more sympathetic character. His realization is much too late, just as the population in Venice is dying from pestilence, and a way of life is dying at the turn of the century. As we follow the boy, it is hard to tell if Tadzioâ??s glances, poses, and posturing are real or just Aschenbachâ??s fantasy. During the final scene, we view the sea and sun, the promising horizon formed in the initial scene, but now glittering and hazy. Aschenbach, appearing clown-like with his whitewash and greasepaint, silently observes Tadzio pointing at the sun, and he also reaches out, as if grasping for communion, and dies. Posited on the beach, there is a symbolic, unmanned camera, ready to frame Tadzio in a snapshot. Hauntingly, the final shots rest on Aschenbachâ??s dripping and smudged death mask, before he is toted off like the sands like garbage. There is a statement about art, beauty, sexuality, and spirituality, residing in this film, but to me it was quite dead.
  • July 4, 2007
    A classic of Italian cinema! It's very slow -VERY- but it's definitely worth it. The art direction and the cinematography are amazingly beautiful as in almost all of Visconti's films. On the other hand, since the plot is so slow and it requires such empathy to understand the cha... read moreracter's motives and his strange attraction towards the boy, it's a love it or hate it movie, no in-betweens. Sometimes it´s hard to follow because the conflict (the inner conflict) that Bogarde's character has in regards of the concept of beauty as well as the awakening of his nostalgia for his family is occasionally unclear. It's a movie one has to feel and give patience to. Oh and don't be encouraged/discouraged by the alleged homosexual love plot, I personally put down that thesis. I think it's much deeper than that.
  • December 28, 2011
    The Single Man, Italian style. Beautiful cinematography, but the languid pace doesn't suit itself well for a 2-hour film. Between this and Don't Look Now, I think I'm sufficiently scared away from Venice for life.
  • October 18, 2008
    i thought this as a gay movie on the onset, but i decided it's really more about the life of a failed aging artist who's been on search for something, and could be yearning for his youthful past when he was more appreciated, accepted, celebrated----& he saw his past being personi... read morefied in a beautiful looking young man, who actually looks very feminine and masculine at the same time (who I thought was thinking the artist was seducing him!). Of course, the film's visually great, but I like the book better (on which the movie was based on).
  • January 11, 2007
    I saw this film long before I became an advocate of the Mann novella. It was on late at night and, being as I couldn't sleep, I decided to watch it. I had an eight o'clock class and didn't get to sleep 'till about six that morning. Beautiful, powerful film that slowly unravels--w... read moreell worth the wait. Visconti truly captured the essence of the work, everything from Tadzio's coy glances to Aschenbach's silent desperation. An incredible work.
  • August 10, 2006
    Luchino Visconti did wonderfully on this rendition of Mann's classic novel. Dirk Bogarde really brought Aschenbach to life. The treat of this movie, however, is Tadzio. Bjorn Andresen was born for this role. Combining the landscape of Venice, Bogarde's realistic acting, and Andre... read moresen's breathtaking beauty, this movie is well worth your time.

Critic Reviews


Roger Ebert
October 23, 2004
Roger Ebert, Chicago Sun-Times

Visconti's mastery of visual style almost succeeds in creating the very ideas and feelings that his heavy-handed narrative entirely misses. Full Review

Vincent Canby
May 20, 2003
Vincent Canby, New York Times

Instead of bringing the story to life, Visconti has, I'm afraid, embalmed it. Full Review

Emanuel Levy
April 12, 2012
Emanuel Levy, EmanuelLevy.Com

Even critics who didn't like Visconti's version of Mann's novella praised Dirk Bogarde in the lead and the film's production values, especially costume design, which was Oscar nominated. Full Review

Dennis Schwartz
September 22, 2008
Dennis Schwartz, Ozus' World Movie Reviews

Can never get to the literary heart of the novel without stumbling along on a curiously suffocating course. Full Review

Dan Jardine
July 21, 2004
Dan Jardine, Apollo Guide

A sumptuous visual feast, a well-told tale of a tortured artist's sturm und drung. Full Review

Dan Jardine
June 23, 2004
Dan Jardine, Cinemania

Visconti's self-conscious and self-reflexive artistry can be off-putting, but with Death in Venice, he's crafted a sumptuous feast for the senses. Full Review

Bill Chambers
March 2, 2004
Bill Chambers, Film Freak Central

Almost absurdly soporific Full Review

Christopher Null
January 31, 2004
Christopher Null, Filmcritic.com

Bogarde plays Gustav with a hamfist, practically drooling over the kid he's stalking Full Review

July 30, 2003
TV Guide's Movie Guide

Despite the omissions from Mann's text, dependence on flashbacks, and overwrought arguments about art and music between Aschenbach and a colleague, it remains a film of great beauty. Full Review

Jamie Russell
February 11, 2003
Jamie Russell, BBC

Not even the classical soundtrack can turn this ponderous portrait of one man's obsession into the cinematic classic it has so often been mistaken for. Full Review

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Death in Venice Trivia


  • Complete this movie title: 'Death In...' (Stars Dirk Bogarde)   Answer »
  • Where do Donald Sutherland and Julie Christie go after the death of their daughter in Don't Look Now?  Answer »
  • The music of which late-romantic composer features on the soundtrack of Luchino Visconti's Death in Venice?  Answer »
  • In the film Death in Venice which classical composer's music was used.  Answer »

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