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Ken Ogata, Masayuki Shionoya, Hiroshi Mikami, Yasosuke Bando, Junya Fukuda ... see more see more... , Toshiyuki Nagashima , Shigeto Tachihara , Junkichi Orimoto , Naoko Otani , Gô Rijû , Masato Aizawa , Yuki Nagahara , Kyuzo Kobayashi , Yuki Kitazume , Hisako Manda , Naomi Oki , Miki Takakura , Koichi Sato , Setsuko Karasuma , Yasuaki Kurata , Mitsuru Hirata , Hiroshi Katsuno , Hiroki Ida , Jun Negami , Ryô Ikebe , Sachiko Hidari , Kazuo Kato , Donald Richie , Kenji Sawara , Roy Scheider , Imari Tauji , Atsushi Takayama , Eimei Ezumi , Fumio Mizushima , Kojiro Oka , Mami Okamoto , Minoru Hodaka , Naoya Makoto , Alan Mark Poul , Reisen Lee , Ren Ebata , Sachiko Akagi , Shinichi Nosaka , Shinji Miura , Tadanori Yokoo , Tatsuya Hiragaki , Toshio Hosokawa , Tsutomu Harada , Yasuhiro Arai , Yosuke Mizuno , Yuichi Saito , John Nathan Turner

In Paul Schrader's unusual biopic, Ken Ogata stars as Yukio Mishima, perhaps the most celebrated Japanese novelist of the last five decades. The film begins with Mishima's youth, then moves forward in... read more read more... episodic fashion to his 1970 suicide, symbolically committed at a military site. Originally titled Mishima: A Life in Four Chapters, the film is neatly divided into a quartet of acts, and the screenplay does not flinch in its depiction of Mishima's hyperactive sex life. Among the many neat directorial touches is the decision to offer the narrative in black-and-white, while depicting scenes from Mishima's novels in vibrant color. Written off as self-indulgent by those impatient with Schrader's fragmentary technique, Mishima was produced in Japan by Francis Ford Coppola and George Lucas, an offshoot of Coppola's involvement with Japanese director Akira Kurosawa's Kagemusha. ~ Hal Erickson, Rovi

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90% liked it

2,722 ratings

Critics

95% liked it

20 critics

R, 2 hr.

Directed by: Paul Schrader

Release Date: September 20, 1985

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DVD Release Date: August 7, 2001

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Flixster Reviews (258)


  • July 17, 2011
    Mishima's life, and all it's contradictions, is perfectly captured by Schrader in a biopic done right. The film embodies all the passions and obsessions of it's subject, with Ogata's performance and a great score this one stands apart from the rest of theconventional, and empty,... read more bios circulating on hollywood. Movies done with such ambition, and precise touch, are even more rare these days.
  • August 10, 2009
    a very ambitious biopic on the life of celebrated writer yukio mishima. the film weaves episodes from 3 of his works with events from his life in stylized segments. mishima subscribed to the ancient bushido code and sought to reconcile his art and life in a search for 'purity' ... read morehe felt lacking in postwar japan. the bright elaborate setpieces are so artificial as to be a little alienating but really drive home mishima's death obsession, culminating in his very public ritual suicide. a strange tale artistically told and well played by ken ogata; beautiful score by philip glass and kronos quartet.
  • December 26, 2011
    Although at times theatrical and experimental with the camera, yet the composition of the frames are always clear and concise. Whether the dialogue was taken from Mishima's books, written by the Schrader brothers, or a mix of both- it was great. There was very little, if at all a... read moreny, fluff in this film. It truly felt like what the title suggests "A Life in four chapters". Ken Ogata is brilliant as Mishima, as are all of the actors depicting either real life people or characters from Mishima's writing. There couldn't be a better war to film the life of such a unique, diverse, and controversial person and artist as Yukio Mishima. Paul Schrader must be given the props he truly deserves for his brilliant vision and execution. I thought writing Taxi Driver had been his greatest achievement in film, but despite Scorsese's 1976 film being my favourite, I must say that "Mishima: A Life in Four Chapters" is Paul Schrader's greatest gift to cinema.
  • November 25, 2011
    Paul Schrader's Mishima is a landmark film, the story of a successful writer who built a private army, created tensions with left wing society, held a garrison hostage, and was able to commit suicide on Nov of 1970. Schrader recreates these events based upon Mishima's famous nove... read morels.

    My favourite out of the three novels is Kyoto's House(1959) the story of a young man who is unhappy with his body, decides to take up bodybuilding, and get his mother out of debt. The young man, through the help of a woman who I believe is a loan shark sets up a deal to buy him as her slave in exchange to clear all debt charges on the man's mother's store. He agrees but their companionship becomes more intimate and to some weird, since he shows up at the woman's house in bruises and cuts. The other novels in the film is "A Temple at the Golden Pavilion"(1956), and "Runaway Horses"(1969) shown with stylized sets and beautiful colors by production designer Eiko Ishioka.

    The cinematography by John Bailey is beautiful, filmed in b&w for Mishima's isolated childhood years, bright colors for Mishima's novel's, and present colors for the writer's last days on earth. Paul Schrader's direction is highly excelled. Schrader knows Mishima's story inside out and now it is on screen filled with great exuberrance.

    What made me love this picture the most was the young man and his mother, it's a strong theme that I recognized the most, a sort of nod to Alfred Hitchcock and the non-linear style of storytelling. Again little things like that is what I find always fascinating in movies.
  • August 15, 2009
    Here?s a rarity, a Japanese language film made on a relatively large budget by a high profile American director, and in the middle of the eighties long before people like Clint Eastwood or Mel Gibson were allowed to do things like that. I suppose it had to be an non Japanese per... read moreson who made this, the man it?s about is just too controversial in his home country. This is a very creative film, an unconventional biopic which must have somewhat influenced Todd Haynes? I?m Not There. The film takes place on the last day of Mishima?s life but is mainly told through B&W flashbacks and surrealistic adaptations of three of Mishima?s writings. The idea of telling a man?s story through his own writings is fascinating, and the whole thing fits in well with the themes of Paul Schrader like masculinity and sexual frustration, the life of Schrader?s Mishima really isn?t that far removed from Schrader?s Jake LaMotta.
  • March 7, 2009
    This is an intriguing character study on a fascinating Japanese writer who, at the height of his popularity, tries to take over the Japanese government in the late seventies. Flashbacks to some of his writings are cleverly integrated into his own evolution as a character. When I ... read moresaw the credits say "Executive Produced by George Lucas and Francis Ford Coppola" I was like....what? Crazy.
  • May 27, 2007
    Beautiful movie that is perhaps as perfect as a biography can be. Leave it to Schrader, who does fictional character studies so well, to make the perfect non fiction one.
  • March 11, 2012
    A brilliant film that at times seems to club you over its head and it isn't until later that you realize you will never completely be free from its lush imagery and profoundly complex characterization of great Japanese writer/filmmmaker/political activist Mishima.
  • March 13, 2010
    A vision of Japanese culture and such, seppuku up the yin yang, if you like (or not, because it's slightly racist), boobs, I see why this is popular. Actually though, it's got quite a style, with the set design.
  • November 20, 2009
    "Poetry should be written in a splash of blood." Anyone who enjoys a challenging, highly stylized movie about the intersection of art and life should see this. It's a superbly directed film from Paul Schrader about infamous Japanese writer Yukio Mishima, who committed seppuku in ... read moreNovember 1970. Schrader entwines Mishima's fiction with his personal life, his need to express himself not only in prose but also through his body. Mishima tried to live the ancient way of the Japanese samurai in a culture he thought was becoming debased by Western modern values. MISHIMA has a stunning climax, a fantastic score by Philip Glass, terrific acting from Ken Ogata in the lead role, and a cool (uncredited) voiceover narration by Roy Scheider. It is truly one of a kind, and Schrader's personal favorite among his films.

Critic Reviews


Nick Pinkerton
December 16, 2008
Nick Pinkerton, Village Voice

It's Mishima's diagrammatic structure that most perfectly suits its subject, defined by his will to harmony. Full Review

Roger Ebert
January 1, 2000
Roger Ebert, Chicago Sun-Times

The most unconventional biopic I've ever seen, and one of the best. Full Review

Derek Malcolm
July 10, 2009
Derek Malcolm, This is London

Paul Schrader's 1985 biopic necessarily guts his controversial life - but the visual style is superb. Full Review

Tom Huddlestone
July 10, 2009
Tom Huddlestone, Time Out

Graced with a throbbing orchestral score from Philip Glass and John Bailey's luminous photography, this is appropriately monumental filmmaking. Full Review

Richard Luck
July 10, 2009
Richard Luck, Film4

From Philip Glass's glorious score to John Bailey's rich cinematography, Schrader's movie is never less than ravishing. Full Review

Kevin Maher
July 10, 2009
Kevin Maher, Times [UK]

The gorgeous, artsy 1985 biopic Mishima: A Life in Four Chapters is the best movie that Paul Schrader has yet directed. Full Review

David Gritten
July 10, 2009
David Gritten, Daily Telegraph

Philip Glass's score still takes the breath away. Full Review

Rob Daniel
July 10, 2009
Rob Daniel, Sky Movies

Those unfamiliar with Mishima's work may find the expressionistic novel sequences overly rich, but Schrader's film is a visually arresting, imaginative and intelligent overview of a difficult subject. Full Review

Anthony Quinn
July 10, 2009
Anthony Quinn, Independent

The cerebral cool of Schrader's perspective sacrifices emotional connection to its subject. Full Review

David Fear
December 10, 2008
David Fear, Time Out New York

It's fetishistic, lyrical, narcissistic and, at key moments, borderline berserk. In other words, the movie captures its subject to a tee. Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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