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Katharine Hepburn, Ralph Richardson, Jason Robards, Dean Stockwell, Jeanne Barr

Playwright Eugene O'Neill sold Random House the text of his intensely autobiographical 1941 play on the proviso that the play not be produced during O'Neill's lifetime. Two years after the playwright'... read more read more...s death in 1953, the play was given its first Broadway staging and won a Pulitzer Prize. Set in 1912 New England, the story takes place in the summer home of aging actor James Tyrone (Ralph Richardson) and his family. Tyrone, patterned after Eugene O'Neill's father James O'Neill, has long abandoned any aspirations to be a truly great actor, choosing instead to tour in the same weary stage vehicle year after year. Thanks to an earlier act of stinginess on Tyrone's part, his wife Mary has turned into a rambling morphine addict, with little or no contact with reality. Oldest son Jamie is a troublemaking alcoholic, envious of the writing talent of sickly younger brother Edmund (the Eugene O'Neill counterpart). The long's day journey concludes with a hellish night in which the three Tyrone men sit about drunkenly as Mary Tyrone hallucinates about her younger, happier days. Katharine Hepburn emerged from a three-year retirement to essay the back-breaking role of Mary Tyrone; Ralph Richardson exhumed all the "ham" of his student-actor days to portray the pathetic James Tyrone; Jason Robards Jr., a man seemingly put on this earth to interpret O'Neill, repeats his Broadway role as Jamey; and Dean Stockwell adds one more superb characterization to his gallery of portrayals as the tubercular Edmund. ~ Hal Erickson, Rovi

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82% liked it

2,843 ratings

Critics

93% liked it

15 critics

Unrated, 2 hr. 54 min.

Directed by: Sidney Lumet

Release Date: January 1, 1962

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DVD Release Date: May 11, 2004

Stats: 136 reviews

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Flixster Reviews (136)


  • July 11, 2009
    Extremely well acted filmed version of the Eugene O'Neill play. The problem is that there is so much going on and so much character drama that it is a little draining. It's like Magnolia if it was still three hours and happened at one house. Jason Robards is fantastic and I loved... read more the stuff between him and Dean Stockwell who is also great. Hepburn has her moments, but some of it seems overacting to say the least. Interesting because it's one of Lumet's first and the camera movement keeps you interested.
  • November 23, 2008
    "long day's journey into night" is faithfully adapted from eugene o'neill's semi-autobiographical play which is also his greatest work alive, and it deepens further upon katherine hepburn's prestige as a versatile accomplished actress since she again receives academy award nomina... read moretion for it. frequently i tackle into the issue of purist notion of dialogue-driven movies as the supreme essence of cinema, and "long day's journey into night" would be a perfect exemplification with a masterful script as well as its refined stagy casting. but the film lacks public appeal due to its thick element of constant dialogue-focus as well as its unflattering 3 hour screen time, to enable the film's production, hepburn had to reduce her own payment for this exasperatingly heavy role, and she made it but under one condition: the movie has to be meticulously devout to its original play.

    the story's basically about the collapse of a problematic family addled with morphine addiction, alcoholism, capitalist money-slavery, unreconciled pessismism upon death gravitated by consumption illness. the sceneries whirl around the haunting phatom of past memories as the fog forshadows every misery into the belligerent darkness of nightmarish hell, each character imprisioned by his/her tragic flaws and the unredeemed mistakes made in the past.

    dean stockwell who plays the youngest son inflicted with consumption demonstrates an amazing horrowingly melancholic attribute which could emulate james dean, whose youthful good looks inspires your ideal personification of a depressed poet once as he frowns.

    the flick has a strong claustrophic atmosphere with fixed backset and four steady actors constantly upstaging each other with the uncanny puncturality. if you're a cinema purist with a virtue of patience to read into dialogues, "long day's journey into night" would be a gem to elaborate your mind's empathetic capacity for life's poetic sorrow of dacadence.
  • June 3, 2008
    It's so engrossing but EXHAUSTING to watch. It's good but I probably wouldn't watch it again because it made me so depressed during the entire three hours. Lumet is NO STOPS, man.
  • April 29, 2008
    Dark, powerfully acted film, long but worthwhile.
  • fb20312798
    August 24, 2010
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    Since the film is based on one of the the finest plays ever written, it would have at least been decent, but Sidney Lumet created a near masterpiece. It might be Katharine Hepburn's finest hour dramatically and the rest of the cast is just as equally fantastic.
  • July 11, 2009
    You watch this one for just the great performances and monologues, but it can get grating with all the nonstop talking. I would've like a it more brevity and emotion rather than just talking it out, but, you have to consider the source as well. This is a play about people how onl... read morey hint at their emotions and always rationalize.
  • April 4, 2009
    Another drama about family that's a little upsetting but pretty good.
  • July 24, 2011
    Classic film version of Eugene O'Neill's masterpiece dealing with family frailties and relationships. Pitch perfect performances by all.
  • October 17, 2009
    An intense look into the lives of a married couple as a night unravels. Bitingly realistic and harsh, Elizabeth Taylor gives the performance of a lifetime.
  • August 8, 2009
    Very long and at times tedious, but it's also brilliantly acted and written. Sidney Lumet does a fine job directing, and does amazingly well. Being Eugene O'Neill, it is major depressing. Excessively talky, good sets and costumes.

Critic Reviews


Bosley Crowther
May 20, 2003
Bosley Crowther, New York Times

For what they have set out to do, Mr. Lumet and the producer, Ely Landau, have given us a fine, fair picture of a tough and maybe tedious O'Neill play. Full Review

Wesley Lovell
August 15, 2011
Wesley Lovell, Oscar Guy

An adaptation of Eugene O'Neill's legendary play results in a stage-bound production lifted by grand performances, including the delightful Katharine Hepburn. Full Review

Dennis Schwartz
May 18, 2011
Dennis Schwartz, Ozus' World Movie Reviews

Faithful to the award winning play. Full Review

Steve Crum
March 2, 2008
Steve Crum, Video-Reviewmaster.com

O'Neill's play transformed beautifully into Hepburn, Robards vehicle.

Emanuel Levy
April 6, 2007
Emanuel Levy, EmanuelLevy.Com

Lumet's film of O'Neill's masterpiece is one of the most faithful and well-executed screen adaptations ever due to Boris Kaufman's landmark cinematography and superlative ensemble of Ralph Richardson,... Full Review

Christopher Null
October 1, 2005
Christopher Null, Filmcritic.com

By the end of this, you're part of the family. Welcome to hell. Full Review

January 1, 2000
TV Guide's Movie Guide

O'Neill's greatest play is brought to the screen with an overpowering wealth of talent: Hepburn, Richardson, and Robards give magnificent, once-in-a-lifetime performances as members of the doomed Tyro... Full Review

March 26, 2009
Variety

Click to read the article Full Review

Linda Cook
August 7, 2005
Linda Cook, Quad City Times (Davenport, IA)

No review available.

Thomas Delapa
June 3, 2005
Thomas Delapa, Boulder Weekly

No review available.

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