Le Petit Soldat (The Little Soldier) poster & wallpaper
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Michel Subor, Anna Karina, Henri-Jacques Huet, Paul Beauvais, Laszlo Szabo ... see more see more... , Gilbert Edard , Jean-Luc Godard , Georges de Beauregard

This controversial spy-romance tale by Jean-Luc Godard was banned from release in France for three years because it refers to the use of torture on both the French and Algerian sides during the Algeri... read more read more...an struggle for independence. The story focuses on Bruno Forestier (Michel Subor), a young, disillusioned man who becomes involved in politics, yet in spite of the fact that he stands up to torture and commits murder because of this involvement, he does not have deep political beliefs. Also featured is his lover Veronica Dreyer (Anna Karina, then-wife of director Jean-Luc Godard appearing in her first film) as a motivating factor in Bruno's behavior. ~ Eleanor Mannikka, Rovi

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75% liked it

2,337 ratings

Critics

75% liked it

12 critics

Unrated, 1 hr. 26 min.

Directed by: Jean-Luc Godard

Release Date: April 20, 1967

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DVD Release Date: December 11, 2001

Stats: 121 reviews

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Michel Subor and Anna Karina Michel Subor and Anna Karina
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Flixster Reviews (121)

  • SirPant
    July 8, 2011
    SirPant
    I much prefer Godard's early work, Le Petit Soldat being his first political film and as far as I've seen, his best. First off, it looks great, new wave at its best. There is the romance between the two leads like in Breathless and there is intrigue like in Alphaville but Le Peti... read moret Soldat is never quite as accomplished as either film. It feels more like a Malle film to be honest but to Godard's credit, the ending is wonderfully bleak and very much his. I generally like the style of his script rather what is actually said but the last scene leaves you with very little doubt about what this film is about and it really makes the film. Michel Subor is super cool and a great actor and Anna Karina is a goddess.
  • DrBenway
    August 18, 2008
    DrBenway
    An early Jean-Luc Godard film that was made on a shoestring budget about a young revolutionary, Bruno, living in Geneva who is fighting against French involvement in the war in Algeria, only to run into Veronica (Anna Karina).

    Shot like a newsreel, much of the film is photogra... read morephed with a hand-held camera, with sound post-synchronized. A moody, often violent film, complete with sequences of torture modeled after the actions of occupying French forces in Algeria. These scenes resulted in the movie being banned by the French government for some time.
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  • fb1142797643
    November 12, 2011
    fb1142797643
    The title is misleading -- there are no true soldiers in this film, and no uniforms. This is a movie about urban terrorism, plotted by young men in suits and ties.

    The plot is not especially easy to follow, but the setting is the Algerian War. A French deserter lives in Geneva, ... read moreand is pressured to commit an assassination. When he resists, the heat comes down on him from both sides of the conflict. Along the way, he becomes smitten with a girl portrayed by Anna Karina, and who could blame him?

    What's most impressive about "Le Petit Soldat" is not its story, but how much director Jean-Luc Godard achieved on such a low budget. Almost all the scenes appear to have been shot silently, with sound dubbed in later. Most of the camera work is handheld, and the narration carries a heavy burden of explaining the background details.

    Typically for Godard, the script includes an obsessive number of allusions to personal influences like Paul Klee and Carl Dreyer. There's also an extended monologue where the lead actor suddenly turns and begins speaking to the camera. A startling moment, created with some rather primitive tools.

    "Le Petit Soldat" was Godard's second film after the more celebrated "A Bout de Souffle," but was initially banned due to a controversial torture sequence (laughably tame, by today's standards) and some unflattering comments about French politics.
  • gator681
    January 28, 2009
    gator681
    [font=Century Gothic]In "Le Petit Soldat," Bruno(Michel Subor) is an undercover antiterrorist agent in Geneva who works for the French Information Bureau and is tasked with an assassination. In the meantime, he is asked to photograph Veronica(Anna Karina) for some odd reason.[/f... read moreont]
    [font=Century Gothic][/font]
    [font=Century Gothic]"Le Petit Soldat" is a political allegory about terrorism and graphically depicted torture that comes tantalizingly close to succeeding despite its very odd setting of Switzerland, a general lack of coherence and its polemical tone.(One shot features a woman reading from the works of Mao.) But then this would not be a Jean-Luc Godard film if he did not get distracted somewhere along the way which explains the photography session that is at least photographed nicely.[/font]
  • smootysveen
    November 3, 2007
    smootysveen
    Underrated as a founding film of the French New Wave.

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Critic Reviews

Roger Ebert
April 17, 2007
Roger Ebert, Chicago Sun-Times

Gradually it becomes clearer that, starting with Le Petit Soldat, Godard was forging his own individualistic art and becoming the most relevant director of our time. Full Review

Jonathan Rosenbaum
April 17, 2007
Jonathan Rosenbaum, Chicago Reader

ubor's contemplative voice-over and Raoul Coutard's somber cinematography make this seem severe compared to the jazzy exuberance of Breathless. Full Review

Fernando F. Croce
May 13, 2012
Fernando F. Croce, CinePassion

A dry-ice parody of a spy thriller, an acute snapshot of the politics of struggle and the politics of relationships, and a captivating documentary account of a filmmaker falling in love with his actress Full Review

Dan Jardine
July 13, 2011
Dan Jardine, Daily-Reviews

Godard's followup to Breathless is both lesser and greater than its forefather. Full Review

August 29, 2006
TV Guide's Movie Guide

Le Petit Soldat is far more confusing than Breathless, jumping in and out of scenes without letting the audience get a grasp on the narrative. Full Review

June 24, 2006
Time Out

Looked at in the context of Godard's later, militant work, this film's analysis is at once naive and fascinating. Full Review

Christopher Null
July 5, 2005
Christopher Null, Filmcritic.com

Interesting historically, much less so artistically. Full Review

May 24, 2003
Film4

A lean and witty piece of politically engaged filmmaking that combines all the drive of a thriller with Godard's own, singular, New Wave aesthetic. Full Review

Dennis Schwartz
January 1, 2000
Dennis Schwartz, Ozus' World Movie Reviews

Godard is most clear in showing that the Left and Right are two sides of the same coin. Full Review

Jake Euker
October 10, 2005
Jake Euker, F5 (Wichita, KS)

No review available.

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