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Alain Delon, Bourvil, Gian Maria Volonté, Yves Montand, François Périer ... see more see more... , Paul Crauchet , Paul Amiot , Jean Champion , Pierre Collet , Robert Favart , Roger Fradet , Jean Franval , Jean Pignol , Yvan Chiffre , Robert Rondo , Andre Ekyan , Yves Arcanal , René Berthier , Jean-Marc Boris

Corey (Alain Delon) is the young gun in the French underworld who has just been released from prison. Escaped convict Vogel (Gian-Maria Volonté) hides in the trunk of Corey's car. The two enlist the h... read more read more...elp of an alcoholic former cop (Yves Montand) for an elaborate jewelry-store robbery. Police inspector Mattei (Bourvil) whom Vogel escaped in the beginning of the film is on the case trying to recapture the criminals. He is not opposed to using blackmail techniques to get answers out of the unwilling witnesses and criminals brought in for questioning. ~ Dan Pavlides, Rovi

Flixster Users

92% liked it

6,037 ratings

Critics

95% liked it

58 critics

R, 2 hr. 15 min.

Directed by: Jean-Pierre Melville

Release Date: January 1, 1970

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DVD Release Date: December 1, 1990

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Stats: 457 reviews

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Flixster Reviews (457)


  • December 10, 2011
    A good French heist thriller from the 70's that's a slow-burn, but delivers in spades when it comes to tension and atmosphere. A daring jewelry theft is the highlight of the movie, and kept me on the edge of my seat.
  • November 8, 2011
    Jean-Pierre Melville's masterpiece Le Cercle Rouge (The Red Circle) is a police procedural meets heist film that seems to be almost a playbook for all films like it that came afterwards. Whether it was a consious effort on other filmmaker's parts or developed along the lines by s... read moreerendipity, the caper film was forever-influenced by the likes of people like Brian De Palma. To boot, there are masterful performances from both Alain Delon and Gian Maria, two men whose characters are brought together by circumstance but develop an unspoken friendship throughout the film that pays off beautifully in the end. Although the overall pace at times is a little lax, the film itself, in style, performance and execution, is a terrific piece of cinema.
  • September 20, 2011
    The jewelry store scene alone is worth the four stars.
  • August 27, 2011
    This movie makes the Fonz look like Peter Parker. Nothing is cooler than a Melville/Delon pairing.
  • August 9, 2011
    In my opinion, Melville's best work. How he manages to blend the grittiness of the American heist film with the sexiness of the French New Wave is beyond me. All I do know, is that it is hard not to be enthralled by this film.
  • August 2, 2009
    Crime noir at its finest, with dark and grim cinematography and a story that will have you hanging onto the edge of your seat. This just proves that you really don't need that much of a dialouge to keep the story going and to keep the attention of your audience. Some of the best ... read moreacting I've seen in a long, long time. Melville, I must see more of your work!

    Another reason why european cinema is a continued favourite of mine. :D
  • April 15, 2009
    melville and delon come together again for a gripping tale of intrigue. one of melvilles best films, this story grabbed me from the first moment as we see the stories of two criminals side by side until a fateful moment when their paths collide in the red circle. the heist scen... read moree is paced for real time and is executed brilliantly, the side stories involving the mob are interesting and placed well into the story, and the cat and mouse between the theives and the police is mapped out perfectly. the absense of music through most of the film created a reality that set in, and the camera shot and angle choices specifically stood out. brilliant film.
  • fb1142797643
    November 19, 2009
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    A marvelous caper film which is long but never *seems* long. Add a bonus point for the alcoholic-hallucination scene...a delightfully perverse indulgence.
  • fb208103125
    July 8, 2011
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    I have to say that I really haven't seen a gangster film at all like this. Don't get me wrong, I have seen many many films from American to Japanese Yakuza films but none with the style and suspense as Le Cercle Rouge! The lack of music throughout really makes you feel there wi... read moreth the three men and their trials, especially during the heist and ensuing chaos. The acting and direction is incredible fine tuned and showcases the detail that went into the screenplay and direction. The film bleeds style both figuratively and literally! Highly Recommended for anyone into gangster films, noir films, or anyone simply looking for a great suspenseful film!
  • December 26, 2010
    After watching Le Samourai about a week before this, I thought 'I wanna see more of this Alain Delon guy'. And this movie sparked the start of my obsession.

    It started off really good. Then it got iffy for a while, and then there was that awesome heist scene. So, so awesome. Tha... read moret is how all heists scenes should be.

Critic Reviews


Robert Denerstein
August 15, 2003
Robert Denerstein, Denver Rocky Mountain News

I can't say that Cercle Rouge is an overlooked masterpiece, but it's an amazing antidote to the current style of filmmaking in which silence and causal relationships are routinely disregarded.

Colin Covert
July 24, 2003
Colin Covert, Minneapolis Star Tribune

If you ever wanted to know how to look good wearing a trenchcoat, lighting a cigarette, handling a revolver, drinking a whiskey or overpowering an armed guard, Jean-Pierre Melville's 1970 gangster dra... Full Review

Ty Burr
June 27, 2003
Ty Burr, Boston Globe

The director's penultimate work. Full Review

Steven Rea
June 19, 2003
Steven Rea, Philadelphia Inquirer

A slo-mo gem of gangster cool.

Chris Vognar
June 12, 2003
Chris Vognar, Dallas Morning News

Stylish, meticulous and moody, thanks largely to the work of cinematographer Henri Decae. Full Review

Eric Harrison
June 5, 2003
Eric Harrison, Houston Chronicle

A moody, deliberately paced meditation on destiny (and style) enlivened by stunning bits of business. Full Review

Roger Ebert
May 23, 2003
Roger Ebert, Chicago Sun-Times

There is one cool, understated scene after another. Full Review

Michael Wilmington
May 22, 2003
Michael Wilmington, Chicago Tribune

A classic of the clenched-fist, dark-skied, doom-laden world of noir. Full Review

Mick LaSalle
May 2, 2003
Mick LaSalle, San Francisco Chronicle

A minor classic, mainly for reasons besides its crime story plot -- namely, the urbane fatalism of its cast and the overall mood of inevitability that hangs over every scene. Full Review

Bruce Newman
May 1, 2003
Bruce Newman, San Jose Mercury News

Cercle's set piece -- which arrives well beyond the midpoint -- never has the carat-weight of the gem mounted in the middle of Rififi, but once it has turned that corner, the movie begins to soar. Full Review

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