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Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoëff, Francoise Spira, Pierre Barbaud ... see more see more... , Françoise Bertin , Luce Garcia-Ville , Héléna Kornel , Jean Lanier , Gilles Quéant , Wilhelm von Deek , Gerard Lorin

A cinematic puzzle, Alain Resnais' Last Year at Marienbad is a radical exploration of the formal possibilities of film. Beautifully shot in Cinemascope by Sacha Vierny, the movie is a riddle of seduct... read more read more...ion, a mercurial enigma darting between a present and past which may not even exist, let alone converge. The film stars Giorgio Albertazzi as an unnamed sophisticate attempting to convince a similarly nameless woman (Delphine Seyrig) that they met and were romantically involved a year ago in the same enormous, baroque European hotel. In the end, it hardly matters -- they're not characters so much as pawns anyway. Hypnotically dreamlike, Last Year at Marienbad is a surrealist parody of Hollywood melodrama, a high-fashion romance with a dark, alien underbelly. According to screenwriter Alain Robbe-Grillet, the movie is a pure construction, without a frame of reference outside of its own existence -- the lives of its characters begin when the lights go down, and conclude when they come back up. ~ Jason Ankeny, Rovi

Flixster Users

86% liked it

6,392 ratings

Critics

95% liked it

42 critics

Unrated, 1 hr. 33 min.

Directed by: Alain Resnais

Release Date: June 25, 1961

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DVD Release Date: February 23, 1999

Stats: 633 reviews

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Flixster Reviews (633)


  • fb619846742
    March 15, 2011
    fb619846742
    An intriguing, stylistic, but plodding picture concerning anonymous figures, one of which being an aggressive male trying convince a beautiful female that the two of them had an affair a year ago that day. The film has tons of style and gets tricky with the camera, especially nea... read morer the conclusion, but this is literally one of the longest movies I felt I have seen - and it is only 93 minutes long! Sure, the acting is good, and this is pretty good melodrama, but it is a film that refuses to tie up any loose ends, and as a result, feels disappointing. Ambiguous endings are great when done correctly, sadly this film misses out.
  • November 23, 2010
    I saw this movie for a class, but I didn't watch the entire film because it's so slow and boring, but it is actually pretty atmospheric most of the time. Overall, it's okay, not great, but not bad either.
  • August 23, 2010
    If you go into this film thinking of it more as a poem about someone's memory of an "affair" (love / obsession / lust) that has been pulled from their mind in the (slightly disconbobulated) manner that one tends to rememebr things of that nature, I think you're in for a treat.
    ... read more
    Included in this poetic revisting of an "affair" that may or may not have actually happened (at least not in a physical sense) is the realization that our memories of such things are so often tainted by our tendency to make them so much more (beautiful/painful) then they may have actually been. The overly romantic heart is a very powerful thing and can often wrestle our more practical minds into submission when love/lust/passion is a key element.

    I think the reason why so many people have issues with this film is probably because of the fact that it is so beautifully shot and so much thought is given to all of the lush visuals that our minds immediately go into a traditional "epic romance" mode, when in fact "abstract poetry" mode is what is required as there is NOTHING traditional about this film.

    I also really enjoyed the sense of Deja vu that is given from the revisiting of the memories of "last year" and how they are ever so slightly changed each time we witness the memory. But I can see how this could really put some people off.

    So if you are open to a beautiful but quirky and abstract telling of a romance that may or may not have happend....you are in for a treat.
  • May 9, 2008
    Beautifully shot and mind numbingly pretentious, this piece of film art is worth seeing for it's stylistic influences alone. An obvious influence on Kubrick's the Shining.

    The multiple time lines and non linear story telling style may infuriate some viewers.
  • November 5, 2006
    An amazing looking film that makes you feel like you're drunk.
  • fb208103125
    June 21, 2011
    fb208103125
    Dreamlike in every sense of the word the film is more style and wonderful cinematography than cohesive plot. This isn't to say that there isnt a plot or its a shallow one, but a film that can't be easily deconstructed. The techniques used in filming are inspiring and continue to ... read morebe an example today. This really is a visual and atmoshpheric film that keeps your eyes glued to the screen. Highly Recommended!
  • August 8, 2010
    There's very little in terms of plot development, but that doesn't make this film any less haunting. What's so engaging about it (besides a stunning cinematography and a fantastic score) is the way the story and the visuals play with our mind - the aacurate way it depicts how dre... read moreamlike and vague memory can be.
  • October 8, 2009
    This is a movie with a very creative and haunting visual style and it has a narrative filled with interesting ideas. That should be a perfect mix, but unfortunately I it felt to me like the creative visuals didn?t really compliment the creative story all that well and vice versa... read more. Of the two elements I probably liked the visuals better, the way Resnais films the hotel this takes place in a beautiful and haunting, I have a hunch that this was an inspiration for the way Kubrick filmed The Shining. However, I?m not sure that this slow, sterile, and artful style was really a good choice to convey the talky, passionate, and emotional story at the center of it all. The whole thing was generally very slow, I got an Antonioni vibe from the whole thing and that is not a compliment.
  • May 26, 2008
    Simply a masterpiece.

    A simple plot of a man trying to convince a woman that they had an affair the previous year, yet still a complex puzzle which will take more than one viewing to fully undertand.
    The black and white cinematography is beautiful. The tracking shots throug... read moreh the corridors of the baroque hotel are also sublime.
    A truly unique experience.
  • March 13, 2007
    You would most likely hate this film or just not understand a thing of this film. But you could admire the cinematography which is fabulous. Before seeing the film, you should be aware that it is crazier than David Lynch's films. It is nothing that anyone could expect.

Critic Reviews


Sid Smith
May 1, 2008
Sid Smith, Chicago Tribune

To even talk of a story is nonsensical, since a central aesthetic of the film involves the effects of fantasy, time and subjective memory on human consciousness. Marienbad takes place in a heightened,... Full Review

Mark Feeney
February 29, 2008
Mark Feeney, Boston Globe

Marienbad is elegantly hermetic, a ravishing waxworks that has stillness at its heart. Full Review

Kevin Thomas
February 1, 2008
Kevin Thomas, Los Angeles Times

Remains one of cinema's glorious enigmas, endlessly compelling and intriguing. Full Review

J. Hoberman
January 15, 2008
J. Hoberman, Village Voice

The movie is what it is -- a sustained mood, an empty allegory, a choreographed moment outside of time, and a shocking intimation of perfection. Full Review

Jonathan Rosenbaum
January 15, 2008
Jonathan Rosenbaum, Chicago Reader

The film's dreamlike cadences, frozen tableaux, and distilled surrealist poetry are too eerie, too terrifying even, to be shaken off as camp. For all its notoriety, this masterpiece among masterpieces... Full Review

Bosley Crowther
May 9, 2005
Bosley Crowther, New York Times

Be prepared for an experience such as you've never had from watching a film when you sit down to look at Alain Resnais' Last Year at Marienbad, a truly extraordinary French film. Full Review

Roger Ebert
January 1, 2000
Roger Ebert, Chicago Sun-Times

It is a deliberate, artificial artistic construction. I watched it with a pleasure so intense I was surprised. Full Review

Budd Wilkins
December 21, 2011
Budd Wilkins, Slant Magazine

The poster child of cinematic modernism, one of those early-'60s event films that seemed to break every rule classical Hollywood ever codified. Full Review

Jason Solomons
July 10, 2011
Jason Solomons, Observer [UK]

I've always found it romantic and sexy, full of yearning and mystery. Full Review

Derek Malcolm
July 8, 2011
Derek Malcolm, This is London

Was there ever a film thought so boring by so many yet accorded the status of a classic? Full Review

Critic ratings and reviews powered by RottenTomatoes.com

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