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Dirk Bogarde, Ingrid Thulin, Helmut Griem, Helmut Berger, Renaud Verley ... see more see more... , Albrecht Schoenhals , Charlotte Rampling , Florinda Bolkan , Irina Wanka , Karin Mittendorf , Nora Ricci , Reinhard Kolldehoff , Umberto Orsini , Valentina Ricci , Wolfgang Hillinger

The rise of Nazism as reflected within a decadent German industrialist family.

Flixster Users

83% liked it

438 ratings

Critics

90% liked it

10 critics

R, 2 hr. 36 min.

Directed by: Luchino Visconti, Enrico Medioli

Release Date: December 18, 1969

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DVD Release Date: February 17, 2004

Stats: 49 reviews

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Flixster Reviews (49)


  • October 22, 2010
    The first half is fascinating, showing the depravity of the rising Nazism reflected on the decay of the Essenbeck family. After that, however, it seems that Visconti does not want to conclude his story, and he goes on indefinitely in an endless soap-opera of backstabbing and murd... read moreer plots.
  • May 24, 2010
    Based on a family's foray into unadulterated corruption during the third Reich. Initially, the relationships of the various characters were difficult to follow, but their manipulations and depravity slowly and memorably reveal their personalities. Debauchery and decadence are i... read morentrinsic within the Nazi regime. Helmut Berger's performance is amazing as he transforms from a dandy to a completely evil and ruthless man. The ending is incredible.
  • fb1142797643
    May 2, 2012
    fb1142797643
    In 1930s Germany, the aristocratic Von Essenbeck clan struggles amidst the Nazi regime to retain control over an industrial empire, while the family members react with varying degrees of compliance.

    This lengthy, ponderous drama lacks the slam-bam action that one might expect fr... read moreom a Nazi-themed film -- in fact, there is really only one violent scene. Nor is hatred toward Jews a strong motif. No, this tale is more about corruption and betrayal within the ruling Germans themselves, both between the Von Essenbecks and the Nazis and between the rival SS and SA factions of the national army. Along the way, the script's treats include occasional pedophilia, incest, suicide, transvestitism, homosexuality and a mild orgy (hence the film's initial X rating), as well as one of cinema's most unromantic wedding scenes ever. However, be prepared to weather plenty of dour, sluggish dialogue.

    The filmmaking is masterful beyond a somewhat florid score which seems unsubtle at times, but there is one important problem: The cast includes three or four male actors with similar feminine, blue-eyed, high-cheekboned features, and it requires extra work to avoid being confused by these characters' interwoven plots. Watch closely.

    Note to xenophobics: You might be surprised to learn "The Damned" is almost entirely in English.

Critic Reviews


Vincent Canby
May 20, 2003
Vincent Canby, New York Times

A spectacle of such greedy passion, such uncompromising sensation, and such obscene shock that it makes you realize how small and safe and ordinary most movies are. Full Review

Ken Hanke
October 22, 2008
Ken Hanke, Mountain Xpress (Asheville, NC)

Imperfect and excessive -- and also essential. Full Review

Cole Smithey
September 26, 2005
Cole Smithey, ColeSmithey.com

By boldly confronting the psycho-sexual depravity of the Nazi mindset, all the way through to is inevitable incestuous nature, Visconti creates a specific cinematic vernacular for viewing and discussi... Full Review

Michael E. Grost
August 13, 2005
Michael E. Grost, Classic Film and Television

Visual remarkable, endlessly inventive critque of Hitler's Germany. Full Review

Emanuel Levy
June 19, 2005
Emanuel Levy, EmanuelLevy.Com

Lavishly mounted, Visconti's melodramatic spectacle draws parallels between the demise of a German rich and powerful clan and the rise of Hitler to power. One of the 1960s most popular and controversi... Full Review

Dan Jardine
July 21, 2004
Dan Jardine, Apollo Guide

The Damned is a lot of things - bilious and perverse are the two first adjectives that spring to mind - but one thing it is not is a film of half-measures. Full Review

Dan Jardine
June 27, 2004
Dan Jardine, Cinemania

Occassionally overflows with self-indulgence and didacticism, weakening an otherwise and often potent critique Full Review

Eric Henderson
February 17, 2004
Eric Henderson, Slant Magazine

By the end of the opening sequence, the film has already indulged in pan-sexuality, corporate backstabbing, anti-reactionary suppression, pedophilia, and murder plots. Full Review

Christopher Null
February 9, 2004
Christopher Null, Filmcritic.com

the script feels like it's written by a graduate student doing a research paper on Mein Kampf Full Review

Carol Cling
August 29, 2003
Carol Cling, Las Vegas Review-Journal

No review available.

Critic ratings and reviews powered by RottenTomatoes.com

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