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Jean Gabin, Simone Simon, Julien Carette, Fernand Ledoux, Jean Renoir ... see more see more... , Blanchette Brunoy , Gerard Landry , Jenny Hélia , Colette Regis , Jacques Berlioz , Jacques B. Brunius , Charlotte Clasis , Tony Corteggiani , Guy Decomble , Emile Genevois , Claire Gerard , Leon Larive , Georges Péclet , Marcel Peres , Georges Spanelly

Based on a novel by Emile Zola, La Bete Humaine weaves a mesmerizing tale of a tragic triangle. Train engineer Jean Gabin lusts after Simone Simon, the wife of his co-worker Fernand Ledoux. When Ledou... read more read more...x is in danger of losing his job, Simon offers herself to her husband's boss. In jealous pique, Ledoux kills the man. Gabin is witness to this, so Simon promises to reward him sexually if he'll keep quiet. As this romance intensifies, Simon tries to finagle Gabin into killing Ledoux. Sick of the whole sordid affair, Gabin murders Simon and then kills himself. When Fritz Lang remade La Bete Humaine as Human Desire in 1953, he carefully copied several of the best visual selections made by Jean Renoir in the original film; what he was not permitted to copy was the story itself, which had to be heavily laundered to accommodate Hollywood's censorship limitations. ~ Hal Erickson, Rovi

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85% liked it

1,788 ratings

Critics

100% liked it

12 critics

Unrated, 1 hr. 30 min.

Directed by: Jean Renoir

Release Date: January 1, 1938

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DVD Release Date: February 14, 2006

 

Stats: 109 reviews

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Flixster Reviews (109)


  • April 4, 2010
    Lovely Simone Simon (see Cat People) is a deadly seductress scheming her way from relationship to relationship. An accomplice to murder, she watches as husband kills lover. Feeling trapped, she takes a new lover, Jacques Lantier (Jean Gabin), and suggests that he kill th... read moree husband. A vicious cycle that could continue to perpetuate itself, but good ole' Jacques has a few demons of his own.

    La Bęte humaine is a cinematic perfect storm. All the elements (Gabin, Simon, Renoir, Zola) come together to create a masterpiece of romance, tragedy and betrayal.
  • October 9, 2009
    I dunno about this one. It had its moments of suspense, romance, etc. The scenes on the train and in the trainyard looked great. I've liked Jean Gabin in everything I've seen him in, and he doesn't disappoint here as Lantier. But forgive me, fans of her beauty (and she IS indeed... read more beautiful), but Simone Simon's screen persona of spoiled pouting child gets old with me really quickly. It worked in Cat People, but here it's just annoying. The substory of the mysterious syndrome that turns Lantier into a murderous psychopath at the drop of a hat seemed very "deux ex machina" to me, kinda lame and gimmicky.The ending would have been more meaningful without it. I felt like this when I saw Le Bete Humaine the first time years ago, and my 2nd veiwing didn't change anything. Basically, a little overrated.
  • October 30, 2007
    a french renoir classic adapted from the realism mater emile zola's "the human beast"....zola's been noted for his naturalistic and experiemental descriptions of rotten audacity hidden among society in a more objectively severe method instead of vulgar sensationalism....the film... read more version somehow de-sexualizes the original and dignified with a more moral ending as the revival of character conscience brightened by jean gabin's decent mensch image. atagonist jacques has an inherited hatred toward women, struggling to distract his focus from strangling any woman in touch with him to death that only implies a bit in the first 20 mins of the flick. and the film centers more on jacques' guilty consciousness of being descended into a married woman's connived accomplice of murderous crime and his innocent resistance to his mistress's seduction into commiting the actual ruthless murder on her decadent gambling husband. eventually he surrenders to her ingenune-alike femme fatale charisma but what fate and his corrupted blood would repel against his wish to reunite his happiness with her??

    in zola's original, jacques is more of lusicous slave empowered by beguiling female allure...also a striking creature in zola's endorsed description...and the cuckolding wife is a lecherous calculated woman who seeks every chance to have affairs....they are both beast-alike and enslaves by their own greed and lust. and adulteris are permeating in the novel...jacques even sleeps with his coleague's wife to testify the syptoms of his peculiarly pathological sexual illness that leads into the catastrophe of a whole trainwreck in the end. the end is a social metaphor commenting that all these beastly scum-men and other bystanding hypocrites should purgated by blood and sentenced to the ruin as serving justice.
    but renoir's movie interpretation is rather an individual tradegy, a self-destruction as redemption sort of thing than zola's strictly dissected social criticism tainted with un-forgiving cynicism.

    personally i highly recommend zola's novels...he writes those deceased society tales with bluntly sharp perspects without abusive profanity.... english or american literature usually preserve the salving mercy or moralistic lecturing in the very end, even cynicist maugham would assign some saving grace of warming female companionship for his limp protagonist as closure.
  • February 5, 2011
    Jean Renoir's dark retelling of the classic novel by Emile Zola has beautiful naturalist cinematography, stunning locomotive sequences, and bravura talent courtesy of the three leads (Gabin, Simon, and Ledoux). La Bete Humaine is the equivalent of Emile Zola (praising everyman va... read morelues) writing Crime and Punishment, as in all of the characters have hidden scars, mostly from murder, and you watch as they go from having ordinary lives to destructive relationships. There are some amazing moments with Renoir's camerawork and the acting, and a lot of okay ones, and though the finale was intense, the just okay moments overtake most of the film's running time, rendering a longer than it should'v been.

    All in all, a great Zolaesque character study. 88/100
  • July 14, 2008
    Criterion really did an incredible job with this transfer. The images are so crisp.
  • May 6, 2010
    All serious film noir fans should see the baby that started it all. This was the induction of the 'femme fatale' played here by Simone Simon, the petty & child-like schemer in Renoir's brilliant show case about a woman who plays her own devilish games using men to her advantages ... read moreby seducing them. Jean Gabin made this film for me though, as he is always a pleasure to watch. He suffers from internal demons causing him to do things that he can't explain. It's simply an illness for him and he takes it as reason.

    As a whole, it's a good dramatic movie but a bit slow paced at times. However, I did find it to be rewarding in the end. Renoir worked magic with a camera and shot the train scenes with such perfection and magnificence which is important and central to the plot and is in conjunction with Jean Gabin's character. Alot of little details lead me to believe that Renoir was definitely ahead of his time and his legacy lives on because of that.
  • September 9, 2008
    a fascinating exploration into the darkness of humanity from jean renoir. the cinematography, especially in the train scenes, is breathtaking. great performances from the 3 central characters. jean gabin is incredible! one of the first noir films and one of the greatest.

Critic Reviews


Frank S. Nugent
March 25, 2006
Frank S. Nugent, New York Times

It is simply a story; a macabre, grim and oddly-fascinating story. Full Review

Dave Kehr
January 1, 2000
Dave Kehr, Chicago Reader

Jean Renoir's generous sensibility seems at odds with the sterile determinism of the Zola novel on which this 1938 film was based. Full Review

August 30, 2006
TV Guide's Movie Guide

Features one of Jean Gabin's greatest performances -- one with even more force than the locomotive he powers. Full Review

Mark Bourne
April 5, 2006
Mark Bourne, DVDJournal.com

La bête humaine may show Renoir at his darkest, but as always Renoir in his observantly caustic mode can't bring himself to not splash highlighting colors onto his preeminently human canvas. Full Review

Peter Canavese
February 26, 2006
Peter Canavese, Groucho Reviews

[Renoir's] expertise behind the camera--and his driving curiosity for human constructs and human nature...elevate La bete humaine to an unforgettable filmic experience.

February 9, 2006
Time Out

Superb performances from Gabin, Simon and Ledoux as the classic tragic love triangle. Full Review

Laura Bushell
May 24, 2003
Laura Bushell, Film4

The central performances in this tragic love triangle are brilliant and utterly convincing. Full Review

Dennis Schwartz
January 13, 2003
Dennis Schwartz, Ozus' World Movie Reviews

... it's the hot visuals that make the film so explosive. Full Review

March 26, 2009
Variety

Click to read the article Full Review

Frank Swietek
June 11, 2008
Frank Swietek, One Guy's Opinion

No review available.

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