Weird, didn't like it.
Niloufar Pazira, Hassan Tantai, Sadou Teymouri
Iranian filmmaker Mohsen Makhmalbaf examines the troubling story of life in neighboring Afghanistan in this compelling drama. Nafas (Niloufar Pazira) is a reporter who was born in Afghanistan, but fle... read more
DVD Release Date: May 13, 2003
Stats: 227 reviews
Your Rating
Flixster Reviews (227)
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December 7, 2007
Hmm This movie surprisingly kept my interest. Probably because it was so short. But I thought it had some disturbing, lyrical scenes. Worth a viewing, if you're feeling like learning about new cultures.
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November 2, 2010
An interesting movie that centralizes on a woman's journey to save her sister in a country she has not been to since childhood.
Niloufar Pazira stars. Worthy! -
August 4, 2010
KANDAHAR was a semi-documentary movie that told the journey of an Afghani female journalist resident in Canada, Nafas, to reach the city of Kandahar, where she hoped to rescue her sister from committing suicide during an eclipse.The plot was very thin and the acting was frequent... read more
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April 2, 2012
Most of the lines in English were not read particularly well, to say the least, but that's extremely secondary in this film.
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April 29, 2008
at first, i thought that this somehow would surpass OSAMA, or at least be at the same level with it. but along the way, i got dissappointed. fairly because of the storyline and the acting perhaps? the concept is quite good. a search for a suicidal younger sister sounds fine. but,... read more
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December 12, 2007
Subtly moving and it made me think. Scenes were short and straightforward and the colors were vibrantly exploitative
Critic Reviews
Moves not like a story but a poem, and the images it presents to us are unforgettable.
Its themes are universal, its performances are effective in their simplicity and the direction is confident and unfussy.
Intense, anecdotal and empowered by perversely beautiful imagery.
Perhaps best appreciated as a record of what life was like before the U.S. invasion and as a lesson in why the rest of the world should have cared even before the terrorist attacks. Full Review
Today, after the liberation of Kandahar, what was originally conceived by Makhmalbaf as a panorama of images of life during wartime may now serve as its eloquent epitaph.
Kandahar is forbidding and unforgiving -- and, also, unforgettable. Full Review
The film is best appreciated as an open-ended 'fictional documentary' rather than a conventional feature with a beginning, middle and end. Full Review
Kandahar does not provide deeply drawn characters, memorable dialogue or an exciting climax. Its traffic is in images. Full Review
A window on an Iran and an Afghanistan we should have taken account of long ago -- seen though a master's eye, felt through a poet's touch. Full Review
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