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Nancy Allen, Bobby Di Cicco, Marc McClure, Susan Kendall Newman, Theresa Saldana ... see more see more... , Wendie Jo Sperber , Eddie Deezen , Christian Juttner , Will Jordan , Read Morgan , Claude Earl Jones , James Houghton , Wil Albert , Luke Andreas , Derek Barton , Ivy Bethune , Victor Brandt , Ed Call , Vito Carenzo , Kristine de Bell , Michael Hewitson , Poppy Lagos , Gene Lebell , Sherry Lynn , John Malloy , Bob Maroff , Troy Melton , Dick Miller , Boyd 'Red' Morgan , Jim Nickerson , George Sawava , Newt Arnold , Marilyn Fox , Chuck Waters , Marilyn Moe , Roger Pancake , Larry Pines , Dave Adams , Nick Pellegrino , James Hewitson

The time is 1964, and the Beatles, already a hugely popular group, are about to go on the Ed Sullivan Show for the first time, an appearance that launched them into a worldwide phenomenon. Already, gi... read more read more...rls are fainting during their concerts from sheer excitement at being in the same theater with them. Pam Mitchell (Nancy Allen) is happy enough to be getting married but wants to bed one of the "Fab Four" before she does. Grace Corrigan (Theresa Saldana), a dedicated fan, is certain that if she can get some exclusive photos of the Beatles, her career as a photographer will be secured. And then there are two people who feel that the future of civilization as we know it depends on their efforts to ruin the Beatles' appearance on Ed Sullivan's show. In this madcap comedy, when these people (and others besides) descend on the New York hotel the Beatles are staying in, things begin hopping. This comedy was Robert Zemeckis' first feature. A protégé of Stephen Spielberg, he went on to direct Forrest Gump, Back to the Future, and Who Framed Roger Rabbit? among other popular features. ~ Clarke Fountain, Rovi

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73% liked it

2,662 ratings

Critics

83% liked it

18 critics

PG, 1 hr. 44 min.

Directed by: Robert Zemeckis

Release Date: January 1, 1978

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DVD Release Date: September 28, 2004

Stats: 142 reviews

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Flixster Reviews (142)


  • January 6, 2011
    A cute, funny, amusing tale of Beatles fans in the 60s. Also, look for (Back to the Future's) Marty McFly's siblings who both play characters in this movie! I really liked this movie, it's very funny.
  • June 10, 2008
    Makes you wish you were alive in 1964
  • March 13, 2012
    It's the directorial debut of big shot director Robert Zemeckis and is produced by Steven Spielberg, and yet, there's not one single person in this cast who's name is recognizable, or if it is, it was probably attached to something you'd care not to remember. Some people might wa... read morenna hold their hands, but they don't want to have to recognize their names. ...Hello, is anyone back from getting lost after I mentioned Robert Zemeckis and Steven Spielberg as if they were two different people yet? Well, when it comes to that, I think the only people we need to worry about getting lost as I try to distinguish the two directors are New Yorkers, because Spielberg is Jewish and Zemeckis is Italian, and in the Big Apple, there's scarce difference. Okay, here's a good way to distinguish them: now-a-days, Spielberg makes consistently good movies, whereas Zemeckis, now-a-days, makes consistently excellent movies. Note that I emphasize "now-a-days", because let me tell you, this film is not among Zemeckis' greats. Don't get me wrong, it's a pretty decent film, yet nothing to write home about, and there are a couple of reasons why.

    As much as I love Bob Zemeckis, don't go thinking that "Cast Away" was his first experiment with slow storytelling. Of course, if you're thinking that "Cast Away" was his first experiment with storytelling that should be slow, then you're right on the money, particularly when it comes to this film film, because this Beatles-based beat is a slow one indeed, which is to be expected, considering that this was Zemeckis' debut, before he honed his skills. Heck, even David Fincher wasn't killing it dead - as he always does now-a-days - with "Alien 3", and sure enough, this film drifts along, diluting resonance that was already hit pretty hard by limited development and the fact that when it's not slow and quiet, it's so frantic and noisy that really grates into your nerves after a while. This further distances you from the story and characters, and it doesn't help that the story and cast are already lacking in compellingness, because they're even more lacking in originality. From the fanatic fangirl to the satirical, cool, rebel boy that falls into slapstick humor, almost, if not every single character in this cast is a type that we had seen maybe a little too much by 1978, alone. Now, it's not like this film leans closer to being "that" mediocre lost film for Zemeckis than "Death Becomes Her", yet there's little that's top-notch or even terribly upstanding about his film, leaving it forgettable. Oh wait, becoming forgettable is something that would happen to your typical film of this type, which, don't get me wrong, this film doesn't transcend its conventions and flaws, but neither does it collapse under the weight up them, mostly because, even in the beginning, Zemeckis knew how to tell a joke.

    Now, not all the jokes - particularly the slapstick ones - hit, but the ones that do really charm. As slow as the film is in pacing and resonance, you never fall out, because there's such an unrelenting aura of charm burning off of the screen, thanks almost entirely to Zemeckis' staging of these comedic set pieces. There are sight gags and snappy lines, and even moments where the film actually expresses awareness of its cliched story and characters in a more often than not genuinely effective fashion. This was before the Zemeckis era of dazzling visual effects and awesome, sweeping cinematography, so don't expect that to wake you up through all of the low points in the film, but you can always depend on the humor to keep you going. Of course, a joke means nothing unless someone is telling it, and while I will give plenty of credit to Zemeckis for the humor being so often effective - seeing as plenty of the effective jokes have a feeling that's common with Zemeckis' comedic acting directing -, I've got to say, in the immortal words of the clearly not immortal Jonh Lennon himself, power to the people. The cast is a familiar and sometiems obnoxious one, yet, at the end of the day, they win you over with charisma and their nifty, reasonably authentic embodyment of these products of his or her time, whether they be the raving fan of the pop, the protester of the pop or the guy who fancies himself just too cool for all this pop. The film's 1960s timeline isn't in your face; it's organic, it's charming and leaves you enjoying yourself way more often than not.

    At the end of the day in the life (Get it, Beatles geeks?), you'll walk away having seen the same-old-same-old, only with less development and more slowness broken up by many obnoxious, if not just plain grating moments of noise, yet what leaves this film to stand its ground is Robert Zemeckis showing off his now notorious comedic skills, as well as the colorful cast of charismatic performers that charmingly recreate 1960s pop culture with subtlety and help make "I Wanna Hold Your Hand" an attention-grabbing debut for the now-great Robert Zemeckis and a generally entertaining film on its own.

    2.5/5 - Fair
  • December 25, 2007
    Hilarious! Cute.
  • January 1, 2010
    This is a really fun film. Wendi Jo Sperber gives a delightful and funny performance. A very entertaining glimpse at Beatlemania. Fast paced, great cast. It's nothing deep but it's great.Of course the Beatles music is great too!
  • June 3, 2008
    OMGoodness i LUVED dis movie!! i would totally act like dese gurls if i was in da '60s and da beatles were playing.. crazay crazay movie

Critic Reviews


Frank Rich
June 1, 2011
Frank Rich, TIME Magazine

I Wanna Hold Your Hand re-creates precisely the excitement the Beatles let loose 14 years ago; it transports the audience back to the eye of a phenomenal social hurricane. Full Review

Janet Maslin
May 9, 2005
Janet Maslin, New York Times

If there's a tray full of food within camera range, rest assured that somebody will knock it over. If a stuck-in-the-elevator-on-the-eve-of-an-important-event routine presents itself, rest assured tha... Full Review

August 6, 2007
TV Guide's Movie Guide

An engaging, slapstick look at the effect the Beatles had on the US when they crossed the Atlantic. Full Review

Lori Hoffman
December 7, 2006
Lori Hoffman, Atlantic City Weekly

Delightful sleeper pic about obsessed Beatles fans

Geoff Andrew
February 9, 2006
Geoff Andrew, Time Out

In the best scenes, Zemeckis suggests how the Beatles' blend of irreverence, romance and innocence encouraged a kind of youthful rebellion that was almost completely sanctioned. Full Review

Oz
November 8, 2004
Oz, eFilmCritic.com

The film that started Zemeckis on his rise to fame. Coo coo kachoo. Full Review

Steve Crum
October 16, 2004
Steve Crum, Kansas City Kansan

Zany Beatles tale which has a lot of truth to it.

Frederic and Mary Ann Brussat
January 24, 2004
Frederic and Mary Ann Brussat, Spirituality and Practice

An interesting social document about a watershed media event as well as a thoroughly entertaining movie. Full Review

May 24, 2003
Film4

There are a few good moments (particularly for people who know the show's host and enjoy the spoof), but it seems an over heavy trip to the uninitiated. Full Review

Clint Morris
September 17, 2002
Clint Morris, Moviehole

Zemeckis has better in him...but this is a nice entree

Critic ratings and reviews powered by RottenTomatoes.com

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I Wanna Hold Your Hand Trivia


  • What was director Robert Zemeckis (Back to the Future, Forrest Gump) first feature film?  Answer »
  • All of these movies were inspired by what band? -All This and World War II -Sgt. Pepper's Lonely Hearts Club Band -I Wanna Hold Your Hand -All You Need Is Cash -The Rutles 2: Can't Buy Me Lunch -I Am Sam -Across the Universe  Answer »

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